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Index
- Rutgers University Press
- Chapter
- Additional Information
297 INDEX Abbate, Carolyn, 22 Academy Award, for dance direction, 259n1 Acocella, Joan, 5, 26–27, 29–251 Adair, Christy, 262n23, 26–265n8 Adams, Diana (1926–1993), 188, 209 AIDS. See under body, the Ailey, Alvin (1931–1989), 223 Alba, Jessica, 25 Alberni, Luis (1886–1962), 112–113 Albright, Ann Cooper, 15–16 Alive and Kicking (Meckler, 1996), 218, 235 All That Jazz (Fosse, 1979), 28n6 Allen, Robert C., 265n7 Altman, Rick, , 18–19, 65, 177, 208 Altman, Robert (1925–2006), 33, 26–251, 289n61, 289–290n67 Amberg, George, 38, 265n1 American Ballet (company). See under Metropolitan Opera (New York) American Ballet Caravan. See Ballet Caravan American Ballet Theatre, Ballet Theatre, 6, 56, 58, 135, 12, 176–177, 216–217, 220, 223–22, 233, 20, 276n, 289n58 American in Paris, An (Minnelli, 1951), 5, 166, 178, 207 Andersen, Hans Christian. See Hans Christian Andersen (C. Vidor, 1952); Red Shoes, The (Andersen) Anderson, Jack, 135, 286–287n33 Anderson, Judith (1897–1992), 122, 12, 125 anorexia. See under body, the L’Après-midi d’un faun (ballet), , 233 Archers, The. See Powell, Michael; Pressburger, Emeric Arnheim, Rudolf, 6 Arpino, Gerald, 216 Arzner, Dorothy (1897–1979), 6, 85–86 Ashton, Frederick (190–1988), 30, 109, 139, 15, 161, 166, 173, 195, 198, 200, 202, 217 Asquith, Anthony (1902–1968), 139 Astaire, Fred (1899–1987), 1, 17, 62–63, 77, 10, 116–117, 118, 119–121, 13, 19–150, 180–182, 18, 193–19, 193 Auslander, Philip, 27 Backstein, Karen, 152 Balanchine, George (190–1983), 3–, 23–2, 31, 6–8, 5–57, 59, 76, 108, 120, 13–135, 138–139, 15, 17–176, 18, 190, 192, 195, 207, 209, 21, 216–217, 230–232, 267n37, 268n58, 279n76 Ball, Lucille (1911–1989), 6, 8 Ballerina (Benôit-Lévy, 1938). See Mort du cygne, La Ballerina (Smith). See under Smith, (Lady) Eleanor ballerina: “Balanchine ballerina,” 31, 8–9, 217, 220, 223–22, 230–232, 253, 267n0, 286n26; image of, 11–1, 20, 27–28, 31, 0–2, 9, 71–103, 107, 109–110, 163–165, 168–171, 181–182, 188–189, 190–191, 217–218, 223–22, 230–232, 286nn2–26; power of, 22, 110, 190–191. See also ballet artist (film character); body, the; and names of specific individuals ballet: Americanization of, 2–3, 8–9, 5–61, 108, 171, 176–178, 181–182, 18–186, 187, 190–191, 215–216, 20–21, 28n2; classical/classicism, 3–35, 207–209, 230; defined as Russian, 9, 5, 56–57, 59, 61, 77, 119, 131, 13, 175–178, 181–182, 187; historiography of, 8–10, 3–35, 8–9, 29–250, 252–257; history and technique of, 13–1, 3–61, 208–209, 253, 255, 28–285n8; history in America, 12, 22, 29, 36–61, 107–110, 13–135, 138, 10, 17–178, 181–182, 187–188, 190, 206, 21–219, 20– 21, 267nn36–37, 268–269n73, 269n77, 28n2; Hollywood’s definitions of, 11–1, 20–23, 86–88, 101–103, 108–110, 116–121, 131–132, 138, 168–171, 178, 181–182, 18–190, 206–209, 218–219; institutionalization of, 218, 230, 28n2, 28–285n8; rise of male dancer in, 21–217 (see also Nijinsky, Vaslav); romantic, 35–36, 236–237, 26– 265n8, 28–285n8. See also toe dancing ballet artist (film character): ballet master/ mistress, 82, 86, 89, 110–111, 129, 21–22; and disease, 30, 178, 181–183, 189–191, 298 INDEX ballet artist (film character) (continued) 196–202, 218, 226–227, 232, 235, 21; and domesticity, 28, 91–92, 100, 169–170, 181, 183; feminine/female, 71–103, 130–131, 163–16, 168–171, 181–182, 18–188, 19–206, 211–212, 21, 2; in folk ballet, 11, 171, 178, 182, 189, 206–209; as foreign, 77, 103, 10, 110–111, 116–121, 129, 178, 181–182, 211; as [mad] genius, 26, 10, 113, 116, 182, 189 196–202; impresario, 86–87, 113, 120, 169, 182, 196–202, 26; as happy and fulfilled, 92, 9, 100; as insane, 28–29, 77–78, 93, 110–111, 121–126, 233– 23; masculine/male, 10–131, 163–16, 169, 171, 181–182, 188–189, 195–202, 212, 233–235; as muse, 26, 182, 189, 196–202; as offstage icon (Stuart), 20, 7, 9, 102, 180, 189; as romantic, 20, 76, 82...