Vaganova Today: The Preservation of Pedagogical Tradition

Notes

183 Notes Introduction 1. Vaganova, Osnovye, 5. 2. Ibid. 3. Ibid., 9. Chapter 1. Vaganova the Dancer 1. Blok, “Agrippina Yakovlevna,” 36. 2. Ibid. Blok’s description of summer training also comes from her article “Agrippina Yakovlevna,” 36. 3. Slonimskiĭ, “Professor Klassicheskoga Tantsa,” 9–10. 4. Vserossiskogo Teatralnogo Obshestvo (hereafter cited as VTO) Vaganova— Stat’i Vspominanie Materialy, 37. 5. Ibid. 6. Amirgamzaev, Samye Znamenitye Mastera, 33. 7. VTO, Vaganova—Stat’i Vspominanie Materialy, 38. 8. Ibid., 39. 9. Amirgamzaev, Samye Znamenitye Mastera, 38. 10. Blok, “Agrippina Yakovlevna,” 36. 11.Vaganova,Osnovye, 6. Theliteraltranslationofthetitleof Vaganova’stextbook is Basic Principles of Classical Dance, but the published title in English is Basic Principles of Classical Ballet. 12. Vasilieva, Sekret Tantsa, 182. 13. Oboĭmina and Tat’kova, Yabloko Protianutoe Eve, 204. 14. Blok, “Agrippina Yakovlevna,” 36. 15. Vasilieva, Sekret Tantsa, 182. 16. Kremshevskaya, “Grammatika Agrippinoi Vaganovoi,” 38. 17. Dolgopolov, Minuvshikh Dnei Vspominanie, 150. 18. Tikanova, Devushka v Sinem, 62. 19.Ibid.,79.“Plastique,”referstoharmonious,gracefulmovement;amusicalcounterpart might be the sense of legato. 20. Pomina, “Vstrecha,” 53. 21. Nijinska and Rawlinson, Early Memoirs, 116. 22. Kostrovitskaya, “Nachalo Sovetskoi Shkoli,” 12. 23. Pomina, “Vstrecha,” 53. 24. Zorich, “Fragmenti Avtobiografii,” 43. 25. Fyodorchenko, “Olga Preobrazhenskaia,” 80. 26. Messerer, Tanets. Mysl. Vremya, 135. 27. Duncan, Isadora: Touring in Russia, 92–93. 28. Tikanova, Devushka v Sinem, 72. 29. Ibid., 79. 30. Fyodorchenko, “Olga Preobrazhenskaia,” 86. 31. Dolgopolov, Minuvshikh Dnei, 150. 32. Krasovskaya, Agrippina Yakovlevna, 28. Plastika (noun) or plasticheski (adjective ) in Russian are terms taken from the French “plastique,” which refers to harmonious , graceful movement; a musical counterpart might be the sense of legato. 33. Blok, “Agrippina Yakovlevna,” 36. 34. Ibid. 35. Krasovskaya, Vaganova—A Dance Journey, 40. 36. Kremshevskaya, “Grammatika Agrippinoi Vaganovoi,” 18–19. 37. Gaevskiĭ, “Diana i Acteon,” 61. 38. Blok, “Urok Vaganova,” Klassicheskiı̌ Tanets, 338. 39. Ibid., 342. 40. Krasovskaya, “Dve Zhizni Vaganovoi,” no. 10, 59. 41. Vasilieva, Sekret Tantsa, 182. 42. Kremshevskaya, Agrippina Vaganova, 20. 43. Amirgamzaeva, Samye Znamenitye Mastera, 38. 44. Blok, “Agrippina Yakovlevna,” 36. 45. Ibid. 46. Ibid. 47. Ibid. 48. VTO, Vaganova—Stat’i Vspominanie Materialy, 47–49. 49. Blok, “Urok Vaganova,” Klassicheskiı̌ Tanets, 339. 