In lieu of an abstract, here is a brief excerpt of the content:

Bibliography Berry, Chad. The Hayloft Gang: The Story of the National Barn Dance. Urbana: University of Illinois Press, 2008. Blount, Roy, Jr. “Country’s Angels.” Esquire 87, no. 3 (March 1977). Bogdanov, Vladimir. All Music Guide to the Blues: The Definitive Guide to the Blues. Montclair, NJ: Backbeat Books, 2003. Bufwack, Mary A., and Robert K. Oermann. Finding Her Voice: The Saga of Women in Country Music. New York: Crown, 1993. Clooney, Rosemary, and Joan Barthel. Girl Singer: An Autobiography. New York: Broadway, 2001. Cohn, Lawrence, et al. Nothing But the Blues: The Music and the Musicians . New York: Abbeville Press, 1999. Conway, Cecelia. African Banjo Echoes in Appalachia. Knoxville: University of Tennessee Press, 1995. Garland, Jim. Welcome the Traveler Home: Jim Garland’s Story of the Kentucky Mountains. Lexington: University Press of Kentucky, 1983. Green, Archie. Only a Miner: Studies in Recorded Coal-Mining Songs. Urbana: University of Illinois Press, 1972. Green, Douglas. Country Roots: The Origins of Country Music. New York: Hawthorn Books, 1976. Hall, Tom T. The Storyteller’s Nashville. New York: Doubleday, 1979. Hay, Fred J. “Black Musicians in Appalachia: An Introduction to Affrilachian Music.” Black Music Research Journal 23, no. 1–2 (2003). Jones, Louis M. “Grandpa.” Everybody’s Grandpa: Fifty Years behind the Mike. Knoxville: University of Tennessee Press, 1984. 239 240 Bibliography Jones, Loyal. Radio’s “Country Mountain Boy” Bradley Kincaid. Berea, KY: Berea College Appalachian Center, 1980. Judd, Naomi. Love Can Build a Bridge. New York: Villard Books, 1993. Lange, Jeffrey J. Smile When You Call Me a Hillbilly: Country Music’s Struggle for Respectability, 1939–1954. Athens: University of Georgia Press, 2004. Ledford, Lily May. Coon Creek Girl. Berea, KY: Berea College Appalachian Center, 1980. Lynn, Loretta, and Patsi Bale Cox. Still Woman Enough: A Memoir. New York: Hyperion, 2003. Lynn, Loretta, and George Vecsey. Coal Miner’s Daughter. Chicago: Henry Regnery, 1976. Malone, Bill. Country Music, U.S.A. Austin: University of Texas Press, 1985. ———. Don’t Get above Your Raisin’: Country Music and the Southern Working Class. Urbana: University of Illinois Press, 2002. Malone, Bill C., and David Stricklin. Southern Music/American Music. Lexington: University Press of Kentucky, 2003. Miles, Emma Bell. “Some Real American Music.” Harper’s Magazine, June 1904. Montell, William Lynwood. Grassroots Music in the Upper Cumberland. Knoxville: University of Tennessee Press, 2006. Pearson, Barry Lee. “Appalachian Blues.” Black Music Research Journal 23, no. 1–2 (2003). Pecknold, Diane. The Selling Sound: The Rise of the Country Music Industry . Durham, NC: Duke University Press, 2007. Raine, James Watt. Lecture notes. Berea College Appalachian Sound Archives. ———. “The Way of Life of the Mountain People of Appalachia.” Unpublished . Berea College Appalachian Sound Archives. Ritchie, Jean. Folk Songs of the Southern Appalachians. New York: Oak Publications, 1965. ———. Singing Family of the Cumberlands. Lexington: University Press of Kentucky, 1988. Romalis, Shelly. Pistol Packin’ Mama: Aunt Molly Jackson and the Politics of Folksong. Urbana: University of Illinois Press, 1999. Sharp, Cecil. English Folk Songs from the Southern Appalachians. London : Oxford University Press, 1932. [3.144.187.103] Project MUSE (2024-04-25 13:26 GMT) 241 Bibliography Smith, Richard D. Can’t You Hear Me Callin’: The Life of Bill Monroe, Father of Bluegrass. Cambridge: Da Capo Press, 2001. Wolfe, Charles K. Kentucky Country: Folk and Country Music of Kentucky . Lexington: University Press of Kentucky, 2009. Wolfe, Charles K., and James E. Akenson. The Women of Country Music: A Reader. Lexington: University Press of Kentucky, 2003. ...

Share