The Philosophy of Tim Burton

Index

293 index Aboulafia, Mitchell, 2, 18–20, 22, 28n4, 29n28 adaptation, 3, 49–50, 112–13, 139, 150n36, 171–72, 175, 178 aesthetics, 1, 4, 59, 64n4, 169, 172, 174, 191n29, 193, 216, 254, 267, 289 Alice in Wonderland (2010), 1, 81n20, 194, 196, 199, 202, 211–12 alienation, 33, 37, 48–49, 51–52, 54, 61, 146, 258 Allen, Woody, 262 anti-intellectualism, 3, 111, 128, 129 anxiety, 29n36, 48, 62–63, 174–75, 215, 217, 219, 220–22, 225, 231, 232, 234, 237n14, 240n59 Aristotle, 127, 237n11 art, 1–2, 50–51, 59–63, 69, 73, 76–77, 79, 106, 132, 136, 144, 146, 161, 177, 198, 209, 215, 233, 240n56, 251, 253–55, 261, 272 Atwood, Colleen, 176, 192n35 authenticity, 4, 31–33, 37, 40, 43–45, 63, 144, 215, 221–23, 228, 231, 233, 235–36 authorial intention, 246 Batman (1989), 1, 85–86, 131–32, 136– 38, 140–41, 143, 145–46, 148, 160, 191, 226, 245 Batman Returns (1992), 1, 3, 31–32, 36, 44, 86, 132, 134, 136, 138, 140–41, 143, 145, 150n29, 192n31, 245 Baudrillard, Jean, 245, 257–58, 263 beauty, 76, 155, 172, 174–76, 179, 181– 85, 187–89, 191n29, 275 Becker, Ernest, 221, 241n63 Beckmann, Max, 143, 146–47 Beetlejuice (1988), 1, 47, 50, 62, 77, 86, 192n31, 192n34, 225, 231, 245, 268, 278 Being and Nothingness, 13, 33 Being and Time, 133, 218–20, 237n12, 240n53 Benjamin, Walter, 2, 22–25, 29n35 Big Fish (2003), 1, 2, 9, 11, 13, 15, 17, 20, 22–25, 27, 45n2, 62–63, 66n44, 171, 226 biopic, 67, 196, 245, 247–48 Bond, Christopher, 175, 189 Bonham Carter, Helena, 15, 180, 182, 199, 204–5, 211, 227 Booth, Wayne C., 206, 208, 213 Bowman, Curtis, 223, 235, 237n11, 240n59 Brecht, Bertolt, 172 Burke, Edmund, 4, 172–75, 177–79, 181–86, 188–89, 189n5 Cabinet of Dr. Caligari, The (1920), 177 cannibalism, 174, 182, 185, 277 capitalism, 269, 282 Carroll, Lewis, 1 Carroll, Noël, 233, 240n56 Charlie and the Chocolate Factory (2005), 1, 58, 72, 81n20, 171, 192n34, 196, 198, 202, 207, 226 childhood, 3–4, 15–16, 18, 48–49, 294 Index childhood (cont.) 52–54, 56, 61, 64n5, 68–70, 73, 93, 164, 267–73, 275, 278, 280–81, 283 children, 2–4, 16, 19, 47–48, 52–53, 55, 63, 68–74, 81n12, 102–3, 164, 166, 217, 267–73, 278, 280–82, 284, 290 choice, 20, 32–35, 37, 40, 42–45, 53, 173, 206, 209, 268, 282 cinematic mode. See film mode Cixous, Hélène, 217, 233, 240n54 cogito, 12, 28 cognition, 157, 167, 220 cognitive science, 3 Cold War, 86–87, 89, 91–93, 107n5, 107n6, 107n9 commodification, 268, 272, 279 commodity, 173, 267, 269, 272 community, 16–17, 23–25, 27, 59, 74–76, 111, 113–15, 118, 120–23, 135, 144, 197, 281 Cook, Daniel Thomas, 269 Corman, Roger, 47–50, 55, 58, 64n4, 64n9, 161, 163 Corpse Bride (2005), 1, 4, 47, 50, 52, 171, 196, 198, 202–4, 211, 226–30, 232–33, 235, 239n45, 268, 274–75, 277–79 counterpositioning, 199–200, 205 creativity, 76, 244, 251 Dark Shadows (2012), 1, 81n18, 81n20, 150n36, 193, 196, 205, 208–9, 211, 214n17, 226, 228–31, 233, 235, 238 Dasein, 133, 218, 220 death, 10, 15, 20, 22–27, 29n35, 37, 39, 40, 49, 59–63, 66n41, 123, 129, 181, 203–5, 207, 215, 217–18, 220–36, 238n37, 239n50, 239n52, 241n63, 278, 280 democracy, 99, 101, 115, 117–20, 122, 128 Depp, Johnny, 4, 67–69, 71–75, 77–80, 80n1, 82n30, 112, 114, 180–81, 186, 189n1, 193–203, 205–13, 214n10, 225, 227, 228, 248, 259 dialectic, 24, 25, 29n28, 49, 52–53, 56–62, 65n36, 117, 175, 181, 223, 250–52, 254 didacticism, 250–51 diegesis, 250, 262 Disney corporation, 107n8, 113, 267– 68, 270–73 documentary, 244–46, 248–49, 256– 58, 260, 264n4 Edward Scissorhands (1990), 1, 3, 31, 50, 59, 62–63, 67, 73–78, 81n20, 86, 189, 191n31, 192n34, 196–200, 209, 211, 214n10, 245 Ed Wood (1994), 3–4, 67–68, 73–74, 77–80, 81n18, 81n20, 82n30, 86–87, 189, 196, 198, 200–201, 207–11, 243–62, 264n4, 265n46 elitism, 106, 112 Elliott, Charlene, 273, 281–82 emotion, 2, 49, 54, 71–72, 91, 112, 115, 121, 124–29, 172–73, 175, 177, 191n29, 192n39, 197, 203–5, 212, 214n10, 219–22, 224, 229–31, 233–34, 237n14, 240n56...