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General Prosodic Index
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Abecedarians, , , , , , , –, , , , f in place of y, words beginning with the letters k, x, y, z, – Accent, secondary, –, , – Accentuation and prosody, – ae = ĕ, -a, final, arătrum etc. following the pattern of intĕgrum, consonant + h, – diĕi, diĕrum, diĕbus, etc., -e, final, enclitic and proclitic, – fu1ram, pu1rum, – -i and -e in the dative and ablative merged together, imprecise accentuation (“schwebende Betonung” gliding accent), infinitive ending in -1re in place of -ĕre, – muli1rem, pari1tem, filiōlum, – -o, final, perfect endings: -1re, -ĕre, -1runt, -ĕrunt, proper nouns, – reconstruction, “Scheinprosodie” [false prosody], -s, final mute, short vowel followed by a mute + a liquid , – speculations of the grammarians, st, sp, and sc, words borrowed from Greek, Acrostics, , – , , Adnominatio, . See Wordplay Alliteration, –, Anacrusis, xxii, , –, –, –, , , ; only before an accented syllable, – Antiphons, , , –, , , , Aphaeresis replaced by elision (via est = vi’est), , Assonance, –, –, , –, , Carmina figurata, Centoes, Conductus, Conjugations: exchanges between the conjugations , Diaeresis: heü, seü, caüsa, pláüstrum, persúädens , alícuï, etc., – Elision in quantitative poetry, –; cp. also , , , , , , , ; in rhythmic poetry, –; in St. Augustine , Enclitics of the monosyllabic forms of esse, ; monosyllabic pronouns, ; other monosyllables, –; possessive pronouns , ; pyrrhic and iambic words after a monosyllable, , –; sumus, Epanalepsis, Hiatus in quantitative poetry, –, , ; at the break of the pentameter, ; in rhythmic poetry, –, –, GENERAL PROSODIC INDEX / General Prosodic Index Measure of attack. See Anacrusis Mesostichs, Metrical words, –; formed from a monosyllable + a pyrrhic or iambic word (húnc-dièm etc.), –, , –, , Mixing of different verses, – Monosyllables, emphatic, Motets, –, Nominative absolute, Offices, rhymed, , , – Parallelism in biblical poetry, Particles, accented: -que and -ne, – Paromœon, – Poetry in artistic prose after the model of biblical poetry, – Prepositions, monosyllabic accented, Proclitics, – disyllabic prepositions, ; antè-tribúnal etc., , ; apúd-me etc., monosyllabic prepositions, –; ád-te, ád-cor, etc., ; pér-fidèm, áb-eò, etc., – relative pronouns, adverbs, and monosyllabic conjunctions, – Pronunciation. See also Rhyme berbum = verbum, ce, ce = ke, ki in the works of the Irish and Anglo-Saxons, – ec = haec, had = ad, fesanus = vesanus, v = f, Prosthesis, –, , Puns. See Wordplay Reconstruction [Fr. recomposition], , , , Refrain, , , , , –, , , –, –, , , , Rhyme, , – accumulation of rhymes in the interior of the verse, – before the breaks, continuous rhyme (aaaa), , , crossed rhyme (abab), different accentuation of rhymed words (córpore-sopóre etc.), – disyllablic and trisyllabic rhymes, – elision of the rhymed syllable, envelope rhyme (abba), homonynous rhymes (versus differentiales ), in hexameter, –, – in lyric poetry, , – monosyllabic rhymes, , , –, quality of vowels: ae and oe = e, , ; au = o, ; 1 = i, ; ō = ŭ, ; -und- = -ond-, ; y = i, quality of consonants: ct = t, ; gn = nn, ; mn = n, ; nct = nt, ; ps = ss, ; qu = c, ; sc = s, ; tt = t, ; x = s, quantity of vowels does not matter, serpentine rhymes, simple verbs rhyme with their compounds , Rhythm, musical, Rondeaux, , Sequences asymmetry, for a single choir, French type, , –, having nothing in common with GrecoLatin versification, – musical rhyme and final cadence in the text, new type, – normal structure ABBCCDD . . . Z, old style, – parallelism between the strophe and the antistrophe, – progressive repetition, secular, – titles of melodies (Planctus cygni, Virgo plorans, Mater, Amoena, Aurea, Graeca, Romana, Metensis, Dies sanctificatus, Iustus ut palma maior, Iustus ut palma minor, Trinitas, Duo tres), –, with repeated schema, written to syllabic melodies, Soldiers’ songs, , [18.223.106.232] Project MUSE (2024-04-26 07:05 GMT) Songs with glosses (borrowed verses), Syllaba anceps, –, Synaeresis (synezesis), –, , , , , , , –, Syncope, – Telestichs, Tmesis, Tropes, , –, , , Versus anadiplositi, dirupti, ianuarii, rapportati, recurrentes, retrogradi or reciproci, rhopalici, Versification, metrical (and rhythmic imitations), – Adonic, , –, , –, , , –, Adonic hexameter, – Adonici, – Alcaic, , –, Anacreontic meter, anapestic, , archaic iambic verses, Archilochian, Asclepiad, , , , –, –, , caudati, collaterales, cruciferi, unisoni, choriambic, citocadi, – dactylic catalectic tetrameter, –, , , dactylic hexameter, – Glyconic, –, –, – iambic dimeter, catalectic, –, , –, iambic dimeter, , , , , –, , , , –, , , , , – iambic trimeter, –, , , , , , , , , Leonine hexameter (Leonini), , –, –, , , , – minor ionics, new strophes, – pentameter, , , , , Phalaecian verse, , Pherecratean, –, , , Sapphic verse, –, , , , –, , –, –, , , , Terentianean (versus Terentianeus: Squalent arva soli pulvere multo), trinini salientes, , tripertiti dactylici, trochaic septenarius, – trochaic septenarius, archaic type, use of two short syllables for a long, Versification, rhythmic, –, , –, , , – entire imitation of the structure, – free verses written to a given melody and without any connection to classical rapprochement of free verse and the old rhythmic verse, –, –; versification, –, – imitation of the number of syllables, –; of Byzantine verse, ; of the number of words, –; of the quantity, –; of the structure of quantitative verses, influence of German verse, –, new rhythmic verses formed from prosaic refrains, –; after the model of biblical poetry, partial imitation, –, , , –, –, – regular alternation of accents, – theories of scholars, – variation of the number of syllables, – Wordplay with letters, –; with long words, ; with monosyllabic words, –; with vowels, Words, metrical. See Metrical Words General Prosodic Index / ...
