Hollywood Exiles in Europe: The Blacklist and Cold War Film Culture

Selected Bibliography

231 SELECTED BIBLIOGRAPHY Archival Sources and Special Collections Academy of Motion Picture Arts and Sciences (AMPAS), Margaret Herrick Library, Los Angeles Association of Motion Picture and Television Producers (AMPTP) Records Core Collection Ian McLellan Hunter Collection Paul Jarrico Collection Ring Lardner Jr. Collection Lewis Milestone Collection Stills Collection Bibliothèque du Film (BIFI), Paris Fonds Crédit National Alexander Trauner Collection Bibliothèque Nationale de France, Paris Inathèque Phonothèque British Film Institute, London Clipping Files: “Blind Date,” Cy Endfield, “Night and the City,” Sam Wanamaker Carl Foreman Collection HUAC Collection Joseph Losey Collection Columbia Center for Oral History, Columbia University, New York The Reminiscences of Carl Foreman, 1959. National Archives, Washington, D.C. Jules Dassin File, Records of the House Un-American Activities Committee, Records of the United States House of Representatives Cy Endfield File, Records of the House Un-American Activities Committee, Records of the United States House of Representatives Carl Foreman File, Records of the House Un-American Activities Committee, Records of the United States House of Representatives Department of Special Collections, Stanford University, Stanford, California Spyros P. Skouras Papers University of California, Los Angeles, Performing Arts Special Collections Twentieth Century–Fox Legal Files Michael Wilson Papers 232 Selected Bibliography Published Sources Andersen, Thom. “Red Hollywood” and “Afterword.” In“Un-American” Hollywood: Politics and Film in the Blacklist Era, edited by Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield. New Brunswick, N.J.: Rutgers University Press, 2007. Anhalt, Diana. A Gathering of Fugitives: American Political Expatriates in Mexico, 1948–1965. Santa Maria, Calif.: Archer Books, 2001. Auerbach, Jonathan. Dark Borders: Film Noir and American Citizenship. Durham, N.C.: Duke University Press, 2011. Bacher, Lutz. Max Ophuls in the Hollywood Studios. New Brunswick, N.J.: Rutgers University Press, 1996. Barr,Charles,ed.AllOurYesterdays:90YearsofBritishCinema.London:BritishFilmInstitute,1986. Barron, Stephanie, ed. Exiles and Emigrés: The Flight of European Artists from Hitler. New York: Harry Abrams, 1997. Barrot, Olivier. L’Ecran français, 1943–1953: Histoire d’un journal et d’une époque. Paris: Les Editeurs français réunis, 1979. Barthes, Roland. Mythologies. Paris: Editions du Seuil, 1957. Barzman, Norma. The Red and the Blacklist: An Intimate Memoir of a Hollywood Expatriate. New York: Thunder’s Mouth Press/Nation Books, 2003. Baxter, John. The Hollywood Exiles. New York: Taplinger, 1976. ———.Hollywood in the Thirties. New York: Paperback Library, 1970. Bazin, André. “An Aesthetic of Reality: Neorealism.” In What Is Cinema? Vol. 2. Translated by Hugh Gray. Berkeley: University of California Press, 1971. Bernstein, Irving. Hollywood at the Crossroads: An Economic Study of the Motion Picture Industry . Hollywood: Hollywood A.F. of L. Film Council, 1957. Bernstein, Walter. Inside Out: A Memoir of the Blacklist. New York: Da Capo Press, 2000. Betz, Mark. Beyond the Subtitle: Remapping European Art Cinema. Minneapolis: University of Minnesota Press, 2009. Biesen, Sheri Chinen. Blackout: World War II and the Origins of Film Noir. Baltimore: Johns Hopkins University Press, 2005. Billard, Pierre. L’Age Classique du Cinéma Français: Du cinema parlant à la Nouvelle Vague. Paris: Flammarion, 1995. Blair, Betsy. The Memory of All That: Love and Politics in New York, Hollywood, and Paris. New York: Alfred A. Knopf, 2003. Bogle, Donald. Dorothy Dandridge: A Biography. New York: Amistad Press, 1997. Borde, Raymond, and Etienne Chaumeton. A Panorama of American Film Noir, 1941–1953. Translated by Paul Hammond. San Francisco: City Lights Books, 2002. Bordwell, David. “The Art Cinema as a Mode of Film Practice.” In Film Theory and Criticism: Introductory Readings, edited by Leo Braudy and Marshall Cohen. 5th ed. New York: Oxford University Press, 1999. Brook, Vincent. Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir. New Brunswick, N.J.: Rutgers University Press, 2009. Brownlow, Kevin. David Lean. London: Richard Cohen, 1996. Bruccoli, Matthew J., ed. The Naked City: A Screenplay by Malvin Wald and Albert Maltz. Carbondale : Southern Illinois University Press, 1979. Buhle, Paul, and Dave Wagner. Hide in Plain Sight: The Hollywood Blacklist in Film and Television , 1950–2002. New York: Palgrave Macmillan, 2003. ———.Radical Hollywood: The Untold Story behind America’s Favorite Movies. New York: New Press, 2002. Selected Bibliography 233 ———. A Very Dangerous Citizen: Abraham Polonsky and the Hollywood Left. Berkeley: University of California Press, 2001. Butler, Michael. “Shock Waves.” Cinema Journal 44, no. 4 (Summer 2005): 81. Campbell, James. Exiled in Paris: Richard Wright, James Baldwin, Samuel Beckett, and Others on the Left Bank. New York: Scribner, 1995. Caute...