50. Ibid., 339. 51. Kremshevskaya, Agrippina Vaganova, 15. 52. Lopukhov, Khoreograficheskye Otkroivennosti, 169. 53. Ibid., 172. 54. Krasovskaya, “Legat i Kazannaya Tsena,” 95. 55. Tikanova, Devushka v Sinem, 109. 184 • Notes to Pages 11–23 56. Blok, “Urok Vaganova,” Klassicheskiı̌ Tanets, 336. 57. Ibid., 339. 58. Lopukhov, Khoreograficheskye Otkroivennosti, 172. 59. Volinskiĭ, Stat’i o Balete, 177. 60. Blok, “Agrippina Vaganova,” Rabochiĭ i Teatr, 38. 61. Shelest, “Akademia Tantsa,” 39. 62. Vaganova, Osnovye, 4. 63. Volinksiĭ, “Proshalnogo Benefisa Vaganovoi,” in Stat’i o Balete, 177–80. 64. Slonimskiĭ, “Professor Klassicheskoga Tantsa,” 9. 65. Ibid. 66. Lopukhov, Khoreograficheskye Otkroivennosti, 182. 67. Amirgamzaeva, Samye Znamenitye Mastera, 42. 68. Gaevskiĭ, “Vaganova Segodnia,” 129. 69. VTO, Vaganova—Stat’i Vspominanie Materialy, 172. 70. Ibid., 60. Chapter 2. Vaganova the Teacher 1. Kostrovitskaya, “Nachalo Sovetskoi Shkoli,” 26. 2. Vaganova, Osnovye, 8. 3. Sergeyev, “K 100 Letiu,” 26. 4. VTO, Vaganova—Stat’i Vspominanie Materialy, 58. 5. Kremshevskaya, “Grammatika Agrippinoi Vaganovoi,” 41. 6. Ibid., 40. 7. VTO, Vaganova—Stat’i Vspominanie Materialy, 9. 8. Slonimskiı̌, “Professor Klassicheskoga Tantsa,” 9. 9. VTO, Vaganova—Stat’i Vspominanie Materialy, 9. 10. Kremshevskaya, “Grammatika Agrippinoi Vaganovoi,” 18–19. 11. Vaganova, Osnovye, 5–6. 12. Ibid., 8. 13. Gaevskiĭ, “Diana i Akteon,” 59. 14. Tikanova, Devushka v Sinem, 62. 15. Fyodorchenko, “Olga Preobrazhenskaia,” 80. 16. Vaganova, Osnovye, 8 17. Ibid. 18. Ibid. 19. Ibid. 20. Shelest, “Dialektika Pedagogika,” 29. 21. Vaganova, Osnovye, 5. 22. Semënova, “K 100 Letiu,” 28. 23. Blok, “Agrippina Yakovlevna,” 38. 24. Ibid. Notes to Pages 23–38 • 185 25. Blok, “Urok Vaganova,” Klassicheskiı̌ Tanets, 441. 26. VTO, Vaganova—Stat’i Vspominanie Materialy, 10. 27. Blok, “Agrippina Yakovlevna,” 38. 28. VTO, Vaganova—Stat’i Vspominanie Materialy, 257. 29. Sergeyev, “K 100 Letiu,” 26. 30. Blok, “Urok Vaganova,” Klassicheskiı̌ Tanets, 338. 31. Lopukhov, Khoreograficheskye Otkroivennosti, 172. 32. Ibid., 180. Emphases my own. 33. Evment’ieva, Zapiski Ballerinoi, 57. 34. VTO, Vaganova—Stat’i Vspominanie Materialy, 64. 35. Gaevskiĭ, Dom Petipa, 230–31. 36. Souritz, Soviet Choreographers, 72. 37. Ibid., 152. 38. Ibid., 240, 250. 39. Ibid., 279. 40. Ibid., 280. 41. Ibid., 277. 42. Gaevskiı̌, “Diana i Akteon,” 60. 43. VTO, Vaganova—Stat’i Vspominanie Materialy, 262. 44. Lopukhov, Writings on Ballet, 155. 45. Ibid., 156. 46. VTO, Vaganova—Stat’i Vspominanie Materialy, 66. 47. Ibid., 199. 48. Ibid., 262...