Talking Shop: The Language of Craft in an Age of Consumption

Index

INDEX Page numbers in italics refer to illustrations. Adams, Henry, 62; The Education of Henry Adams, 65–70 Addison, Julia deWolf, 35, 37 Alexander the Great, 80, 81 ammonia fuming. See Craftsman enterprise : finishing techniques animal laborans (defined by Arendt), 13 Annas, Julia, 13, 14 Arendt, Hannah, 13 Aristotle, 14 Armstrong, Paul, 204 artisanship. See craft Art Nouveau (style), 137–39 Arts and Crafts Movement: 109, 196, 202, 225; in Brideshead Revisited (Waugh), 136–41; naming of, 99, 126–27; synthesis of craft and consumerism, 128– 31, 173–82, 185, 192–93, 244n43; in the United Kingdom, 72, 107, 118–20, 124–31, 144, 222; in the United States, 2, 5, 10, 12, 124, 144. See also Craftsman enterprise; names of individual designers or theorists Arts and Crafts Society (England), 126 Ashbee, C. R., 35, 58–61, 64, 65, 69, 118, 120, 12; hiring practices for Guild of Handicraft, 124 Aubépine, M. (authorial persona of Nathaniel Hawthorne), 74, 80–81 Augustine, St., 66, 68 authenticity: as artisanal e√ect, 148–63, 178–93, 207–10, 221–22; immanence and, 151–53, 183; organic type and, 155–63; touch and, 41, 203, 215–16; veneer and, 134–36, 154–56; work and, 20–21, 136, 141. See also craft: traditional virtues of; skill authorship: as craft, 71–72, 82–86, 100, 114–15, 196–201, 220, 230 Baglioni, Orazio, 75, 79 Bailey, Carolyn Sherwin, 168–69 Balzac, Honoré de, 35, 199, 204 Batchelder, Ernest, 6 Bell, Millicent, 77, 79 Bender, Horace (pseudonym of Horatio Greenough), 3, 4, 219 Benjamin, Walter, 53, 100, 132; ‘‘The Storyteller ,’’ 20–21 Berlioz, Hector, 6; Benvenuto Cellini, 50– 51, 69 Bianchi, Brunone, 40, 42 Bing, Samuel, 137 Blanc, Charles, 158 Blomfield, Arthur William, 160 Bloom, Harold, 191 Bloomingdale’s, 142 Bonwit Teller, 22, 142 Boulle, Andre-Charles, 117, 120, 121, 134 Bourget, Paul, 196, 198, 201, 217 Boy Scouts, 157 Brandt, Beverly K., 10, 12 Brentano’s Publishers, 63, 64 Broadwood and Sons, 129 Bromell, Nicholas, 18, 20–21, 77, 88 Brook Farm (Massachusetts), 86, 100, 103, 116, 218, 220, 231; as source for Hawthorne ’s writing about craft, 88–93 Brown, Bill, 197–99, 203, 221 Brown, Gillian, 18, 20–21, 77, 78, 79, 112 ≤∏≠ index Brunelleschi, Filippo, 44; as iconic artisan in Lives of the Artists (Vasari), 56–58 Bryant, William Cullen, 164 Buell, Lawrence, 83, 85, 100 Bunyan, John, 78 Buonarroti, Michelangelo. See Michelangelo Burden, Jane, 131, 241n35 Burne-Jones, Edward, 127, 129, 131 Bushnell, Horace, 10, 11, 231 Cabinet of Gems (U≈zi Gallery, Florence ), 34, 36, 39 Cappello, Mary, 73 Carlyle, Thomas, 164 Carman, Bliss, 6 Carnegie, Andrew, 173–74, 244n50 Carpenter, Edward, 164 Carpenter Gothic (style), 98–99. See also Gothic (style) Caxton, William: Golden Legend, as source for St. George cabinet (Morris and Webb), 107, 130 Cellini, Benvenuto: compared to Michelangelo , 42–44, 51–52, 54, 55, 219; depicted in ‘‘Rappaccini’s Daughter’’ (Hawthorne), 73–75, 79–81, 83, 87– 88, 91, 97; dictation of autobiography, 40–42, 44, 222, 233; hands of, 33–37, 49, 64, 69–70; iconicity of, 6–7, 11, 27, 31–33, 49, 50, 93, 107, 108, 121, 136, 196, 218, 225, 230, 237n2; Life, 17–18, 31–75; as model for ‘‘The Regeneration of Benvenuto’’ (Bailey), 168–70; as model for writers of autobiography , 65–68, 70; Perseus (statue), 31, 37–38, 38, 47–53, 58–60, 62–64, 69, 219; Perseus (wax model for statue), 62–63, 63; representation of, by Ashbee , 59–61; representation of, by Cortissoz , 62–65; representation of, by Symonds, 40, 42, 44–47, 50; representation of, in Benvenuto Cellini (opera ), 50–51, 52, 53; representation of, in Michael Angelo (Longfellow), 42–44, 51–52, 219; resistance to traditional artisanal standards of specialization, 17–18, 31–32, 54–58, 141, 193, 226, 229; Treatises on Goldsmithing and Sculpture , 35, 58, 59, 60, 118 Chard, Louise C., 59 Chinese Chippendale (style), 146–47, 176, 178, 182 Chippendale, Thomas, 7, 116–18, 120–21 Chippendale (style), 142, 146, 191, 198, 216. See also Chinese Chippendale Chromewald furniture, 209. See also Craftsman enterprise: period styles produced by Cilley, Jonathan, 110 ‘‘Cinquecento Jewelry’’ (Ashbee), 58–61 Cobden-Sanderson, T. J., 98, 107, 127, 130, 143; naming of the Arts and Crafts Movement by, 98, 107 Coburn, Alvin Langdon, 205, 206, 207, 208, 209 Cole, Michael, 33 collected works (literary): as craft, 27, 196–98 Colonial Revival (style), 142, 146, 148, 176, 216, 220, 228 color: in Craftsman oak furnishings...