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What Comes Down To Us features twenty-five of Kentucky's most accomplished contemporary poets. Together they serve to illustrate the diversity and richness of poetry being written today in the Commonwealth. The poems were collected by Jeff Worley, a poet who has lived in Kentucky for more than two decades. Although the subject matter of the poems transcends the state's borders, the collection communicates a strong sense of Kentucky as a place. Worley's introduction places contemporary Kentucky poetry in the context of the state's rich literary tradition, and the poet biographies include their reflections and, often, their poetic approach and technique.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Foreword
  2. pp. xiii-xiv
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  1. Introduction
  2. pp. 1-7
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  1. Wendell Berry
  1. The Man Born to Farming
  2. p. 10
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  1. Burley Coulter’s Song for Kate Helen Branch
  2. p. 11
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  1. Rising
  2. pp. 12-15
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  1. Come Forth
  2. p. 16
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  1. Her First Calf
  2. p. 17
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  1. To the Unseeable Animal
  2. p. 18
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  1. The Peace of Wild Things
  2. p. 19
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  1. From Sabbaths 2003: III Look Out
  2. pp. 20-21
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  1. Three Elegiac Poems
  2. pp. 22-24
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  1. Testament
  2. pp. 25-27
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  1. From Sabbaths 2003: VI
  2. pp. 28-30
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  1. James Baker Hall
  1. Item One in a General Theory of Things
  2. p. 32
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  1. It Felt So Good but Many Times I Cried
  2. pp. 33-34
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  1. The Buffalo
  2. pp. 35-36
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  1. Welcoming the Season’s First Insects
  2. p. 37
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  1. Ridge Owl Black Dog
  2. pp. 38-41
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  1. For Mary Ann
  2. pp. 42-44
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  1. Jane Gentry
  1. A Garden in Kentucky
  2. p. 46
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  1. Taking the Train from Maysville to New York
  2. pp. 47-48
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  1. Hunting for a Christmas Tree after Dark
  2. pp. 49-50
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  1. Penelope’s Night Out
  2. p. 51
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  1. Their Bed
  2. p. 52
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  1. In the Moment of My Death: For My Father
  2. pp. 53-54
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  1. Richard Taylor
  1. On Whapping My Index Finger with a Roofing Hammer
  2. pp. 56-57
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  1. Imagining My Own Death
  2. p. 58
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  1. Water Hauling on Sunday Morning
  2. p. 59
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  1. The Lava Beds at Pompeii
  2. pp. 60-61
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  1. An Inner Tour of Shaker Village at Pleasant Hill, Kentucky
  2. pp. 62-63
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  1. Notes for a Manual on Form
  2. pp. 64-65
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  1. Joe Survant
  1. Anne Waters, December 28, 1842
  2. pp. 67-68
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  1. Anne Waters, December 21, 1862
  2. pp. 69-70
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  1. Alpheus Waters, February 20, 1863
  2. pp. 71-72
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  1. Alpheus Waters, July 13, 1882
  2. pp. 73-74
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  1. Anne Waters, September 7, 1882
  2. pp. 75-76
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  1. At the Camp Meeting
  2. pp. 77-80
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  1. Jonathan Greene
  1. The Ideal Reader
  2. p. 82
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  1. Mao
  2. p. 83
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  1. Scarecrow Poems
  2. p. 84
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  1. Recollections of Bass Rhythms of Hip-Hop Heard from a Distant Van
  2. p. 85
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  1. Waiting
  2. pp. 86-87
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  1. Vivian Shipley
  1. With My Father outside the West Wing of Hospice
  2. p. 89
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  1. First Ice
  2. pp. 90-91
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  1. Corner of Bellefonte and Heather Way, Lexington, Kentucky
  2. pp. 92-93
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  1. Coma: Bachus Hospital, Norwich, Connecticut
  2. pp. 94-96
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  1. Philip St. Clair
  1. Menace from Space
  2. pp. 98-99
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  1. Last Night
  2. pp. 100-101
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  1. Society
  2. p. 102
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  1. Into the Wires
  2. pp. 103-105
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  1. Jeff Worley
  1. Sleeping with Two Women
  2. pp. 107-108
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  1. Playing Possum
  2. pp. 109-110
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  1. His Funeral
  2. pp. 111-112
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  1. On My Deathbed
  2. pp. 113-116
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  1. Jeffrey Skinner
  1. Hey Nineteen
  2. pp. 118-119
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  1. Uncle Joe
  2. p. 120
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  1. The School of Continuing Education
  2. pp. 121-122
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  1. Prodigal
  2. pp. 123-124
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  1. Hard Labor
  2. pp. 125-126
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  1. George Ella Lyon
