Chiang Yee: The Silent Traveller from the East--A Cultural Biography

Writings by Chiang Yee

books in english 1935 The Chinese Eye 1937 The Silent Traveller: A Chinese Artist in Lakeland 1938 Chinese Calligraphy 1938 The Silent Traveller in London 1939 Birds and Beasts 1939 Chin-pao and the Giant Pandas 1939 The Silent Traveller in War Time 1940 A Chinese Childhood 1941 The Silent Traveller in the Yorkshire Dales 1941 Chinpao at the Zoo 1942 Lo Cheng 1942 The Men of the Burma Road 1944 The Silent Traveller in Oxford 1944 Dabbitse 1944 The Story of Ming 1945 Some Chinese Words to be Learnt without a Teacher 1947 Yebbin 1948 The Silent Traveller in Edinburgh 1950 The Silent Traveller in New York 1953 Chinese Painting 1953 The Silent Traveller in Dublin 1956 The Silent Traveller in Paris 1959 The Silent Traveller in Boston 1964 The Silent Traveller in San Francisco 1966 The Silent Traveller’s Sayings 1972 The Silent Traveller in Japan 1972 Calligraphy and Paintings 1977 China Revisited 297 W R I T I N G S B Y C H I A N G Y E E writings by chiang yee 298 books in chinese 1935 蔣仲雅詩 1940 倫敦戰時小記 1940 戰時倫敦 1940 參觀英國戰事畫家作品展覽會記 1941 戰時不列顛 1955 重啞絕句百首 1972 重啞東遊絕句百首 1973 啞行者香港竹枝詞 articles in english 1935 “The Chinese Painter.” Listener 14, no. 360 (December 4): 1004–1006. 1935 “Chinese Gardens.” Landscape and Garden 2:4 (Winter 1935): 144–148. 1936 W. W. Winkworth. In collaboration with Chiang Yee. “The Paintings.” Burlington Magazine for Connoisseurs 68, no. 394 (January): 30–36, 39. 1936 Review of The Chinese on the Art of Painting, by Osvald Siren, and Kunst des Fernen Ostens, Landschaften, Blumen, Tiere, by Otto Fischer. Burlington Magazine for Connoisseurs 69, no. 401 (August): 94–95. 1936 “A Chinese Painter.” China Review 5, no. 1 (January): 13. 1937 “Modern Chinese Art.” Studio 113:529 (March): 175–195. 1938 “A Dream of the English Lakeland.” The Journal of the Fell and Rock Climbing Club of the English Lake District 12, no. 32:20–24. 1938 “Brotherhood of the Weather.” Book Society News (December): 27–29. 1938 Review of Early Chinese Paintings, by Osvald Siren. Country Life (November 26): lxii. 1938 “A Collection of Chinese Painting.” Review of Early Chinese Paintings, by Osvald Siren. Burlington Magazine for Connoisseurs 73, no. 429 (December): 262–264. 1939 Review of Mi Fu on Ink-Stones, by R. H. Van Gulik. Burlington Magazine for Connoisseurs 74, no. 430 (January): 47. 1939 “A Letter to Readers.” In Chinese Children at Play, by Yui Shufang. London: Methuen. 1940 “How Chinese Artists Paint.” The Universities’ China Committee in London: Annual Proceedings, 1939–40, by China Institute, 32–35. London: School of Oriental and African Studies; also Asiatic Review no. 36 (1940): 573–577. 1941 Preface to Willow Leaves: Lyrics in the Manner of the Early Chinese Poets, by John Irvine, 9–11. Dublin: Talbot Press. 1943 “Why I like Painting Giant Panda.” L.S.P. Record 2, no. 2: 69–70. 1946 “Art.” In China, ed. Harley Farnsworth MacNair, 349–362. Berkley: University of California Press. 1948 “What Can I Say about Ballet?” The Ballet Annual London 2: 113–114. 1949 “The Philosophical Basis of Chinese Painting.” In Ideological Differences and World Order, ed. by F.S.C. Northrop, 35–68. New Haven: Yale University Press. 1951 “Your Christmas.” Country Life (December 7): 1884–1885. 1955 “With an Appeal to the Heart.” Review of The Art of Beatrix Potter, by Anne Carroll Moore. New York Times (November 13): BR54. 1956 “Golden Orchid and Friend.” Review of The Fabulous Concubine, by Chang Hsinhai . New York Times (September 16): BR40. 1957 “The Chinese Painter, Phi Beta Kappa Oration Delivered at Harvard University on 11 June 1956.” Daedalus 86, no. 3: 242–252; also The Chinese Painter, n.p. writings by chiang yee 299 1958 “From Bric-a-Brac and Curios to a Deep Esthetic Response.” Review of Chinese Art, by William Willetts. New York Times (September 28): BR34. 1959 “Artful Brushwork Distinctly Chinese.” Review of Chinese Painting, by Peter Swann. New York Times (August 9): BR7. 1959 “Introduction to Professor Chao Shao-an’s Paintings.” In Recent Paintings by Chao Shao-an. Hong Kong: Lingnam Art Studio. 1960 “Taking a Long Look Back.” Review of Chinese Art and Culture, by Rene Grousset. New York Times (February 14): BR30. 1961 “An Art that Displays Linear Rhythm in Every Form.” Review of An Introduction to Chinese Art, by Michael Sullivan. New York Times (September 3): BR10. 1964 Review of Written on Bamboo and...