Crafting the Female Subject: Narrative Innovation in the Short Fiction of Emilia Pardo Bazán

Selected Bibliography

[178] Selected Bibliography Abel, Elizabeth, ed. Writing and Sexual Difference. Chicago: University of Chicago Press, 1982. Agawu-Kakraba, Yaw. “Emilia Pardo Bazán y la técnica del doble juego en Los pazos de Ulloa.” Letras Femeninas 18.1–2 (1992): 97–107. Aldaraca, Bridget. “El Angel Del Hogar: The Cult of Domesticity in Nineteenth-Century Spain.” In Theory and Practice of Feminist Literary Criticism, eds. Gabriela Mora and Karen S. Van Hooft, 62–87. Ypsilanti: Bilingual Press, 1982. Anderson Imbert, Enrique. El cuento español. Buenos Aires: Columbra, 1959. Bauer, Beth Wietelmann. “Narrative Cross-Dressing: Emilia Pardo Bazán in Memorias de un solteron.” Hispania 77.1 (1994): 23–30. Benstock, Shari, ed. Feminist Issues in Literary Scholarship. Bloomington: Indiana University Press, 1987. Berry-Bravo, Judy. “Pardo Bazán’s Use of Control as Narrative Device.” Letras Femininas 18 (1992): 91–96. Bieder, Maryellen. “Women, Literature, and Society: The Essays of Emilia Pardo Bazán.” In Spanish Women Writers and the Essay: Gender, Politics, and the Self, ed. Kathleen M. Glenn, 25–54. Columbia: University of Missouri Press, 1998. ———. “Woman and the Canon of Twentieth-Century Spanish Literature: The Lady Vanishes.” ALEC 17 (1992): 301–24. ———. “En-gendering Strategies of Authority: Emilia Pardo Bazán and the Novel.” In Cultural and Historical Grounding for Hispanic and Luso-Brazilian Feminist Literary Criticism, ed. Hernan Vidal, 473–95. Minneapolis: Institute for the Study of Ideologies and Literature, 1988. [179] Selected Bibliography Booth, Wayne C. A Rhetoric of Irony. Chicago: University of Chicago Press, 1974. Botrel, Jean-Françoise. “Narrativa y lecturas del pueblo en España del siglo XIX.” Cuadernos hispanoamericanos (June 1993): 69–91. Brandenburger, Erna. Estudios sobre el cuento español contemporáneo. Madrid: Nacional, 1973. Cameron, Deborah. Feminism and Linguistic Theory. New York: St. Martin’s, 1985. Chatman, Seymour. Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca, N.Y.: Cornell University Press, 1990. ———. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, N.Y.: Cornell University Press, 1978. de Laurentis, Teresa, ed. Feminist Studies/Critical Studies. Bloomington: Indiana University Press, 1986. Díaz-Diocaretz, Myriam, and Zavala, Iris M., eds. Breve historia feminista de la literatura española (en lengua castellana). Madrid: Anthropos, 1993. Donovan, Josephine, ed. Feminist Literary Criticism. Lexington: University of Kentucky Press, 1989. Eagleton, Mary, ed. Feminist Literary Theory: A Reader. Oxford: Blackwell, 1986. Fetterly, Judith. The Resisting Reader. Bloomington: Indiana University Press, 1978. Finke, Laurie. Feminist Theory, Women’s Writing. Ithaca, N.Y.: Cornell University Press, 1992. Gasster, Susan. “Paths Not Taken: The Narrative Finesses of Pardo Bazán.” Letras Femininas 17.1–2 (1991): 29–36. Genette, Gerard. Narrative Discourse Revisited. Trans. Jane E. Lewin. Ithaca, N.Y.: Cornell University Press, 1988. ———. Narrative Discourse: An Essay in Method. Trans. Jane E. Lewin. Ithaca, N.Y.: Cornell University Press, 1980. González Arias, Francisca. Portrait of a Woman as Artist: Emilia Pardo Bazán and the Modern Novel in Spain and France. New York: Garland, 1992. Harris, Susan. Nineteenth-Century American Women’s Novels. Cambridge: Cambridge University Press, 1990. Herrmann, Anne. The Dialogic and Difference: An/other Woman in Virginia Woolf and Christa Wolf. New York: Columbia University Press, 1989. Homans, Margaret. Bearing the Word: Language and Female Experience in Nineteenth-Century Women’s Writing. Chicago: Chicago University Press, 1986. Iser, Wolfgang. The Implied Reader. Baltimore: Johns Hopkins University Press, 1974. Kirkpatrick, Susan. “Las romanticas”: Women Writers and Subjectivity in Spain, 1835–1850. Berkeley: University of California Press, 1989. [180] Selected Bibliography Knickerbocker, Dale. “Feminism and Narrative Structure in Pardo Bazán’s Insolación.” Hispanic Journal 13.2 (1992): 251–63. Meaney, Gerardine. (Un)Like Subjects: Women, Theory, Fiction. London: Routledge, 1993. Meese, Elizabeth. (Ex)Tensions. Chicago: University of Chicago Press, 1990. Meyers, Diana T. “Personal Autonomy or the Deconstructed Subject? A Reply to Hekman.” Hypatia 7 (Winter 1992): 124–32. Miller, Nancy, ed. The Poetics of Gender. New York: Columbia University Press, 1986. Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. London: Methuen, 1985. Otis, Laura. Organic Memory. Lincoln: University of Nebraska Press, 1994. Pérez Bernardo, María Luisa. “El modelo cultural de la mujer en el cuento ‘Naúfragas.’” Espéculo: Revista de Estudios Literarios 32 (2006). Reid, Ian. Narrative Exchanges. London: Routledge, 1992. Scanlon, Geraldine M. “Class and Gender in Pardo Bazán’s La Tribuna.” Bulletin of Hispanic Studies 67 (April 1990): 137–50. Showalter, Elaine. A Literature of Their Own...