Art after Philosophy
Boris Pasternak's Early Prose
Publication Year: 2013
Published by: The Ohio State University Press
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Title Page, Copyright
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...t is said that it takes a village to bring up a child. This particular book has had so many aunts and uncles that to count would not be simple. I’ll start from my adolescence—Moscow of the late 1960s, a decade after Pasternak’s In my parents’ three-room apartment I was introduced to Doctor Zhivago. The novel came to us in the form of a thick carbon copy, typed from a text ...
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...he principal aim of this book is to expand and redefine an area in Slavic Studies that has, quite inexplicably, suffered from critical neglect for at least a quarter of a century—the innovative art of Boris Pasternak’s early prose, interdisciplinary to its core. Completed by the end of 1918, only three of these early fictional works—“The Mark of Apelles,” “Letters from Tula,” and ...
1. The Character of Philosophical Influence in Pasternak's Early Prose
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...ikhail Bakhtin, who never traveled to Marburg, spoke of Hermann Cohen as a formidable force in his own formation: “this was an extraordinary philosopher, who simply had an enormous influence on me, an enormous influence” (Duvakin et al., 1996, 36). No such sentiment or any other clear-cut evaluation of Hermann Cohen was ever expressed by Pas-...
2. Similarity and Contiguity in Pasternak's Early Poetics and Their Philosophical Underpinnings
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...n Safe Conduct, Pasternak presents a rather curious list of the philoso-phers who occupied his thoughts during his university studies in Mos-cow and Marburg: “Along with some of my acquaintances I had connections with ‘Musaget.’ From others I learned of the existence of Marburg. Kant and Hegel were replaced by Cohen, Natorp, and Plato” [uni0412месте с частьuni044E моих ...
3. Arguing with the Sun in "The Mark of Apelles"
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...n Pasternak’s writing, the gift of poetry is either identified with or perme-ated by an energy force that lifts the world from gloom and darkness and fills it, as it were, with fresh air. Both Tsvetaeva and Mandelstam in their portraits of Pasternak attest to this refreshing dynamism in his poetic world, Tsvetaeva by comparing it to pouring rain filled with sunlight [световоuni0439 ...
4. "Letters from Tula": "Was ist Apperzeption?"
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...strange fate befell Pasternak’s “Letters from Tula.” Among his critics the story provokes a silence almost as profound1 as its protagonist’s appre-hension of the “complete physical silence within his soul”: “Not an Ibsen silence, but an acoustic one” [в дуuni0448е настанет полнаuni044F uni0444изическаuni044F тиuni0448ина. uni041Dе ибсеновскаuni044F, а акустическая] (CSP 123; PSS 3:30; emphasis in original). ...
5. Contextualizing the Intellectual Aims of 1918: From "Letters from Tula" to The Childhood of Luvers
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...he year 1918 proved to be a highly significant one in Pasternak’s cre-ative life. His collection of poetry Over the Barriers [uni041Fоверх барьеров] was published in 1917; My Sister Life [uni0421естра моuni044F жизнь], finally published in 1922, was subtitled “Summer of the Year 1917,” which “indicated when most of its poems were written” (Barnes 1989, 228). “Letters from Tula” was ...
6. "The Long Days" in The Childhood of Luvers: Chronology of a Permeable Self
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...he analysis of “The Long Days” (Part I of Detstvo Luvers) will pursue sev-eral interconnected aims. Its principal goal is to emphasize the novella’s overall design, which has hitherto escaped critical notice. The Kantian notion of a posteriori and a priori ranges of perceptions will be approached as fun-damental to the organization of the novella: the analysis will explore how the ...
7. "The Stranger" in The Childhood of Luvers: Disruptions in Chronology and the Collision with Other Worlds
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...lthough The Childhood of Luvers is by far the best-known prose work of Pasternak’s early period, critics (with some notable exceptions) con-centrate on the overriding importance of the metonymic series in the earlier parts of the narrative, approaching these as prototypical of Pasternak’s early style.1 However, in his letter to Sergei Bobrov of 16 July, 19182 (the only sur-...
8. Conclusion: Pasternak's Symbolic World: Prose and Philosophy
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...asternak did not like his early style and rarely spoke about the influence of philosophy upon his thought. For the last three years of his life, he was openly distressed when his publishers in the West, in order to capture the interest of the market after the success of Doctor Zhivago, proceeded to seek out, translate, and publish his early prose. These prose works generated very ...
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Page Count: 408
Illustrations: 8 tables
Publication Year: 2013