  1. My Grandfather in Search of Moonshine
  2. pp. 128-129
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  1. Mother’s Day at the Air Force Museum
  2. pp. 130-132
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  1. Salvation
  2. p. 133
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  1. Catechisms
  2. pp. 134-135
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  1. Leatha Kendrick
  1. Wedding Album
  2. p. 137
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  1. Refusing a Spinal
  2. pp. 138-139
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  1. Second Opinion
  2. p. 140
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  1. Costume. Fakery. The Sell
  2. p. 141
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  1. In Passing
  2. pp. 142-144
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  1. Max Garland
  1. Hold on Me
  2. pp. 146-147
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  1. Requiem for a Boom Town
  2. p. 148
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  1. The Termite Confessions
  2. pp. 149-150
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  1. For a Johnson County Snowfall
  2. pp. 151-153
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  1. Marla Hurlow
  1. Aliens Are Intercepting My Brain Waves
  2. pp. 155-156
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  1. Margin of Loss
  2. pp. 157-158
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  1. The Pantheist Who Loved His Wife
  2. p. 159
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  1. The Sisterhood
  2. pp. 160-161
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  1. The Music of the Spiders
  2. pp. 162-163
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  1. Frederick Smock
  1. Heron
  2. p. 165
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  1. Homeward
  2. p. 166
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  1. Poem for Cassius Clay
  2. p. 167
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  1. On the Gold Medal That Lies at the Bottom of the Ohio River
  2. pp. 168-170
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  1. Aleda Shirley
  1. My Parents When They Were Young
  2. pp. 172-173
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  1. One Summer Night
  2. pp. 174-175
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  1. Hostage to Fortune
  2. pp. 176-177
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  1. The Star’s Etruscan Argument
  2. pp. 178-180
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  1. Sarah Gorham
  1. Sickle Billed Hummingbird
  2. pp. 182-183
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  1. Late Evening Love Poem
  2. pp. 184-185
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  1. Honeymoon, Pleasant Hill
  2. p. 186
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  1. I Go Back
  2. pp. 187-188
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  1. Tony Crunk
  1. Visiting the Site of One of the First Churches My Grandfather Pastored
  2. p. 190
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  1. Souvenirs
  2. pp. 191-192
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  1. Elders
  2. pp. 193-195
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  1. After Visiting Home for Christmas
  2. pp. 196-197
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  1. Nikky Finney
  1. Sex
  2. pp. 199-201
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  1. Black Orion
  2. pp. 202-205
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  1. The New Cotton
  2. pp. 206-207
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  1. The Making of Paper
  2. pp. 208-211
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  1. Don Boes
  1. Feature Race
  2. p. 213
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  1. Paving Kentucky
  2. p. 214
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  1. Reunion
  2. pp. 215-216
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  1. For Charles Mingus (1922–1979)
  2. pp. 217-218
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  1. Kathleen Driskell
  1. Optometrist’s Visit
  2. pp. 220-221
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  1. Why I Mother You the Way I Do
  2. p. 222
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  1. With a Shiner, My Husband Enters the Flower Shop
  2. pp. 223-225
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  1. To the Outdoor Wedding
  2. pp. 226-228
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  1. Frank X Walker
  1. God’s House
  2. pp. 230-231
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  1. Promises
  2. p. 232
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  1. Revisionist History
  2. p. 233
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  1. Praise Song
  2. pp. 234-235
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  1. Beacon
  2. pp. 236-237
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  1. Last Words
  2. pp. 238-239
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  1. Lynnell Edwards
  1. And Mathew Brady Photographing It All
  2. p. 241
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  1. The Baby Plays Monopoly
  2. pp. 242-243
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  1. All I Know about Love
  2. pp. 244-245
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  1. For You, October’s Boy
  2. pp. 246-247
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  1. Maurice Manning
  1. Sleeping in the Wilderness
  2. p. 249
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  1. “D. Boon Kilt Bar on This Tree, 1760”
  2. p. 250
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  1. Wabete’s Season
  2. p. 251
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  1. The Pleasure of Stasis
  2. p. 252
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  1. Envoy
  2. pp. 253-254
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  1. Davis McCombs
  1. Tours
  2. p. 256
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  1. Dismantling the Cave Gate
  2. p. 257
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  1. Stephen Bishop’s Grave
  2. p. 258
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  1. Cave Mummies
  2. pp. 259-260
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  1. Poem Credits
  2. pp. 261-264
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  1. Photo Credits
  2. p. 265
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  1. Index of Titles and First Lines
  2. pp. 267-274
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