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WITH A FOREWORD BY WALTER MURCH Gene Phillips blends biography, studio history, and film criticism to complete the most comprehensive work on Coppola ever written. The force behind such popular and critically acclaimed films as Apocalypse Now and the Godfather trilogy, Coppola has imprinted his distinct style on each of his movies and on the landscape of American popular culture. In Godfather, Phillips argues that Coppola has repeatedly bucked the Hollywood "factory system" in an attempt to create distinct films that reflect his own artistic vision—often to the detriment of his career and finances. Phillips conducted interviews with the director and his colleagues and examined Coppola's production journals and screenplays. Phillips also reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. The result is the definitive assessment of one of Hollywood's most enduring and misunderstood mavericks.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
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  1. Foreword: Collaborating with Coppola
  2. Walter Murch, film and sound editor
  3. pp. ix-xiv
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  1. Acknowledgments
  2. pp. xv-xvi
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  1. Chronology for Francis Ford Coppola
  2. pp. xvii-xx
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  1. Prologue: Artist in an Industry
  2. pp. 1-4
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  1. Part One: Hollywood Immigrant
  1. 1. Point of Departure: The Early Films and Screenplays
  2. pp. 7-35
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  1. 2. Going Hollywood: You're a Big Boy Now and Finian's Rainbow
  2. pp. 36-52
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  1. 3. Nightmares at Noon: The Rain People and The Conversation
  2. pp. 53-84
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  1. Part Two: The Mature Moviemaker
  1. 4. In a Savage Land: The Godfather
  2. pp. 87-111
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  1. 5. Decline and Fall: The Godfather Part II and The Godfather Part III
  2. pp. 112-142
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  1. 6. The Unknown Soldiers: Apocalypse Now, Apocalypse Now Redux, and Gardens of Stone
  2. pp. 143-180
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  1. Part Three: Artist in an Industry
  1. 7. Exiled in Eden: One from the Heart
  2. pp. 183-201
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  1. 8. Growing Pains: The Outsiders and Rumble Fish
  2. pp. 202-225
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  1. 9. Night Life: The Cotton Club
  2. pp. 226-244
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  1. Part Four: The Vintage Years
  1. 10. The Past as Present: Peggy Sue Got Married and "Rip Van Winkle
  2. pp. 247-260
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  1. 11. The Disenchanted: Tucker: The Man and His Dream and New York Stories
  2. pp. 261-282
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  1. 12. Fright Night: Brum Stoker's Dracula
  2. pp. 283-299
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  1. 13. The Vanishing Hero: The Rainmaker and Jack
  2. pp. 300-312
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  1. Epilogue: The State of the Artist in the Industry Today
  2. pp. 313-324
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  1. Notes
  2. pp. 325-344
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  1. Selected Bibliography
  2. pp. 345-352
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  1. Filmography
  2. pp. 353-366
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  1. Index
  2. pp. 367-382
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  1. Image Plates
  2. pp. 405-428
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