Notes Prologue: Artist in an Industry 1. Lee Lourdeaux, Italian and Irish Filmmakers in America: Ford, Capra, Coppola, and Scorsese (Philadelphia: Temple University Press, 1990), p. 177. 2. Richard Schickel, "Rough Cuts," Los Angeles Times Book Review, 13 January 2002, p. 2. 3. Jeffrey Chown, Hollywood Auteur: Francis Coppola (New York: Praeger, 1988), p. 214. 4. Chuck Kleinhans, "Independent Features: Hopes and Dreams," in The NewAmerican Cinema, ed. Jon Lewis (Durham, N.C.: Duke University Press, 1999), p. 310. 5. Michael Schumacher, Francis Ford Coppola:A Filmmaker's Life (NewYork: Crown, 1999), pp. 179-80. 6. Gerald Mast and Bruce Kawin, A ShortHistory of the Movies, rev. ed. (Boston : Allyn and Bacon, 2000), p. 444. 7. Robert Johnson, Francis Ford Coppola (Boston: Twayne, 1977), p. 29. 1. Point of Departure 1. Ben Hecht, "Enter the Movies," in Film: An Anthology, ed. Daniel Talbot (Los Angeles: University of California Press, 1966), p. 258. 2. Unless noted otherwise, quotations from Coppola in this book are from the author's conversation with him. 3. Lee Eisenberg, "Francis Coppola and Gay Talese," Esquire Film Quarterly (July 1981): 84. 4. Joseph Gelmis, The Film Director as Superstar (Garden City, N.Y.: Doubleday, 1970), p. 179. 5. Peter Biskind, Easy Riders, Raging Bulls: Coppola, Scorsese and Other Directors (New York: Simon and Schuster, 1999), p. 149. 6. Harlan Lebo, The Godfather Legacy (NewYork: Simon and Schuster, 1997), p. 16. 326 Notes to Pages 11-34 7. Schumacher, Francis Ford Coppola, p. 19. 8. Jean-Paul Chaillet and Elizabeth Vincent, Francis Ford Coppola, trans. Denise Jacobs (New York: St. Martin's Press, 1984), p. 3. 9. Johnson, Francis Ford Coppola, p. 28. 10. Ronald Bergan, Francis Ford Coppola: The Making of His Movies (New York: Orion Books, 1998), p. 17. 11. Michael Goodwin and Naomi Wise, On the Edge: The Life and Times of Francis Ford Coppola (New York: Morrow, 1989), p. 238. 12. Ibid., p. 37. 13. Jon Lewis, Whom the Gods Wish to Destroy: Francis Coppola and the New Hollywood (Durham, N.C.: Duke University Press, 1997), p. 15. 14. Peter Cowie, Coppola:A Biography, rev. ed. (NewYork: Da Capo, 1994), p. 25. 15. Johnson, Francis Ford Coppola, pp. 29-30. 16. Roger Corman, How I Made a Hundred Movies in Hollywood and Never Lost a Dime, with Jim Jerome (New York: Random House, 1990), pp. 90-91. 17. Ibid. 18. Johnson, Francis Ford Coppola, p. 30. 19. Chaillet and Vincent, Francis Ford Coppola, p. 5. 20. Corman, Hundred Movies, pp. 110-11. 21. Cowie, Coppola, p. 26. 22. Corman, Hundred Movies, p. 114. 23. Bergan, Francis Ford Coppola, p. 21. 24." The YoungRacers? Variety Film Reviews: 1907-1996, vol. 16 (New Providence , N.J.: Bowker, 1997), n.p. 25. Corman, Hundred Movies, pp. 113-14. 26. Michael Pye and Linda Myles, The Movie Brats: How the Film Generation Took Over Hollywood (New York: Holt, Rinehart, and Winston, 1979), p. 71. 27. Bergan, Francis Ford Coppola, p. 21. 28. Goodwin and Wise, On the Edge, p. 44. 29. Johnson, Francis Ford Coppola, p. 32. 30. Goodwin and Wise, On the Edge, p. 48. 31. "Video Classics: Dementia 13? American Film 15, no. 6 (1990): 54. 32. Gelmis, Director as Superstar, p. 180. 33. Ibid., pp. 177, 186. 34. Goodwin and Wise, On the Edge, p. 55. 35. Johnson, Francis Ford Coppola, p. 39. 36. Chaillet and Vincent, Francis Ford Coppola, p. 8. 37. Johnson, Francis Ford Coppola, p. 89. 38. Ibid. 39. Ibid., p. 90. 40. Robert Evans, The Kid Stays in the Picture: A Memoir (Beverly Hills: Dove, 1995), pp. 248, 255. 41. Johnson, Francis Ford Coppola, p. 170. [18.232.66.188] Project MUSE (2024-03-29 15:55 GMT) Notes to Pages 34-54 327 42. Ibid., p. 174. 43. Chaillet and Vincent, Francis Ford Coppola, p. 41. 44. Gene D. Phillips, Creatures ofDarkness: Raymond Chandler, Detective Fiction and Film Noir (Lexington: University Press of Kentucky, 2000), pp. 221,222. 2. Going Hollywood 1. John Gallagher, Film Directors on Film Directing (New York: Greenwood Press, 1989), p. 25. 2. Chaillet and Vincent, Francis Ford Coppola, p. 11. 3. Goodwin and Wise, On the Edge, pp. 63-64. 4. Johnson, Francis Ford Coppola, p. 57. 5. Goodwin and Wise, On the Edge, pp. 63, 64. 6. Chown, Hollywood Auteur, p. 23. 7. Ibid., pp. 23-24. 8. Ibid., p. 26. 9. Lourdeaux, Italian and Irish Filmmakers, p. 176. 10. Goodwin and Wise, On the Edge, p. 73. 11. Chown, Hollywood Auteur, p. 23...