The Modern Portrait Poem: From Dante Gabriel Rossetti to Ezra Pound

Selected Bibliography

Selected Bibliography “About Portraits and Portrait-Painting.” In Bentley’s Miscellany, vol. 1, 411–21; 513–25. London: Chapman and Hall, 1861. Ahearn, Barry. William Carlos Williams and Alterity: The Early Poetry. New York: Cambridge University Press, 1994. Aji, Hélène, ed. Ezra Pound and Referentiality. Paris: Presses de l’Université de Paris–Sorbonne, 2003. Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago: University of Chicago Press, 2000. Allara, Pamela. “Charles Demuth: Always a Seeker.” Arts Magazine 50.10 (June 1976): 86–89. Apollonio, Umbro, ed. Futurist Manifestos. Translated by Robert Brain. New York: Viking Press, 1970. Armstrong, Carol. Manet Manette. New Haven: Yale University Press, 2002. Ayers, David. Modernism: A Short Introduction. Oxford: Blackwell Publishing, 2004. Banerjee, Ron. “Dante through the Looking Glass: Rossetti, Pound and Eliot.” Comparative Literature 24.2 (1972): 136–49. Barnstone, Willis. Introduction to The New Spoon River. New York: Macmillan, 1968. Beasley, Rebecca. Ezra Pound and the Visual Culture of Modernism. New York: Cambridge University Press, 2007. ———. “Ezra Pound’s Whistler.” American Literature 74.3 (2002): 485–516. Buchanan, Robert (under pseudonym Thomas Maitland). “The Fleshly School of Poetry: Mr. D. G. Rossetti.” The Contemporary Review 18 (1871): 334–50. Reproduced in the Rossetti Archive, http://www.rossettiarchive.org/docs/ap4.c7.18.rad .html. Bush, Ronald. The Genesis of Ezra Pound’s Cantos. Princeton: Princeton University Press, 1976. Bynner, Witter. Guest Book. New York: Alfred A. Knopf, 1935. ———. (as Emmanuel Morgan) Pins for Wings. New York: Sunwise Turn, 1920. Casteras, Susan P. English Pre-Raphaelitism and Its Reception in America in the Nineteenth Century. Rutherford: Fairleigh Dickinson University Press, 1990. 246 Selected Bibliography Cheeke, Stephen. Writing for Art: The Aesthetics of Ekphrasis. New York: Manchester University Press, 2008. Christ, Carol. Victorian and Modern Poetics. Chicago: University of Chicago Press, 1984. ———. “Gender, Voice, and Figuration in T. S. Eliot’s Early Poetry.” T. S. Eliot: The Modernist in History, edited by Ronald Bush, 23–37. New York: Cambridge University Press, 1990. Colie, Rosalie. The Resources of Kind: Genre-Theory in the Renaissance. Berkeley: University of California Press, 1973. Corbett, David Peters. The World in Paint: Modern Art and Visuality in England, 1848– 1914. State College: Penn State University Press, 2004. Cork, Richard. Vorticism and Abstract Art in the First Machine Age. Berkeley: University of California Press, 1976. Coyle, Michael. “Hugh Selwyn Mauberley.” In A Companion to Modernist Literature and Culture, edited by David Bradshaw, 431–39. Oxford: Wiley-Blackwell, 2006. Cummings, Edward Estlin. Tulips & Chimneys: The Original 1922 Manuscript. Edited by George James Firmage. New York: Liveright, 1976. Dasenbrock, Reed Way. The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting. Baltimore: Johns Hopkins University Press, 1985. Davidson, Peter. Ezra Pound and Roman Poetry: A Preliminary Survey. Atlanta: Rodopi Press, 1995. Diggory, Terrence. Yeats and American Poetry: The Tradition of the Self. Princeton: Princeton University Press, 1983. Dijkstra, Bram. Hieroglyphics of a New Speech: Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. Princeton: Princeton University Press, 1969. Dorment, Richard, and Margaret MacDonald. James McNeill Whistler. London: Harry N. Abrams/Tate Gallery, 1995. DuPlessis, Rachel Blau. “Propounding Modernist Maleness: How Pound Managed a Muse.” Modernism/Modernity 9.3 (2002): 389–405. Edwards, Paul. Wyndham Lewis: Painter and Writer. New Haven: Yale University Press, 2000. Eliot, T. S. The Complete Poems and Plays. New York: Harcourt, Brace, 1952. ———. Inventions of the March Hare: Poems 1909–1917. Edited by Christopher Ricks. New York: Harcourt Brace, 1996. ———. Knowledge and Experience in the Philosophy of F. H. Bradley. London: Faber Straus, 1964. ———. The Letters of T. S. Eliot, vol. 1. Edited by Valerie Eliot. New York: Harcourt Brace Jovanovich, 1988. ———. Poems Written in Early Youth. New York: Farrar, Straus and Giroux, 1967. ———. Selected Essays. New York: Harcourt, Brace, 1932. Fowler, Alastair. Kinds of Literature: An Introduction to the Theory of Kinds and Modes. Cambridge, MA: Harvard University Press, 1992. Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley: University of California Press, 1980. ———. Courbet’s Realism. Chicago: University of Chicago Press, 1990. Selected Bibliography 247 ———. Manet’s Modernism, or, The Face of Painting in the 1860s. Chicago: University of Chicago Press, 1996. Gautier, Théophile. Selected Lyrics. Translated by Norman Shapiro. New Haven: Yale University Press, 2011. Greenberg, Clement. “Modernist Painting.” Art and Literature 4 (Spring 1965): 193–201. Grieve, Thomas F. Ezra Pound’s Early Poetry and Poetics. Columbia...