The Flip Wilson Show

SELECTED BIBLIOGRAPHY

See notes for articles and additional sources. Acham, Christine. Revolution Televised: PrimeTime and the Struggle for Black Power. Minneapolis: University of Minnesota Press, 2005. Bennett, Lerone. The Negro Mood. Chicago: Johnson Publishing, 1964. Bodroghkozy, Aniko. Groove Tube: Sixties Television and the Youth Rebellion . Durham, NC: Duke University Press, 2001. Bogle, Donald. Primetime Blues: African Americans on Network Television . New York: Farrar, Straus and Giroux, 2001. Brown, Les. Televi$ion: The Business behind the Box. New York: Harcourt Brace Jovanavich, 1971. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1999. Diamond, Elin. Unmaking Mimesis: Essays on Feminism and Theater. New York: Routledge, 1997. Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of African American Literary Criticism. New York: Oxford University Press, 1988. Gitlin, Todd. Inside Prime Time. Berkeley: University of California Press, 1983. Glenn, Susan A. “‘Give an Imitation of Me’: Vaudeville Mimics and the Play of the Self.” American Quarterly 50, no. 1 (1998): 47–76. Gray, Herman. Watching Race: Television and the Struggle for “Black121 SELECTED BIBLIOGRAPHY ness.” Minneapolis: University of Minnesota Press, 1995. Hatch, James V., and Ted Shine, eds. Black Theatre USA Revised and Expanded Edition: Plays by African Americans, from 1847 to Today. New York: Free Press, 1996. Jenkins, Henry. What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia University Press, 1992. Johnson, E. Patrick, Appropriating Blackness: Performance and the Politics of Authenticity. Durham, NC: Duke University Press, 2003. Knight, Arthur. Disintegrating the Musical: Black Performance and American Musical Film. Durham, NC: Duke University Press, 2002. Lentz, Kirsten Marthe. “Quality versus Relevance: Feminism, Race, and the Politics of the Sign in 1970s Television.” Camera Obscura 15, no. 1 (2000): 45–93. Lhamon, W. T., Jr. Raising Cane: Blackface Performance from Jim Crow to Hip Hop. Cambridge, MA: Harvard University Press, 1998. Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press, 1993. Lyons, Paul. New Left, New Right, and the Legacy of the Sixties. Philadelphia : Temple University Press, 1996. Marc, David. Comic Visions: Television Comedy and American Culture. Boston: Unwin Hyman, 1989. MacDonald, J. Fred. Blacks and White TV: African Americans in Television since 1948. Chicago: Nelson-Hall, 1992. Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. New York: Routledge, 1994. Rogin, Michael. Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. Berkeley: University of California Press, 1996. Schulman, Norma Miriam. “Laughing across the Color Line: In Living Color.” Journal of Popular Film and Television 20, no. 1 (1992): 2–6. Spigel, Lynn. Make Room for TV: Television and the Family Ideal in Postwar America. Chicago: University of Chicago Press, 1992. Spigel, Lynn, and Michael Curtin, eds. The Revolution Wasn’t Televised: Sixties Television and Social Conflict. New York: Routledge, 1997. Stein, Charles W., ed. American Vaudeville: As Seen by Its Contemporaries . New York: Da Capo Press, 1984. Toll, Robert. Blacking Up: The Minstrel Show in Nineteenth-Century America. New York: Oxford University Press, 1974. 122 Selected Bibliography Torres, Sasha. Black, White, and In Color: Television and Black Civil Rights. Princeton, NJ: Princeton University Press, 2003. ———. Living Color: Race and Television in the United States. Durham, NC: Duke University Press, 1998. Watkins, Mel. On the Real Side: A History of African-American Comedy, from Slavery to Chris Rock. Chicago: Lawrence Hill Books, 1999. 123 Selected Bibliography This page intentionally left blank ...