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The title of Blue-Tail Fly comes from an antebellum song commonly known as “Jimmy Crack Corn.” The blue-tail fly is a supposedly insignificant creature that bites the horse that bucks and kills the master. In this collection, poet Vievee Francis gives voice to “outsiders”-from soldiers and common folk to leading political figures-who play the role of the blue-tail fly in the period of American history between the Mexican American War and the Civil War. Through a diverse range of styles, characters, and emotions, Francis's poems consider the demands of war, protest and resistance to it, and the cross-cultural exchanges of wartime. More than a narrowly themed text, Blue-Tail Fly is a book of balances, weighing the give-and-take of people and cultures in the arena of war. For lovers of poetry and those interested in American history, Blue-Tail Fly will illustrate the complexities of the American past and future.

Table of Contents

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  1. Cover
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  1. Contents
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  1. The Scale of Empire
  2. pp. 1-2
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  1. AFTERMATH
  1. 1880, The Binding Tie
  2. pp. 5-11
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  1. The Finishing Thoughts of Festus Spencer as He Looks into the Camera
  2. p. 12
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  1. I
  1. Frederick Douglass Speaks before the Anti–Mexican War Abolitionists
  2. p. 15
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  1. Ample Cause of War
  2. p. 16
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  1. General Taylor Convinces Himself That He Is for War
  2. p. 17
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  1. Doubt
  2. p. 18
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  1. Letter to the Governor of Texas
  2. p. 19
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  1. Notes from Officer Hitchcock’s Lost Leather Journal
  2. p. 20
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  1. Liberation
  2. pp. 21-22
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  1. By the end
  2. p. 23
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  1. Three Hundred and Seventy-Two Miles from Home
  2. pp. 24-25
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  1. Pokagon Accepts Colonel Taylor’s Invitation
  2. p. 26
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  1. Colonel Zachary Taylor Has Pokagon for Tea
  2. p. 27
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  1. The Escarpment
  2. pp. 28-29
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  1. In Private Conversation: Buchanan to Like Minds
  2. p. 30
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  1. The Book Speaks of Pretenders
  2. p. 31
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  1. South of Houston
  2. p. 32
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  1. II
  1. Civil Beginnings
  2. p. 35
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  1. Darling Wife
  2. p. 36
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  1. Grey Jebediah
  2. p. 37
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  1. The Bone Boiler
  2. pp. 38-39
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  1. Shadows
  2. p. 40
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  1. 1864, Fragments of a Camp near Yorktown
  2. p. 41
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  1. 1864, A Pocket Full of Rye
  2. p. 42
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  1. Snake Swamp
  2. p. 43
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  1. 1863, Walt Whitman Reads to the Limbless, Dying
  2. p. 44
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  1. Linsey-Woolsey
  2. p. 45
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  1. 1864, Dear Mother
  2. p. 46
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  1. Gettysburg: Blue and Grey
  2. pp. 47-48
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  1. A Singular Dispersion over Franklin, Tennessee
  2. pp. 49-50
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  1. Lincoln Dreams of Sarah, the Servant
  2. p. 51
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  1. “If Not for You”
  2. p. 52
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  1. 1863, Detroit Riots, Again
  2. pp. 53-54
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  1. 1864, Dear Son
  2. p. 55
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  1. III
  1. Private Athens Descries
  2. p. 59
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  1. Hannibal of Athens, Georgia
  2. p. 60
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  1. White Glove Test
  2. p. 61
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  1. Private Smith’s Primer
  2. p. 62
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  1. Br’er Rabbit in Chickamauga
  2. p. 63
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  1. Drummer Boy
  2. p. 64
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  1. Interview: Survivor, Fort Pillow
  2. p. 65
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  1. A Second Dream of Sarah
  2. p. 66
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  1. Nigger Pine
  2. p. 67
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  1. Lincoln Speaks after the Bones Are Thrown
  2. p. 68
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  1. The White Immensities
  2. pp. 69-74
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  1. Notes on the Poems
  2. p. 75
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  1. Credits and Acknowledgments
  2. p. 77
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