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XIII. EIDOLA THEATRI AND THE PRINCE OF WHALES1 Waiting until the next day at evening, I took a moderate bolus, say twenty-five grains, and repaired to the theatre. In the action of the pieces which were performed I lived as really as I had ever lived in the world. With the fortunes of a certain adventurer in one of the plays my mind so thoroughly associated me that, when he was led to the block and the headsman stood over him, I nerved myself for the final stroke, and waited to feel the steel crash through my own neck. He was reprieved, and, in his redemption, it was I who exulted. The effect of some rich-toned frescoing above the stage was to make me imagine myself in heaven. Yet “imagine” is not the proper word, for it does not express the cloudless conviction of reality which characterized this vision. There were no longer any forms or faces visible below me, but out of the wondrous rosy perspective of the upper paneling angels came gliding, as through corridors hewn of ruby, and showered down rays of music, which were also beheld as rays of color. A most singular phenomenon occurred while I was intently listening to the orchestra. Singular, because it seems one of the most striking illustrations I have ever known of the preternatural activity of sense in the hasheesh state, and in an analytic direction. Seated side by side in the middle of the orchestra played two violinists . That they were playing the same part was evident from their perfect uniformity in bowing; their bows, through the whole piece, rose and fell simultaneously, keeping exactly parallel. A chorus of wind and stringed instruments pealed on both sides of them, and the symphony was as perfect as possible; yet, amid all that harmonious blending, I was able to detect which note came from one violin and which from the other as distinctly as if the violinists had been playing at the distance of a hundred feet apart, and with no other instruments discoursing near them. According to a law of hasheesh already mentioned, a very ludicrous hallucination came in to relieve the mind from its tense state. Just as the rapture of music, lights, and acting began to grow painful from excess, I felt myself losing all human proportions, and, spinning up to a tremendous height, became Cleopatra’s Needle.2 A man once remarked to young Dumas,3 “My poor friend, M. Thibadeau, returned home, took off his spectacles, and died.” “Did he take off his spectacles first?” asked Dumas. “Yes, truly,” replied the other; “but why?” “Merely how delightful it must have been to him to be spared the grief of seeing himself die!” About as absurd a duality as that inferred for Monsieur Thibadeau, if he had kept on his spectacles, was the duality with which I looked up and saw my own head some hundred feet in the air. Suddenly a hasheesh-voice rang clearly in my ear, “Sit still upon thy base, Eternal Obelisk!” Ah me! I had not realized till then how necessary it was that I should preserve the center of gravity. What if I should go over? One motion on this side or that, and dire destruction would overwhelm the whole parquette.4 From my lofty top I looked down upon responsible fathers of families; innocent children; young maidens, with the first peach-bloom of womanhood upon their cheeks; young men, with the firelight of ambitious enterprise new-kindled in their eyes. There was absolutely no effort which I was unwilling to make to save them from destruction. So I said to myself, “Be a good obelisk and behave yourself, old fellow; keep your equilibrium, I entreat you. You don’t want to clothe all the families of New York in mourning, I know you don’t; control yourself , I beg.” Bolt upright and motionless I sat, until it pleased the gods to alter my shape, most opportunely, when I was just giving out, to the far more secure pyramid, after which all hallucinations gently passed away. 124 THE HASHEESH EATER [13.59.122.162] Project MUSE (2024-04-26 15:34 GMT) The hasheesh state, in its intensest forms, is generally one of the wildest insanity. By this I do not mean to say that the hasheesh-eater at such a season necessarily loses his self-control, or wanders among the incoherent dreams of a lawless fancy, for neither...

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