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In Market Aesthetics, Elena Machado Sáez explores the popularity of Caribbean diasporic writing within an interdisciplinary, comparative, and pan-ethnic framework. She contests established readings of authors such as Junot Díaz, Julia Alvarez, Edwidge Danticat, and Robert Antoni while showcasing the work of emerging writers such as David Chariandy, Marlon James, and Monique Roffey. By reading these writers as part of a transnational literary trend rather than within isolated national ethnic traditions, the author is able to show how this fiction adopts market aesthetics to engage the mixed blessings of multiculturalism and globalization via the themes of gender and sexuality.

New World Studies
Modern Language Initiative

Table of Contents

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  1. Title Page, Copyright, Dedication
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-18
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  1. 1. Mixed Blessings: Readerships, Postcolonial Ethics, and the Problem of Intimacy
  2. pp. 19-45
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  1. 2. Kinship Routes: Contextualizing Diaspora via the Market in Andrea Levy and David Chariandy
  2. pp. 46-81
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  1. 3. Writing the Reader: Literacy and Contradictory Pedagogies in Julia Alvarez, Michelle Cliff, and Marlon James
  2. pp. 82-119
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  1. 4. Messy Intimacies: Postcolonial Romance in Ana Menéndez, Dionne Brand, and Monique Roffey
  2. pp. 120-153
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  1. 5. Dictating Diaspora: Gendering Postcolonial Violence in Junot Díaz and Edwidge Danticat
  2. pp. 154-196
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  1. Conclusion: Electronic Archives and the Digital Futures of Caribbean Diasporic Writing
  2. pp. 197-212
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  1. Notes
  2. pp. 213-228
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  1. Bibliography
  2. pp. 229-244
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  1. Index
  2. pp. 245-250
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  1. Recent Books in the New World Studies Series
  2. pp. 251-252
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