In this Book

  • Elizabeth Bishop in the Twenty-First Century: Reading the New Editions
  • Book
  • Edited by Angus Cleghorn, Bethany Hicok, and Thomas Travisano
  • 2012
  • Published by: University of Virginia Press
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summary

In recent years, a series of major collections of posthumous writings by Elizabeth Bishop--one of the most widely read and discussed poets of the twentieth century--have been published, profoundly affecting how we look at her life and work. The hundreds of letters, poems, and other writings in these volumes have expanded Bishop‘s published work by well over a thousand pages and placed before the public a "new" Bishop whose complexity was previously familiar to only a small circle of scholars and devoted readers. This collection of essays by many of the leading figures in Bishop studies provides a deep and multifaceted account of the impact of these new editions and how they both enlarge and complicate our understanding of Bishop as a cultural icon.

Contributors: Charles Berger, Southern Illinois University, Edwardsville * Jacqueline Vaught Brogan, University of Notre Dame * Angus Cleghorn, Seneca College * Jonathan Ellis, University of Sheffield * Richard Flynn, Georgia Southern University * Lorrie Goldensohn * Jeffrey Gray, Seton Hall University * Bethany Hicok, Westminster College * George Lensing, University of North Carolina * Carmen L. Oliveira * Barbara Page, Vassar College * Christina Pugh, University of Illinois at Chicago * Francesco Rognoni, Catholic University in Milan * Peggy Samuels, Drew University * Lloyd Schwartz, University of Massachusetts, Boston * Thomas Travisano, Hartwick College * Heather Treseler, Worcester State University * Gillian White, University of Michigan

Table of Contents

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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. vii-viii
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  1. Abbreviations
  2. pp. ix-x
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  1. Introduction
  2. pp. 1-8
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  1. Part I: Textual Politics: Looking into the New Elizabeth Bishop
  2. pp. 9-10
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  1. Alice in Wonderland: The Authoring and Editing of Elizabeth Bishop’s Uncollected Poems
  2. pp. 11-25
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  1. Postcards and Sunsets: Bishop’s Revisions and the Problem of Excess
  2. pp. 26-40
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  1. Bishop’s Buried Elegies
  2. pp. 41-53
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  1. Elizabeth Bishop’s “Finished” Unpublished Poems
  2. pp. 54-66
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  1. Part II: Crossing Continents: Self, Politics, Place
  2. pp. 67-68
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  1. Bishop’s “Wiring Fused”: “Bone Key” and “Pleasure Seas”
  2. pp. 69-87
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  1. Dreaming in Color: Bishop’s Notebook Letter-Poems
  2. pp. 88-103
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  1. Elizabeth Bishop’s Drafts: “That Sense of Constant Readjustment"
  2. pp. 104-116
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  1. Foreign-Domestic: Elizabeth Bishop at Home/Not at Home in Brazil
  2. pp. 117-132
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  1. Bishop’s Brazilian Politics
  2. pp. 133-150
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  1. Part III: New Correspondences: The Poet with Her Peers
  2. pp. 151-152
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  1. “Composing Motions”: Elizabeth Bishop and Alexander Calder
  2. pp. 153-169
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  1. “A World of Books Gone Flat”: Elizabeth Bishop’s Visits to St. Elizabeths
  2. pp. 170-185
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  1. Elizabeth Bishop and Flannery O’Connor: Minding and Mending a Fallen World
  2. pp. 186-203
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  1. Words in Air: Bishop, Lowell, and the Aesthetics of Autobiographical Poetry
  2. pp. 204-220
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  1. Part IV: The New Elizabeth Bishop and Her Art
  2. pp. 221-222
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  1. Geography IV, or The Death of the Author Revisited: An Essay in Speculative Bibliography
  2. pp. 223-238
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  1. “An Almost Illegible Scrawl”: Elizabeth Bishop and Textual (Re)Formations
  2. pp. 239-254
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  1. Words in Air and “Space” in Art: Bishop’s Midcentury Critique of the United States
  2. pp. 255-273
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  1. “A Lovely Finish I Have Seen”: Voice and Variorum in Edgar Allan Poe & the Juke-Box
  2. pp. 274-288
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  1. Bibliography
  2. pp. 289-298
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  1. Contributors
  2. pp. 299-302
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  1. Acknowledgments
  2. pp. 303-304
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  1. Index
  2. pp. 305-310
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