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Shakespeare has been viewed by critics both as a secular writer who affirmed the dual nature of man and as a Christian allegorist whose work has a submerged but positive and elaborate pattern of Christian meaning. In Shakespeare and the Outer Mystery, Robert H. West explores the philosophical and supernatural elements of five Shakespearean dramas—Macbeth, Hamlet, Othello, King Lear, and The Tempest.

Through his analysis, West discovers Shakespeare's respect for the mysteries of existence but no clear definition of the philosophical and moral context of his play worlds. An artistic motivation leads Shakespeare to use these elements ambiguously to create a dramatic effect rather than to teach a moral or ideological lesson.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Preface
  2. pp. v-viii
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  1. Contents
  2. pp. ix-x
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  1. CHAPTER ONE: The Questions
  2. pp. 1-20
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  1. CHAPTER TWO: The Evidence
  2. pp. 21-40
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  1. CHAPTER THREE: Outerness & the Supernatural
  2. pp. 41-55
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  1. CHAPTER FOUR: King Hamlet’s Ambiguous Ghost
  2. pp. 56-68
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  1. CHAPTER FIVE: Night’s Black Agents in “Macbeth
  2. pp. 69-79
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  1. CHAPTER SIX: Ceremonial Magic in “The Tempest
  2. pp. 80-95
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  1. CHAPTER SEVEN: Iago & the Mystery of Iniquity
  2. pp. 96-110
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  1. CHAPTER EIGHT: Othello and Damnation
  2. pp. 111-126
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  1. CHAPTER NINE: The Christianness of “Othello” & “King Lear
  2. pp. 127-148
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  1. CHAPTER TEN: Sex, Death, & Pessimism in “King Lear
  2. pp. 149-166
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  1. CHAPTER ELEVEN: In the Great Hand of God
  2. pp. 167-182
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  1. NOTES
  2. pp. 183-198
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  1. INDEX
  2. pp. 199-205
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