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This is the first book to address head-on the question of how Latino/a literature wrestles with the pan-ethnic and trans-racial implications of the "Latino" label.

Refusing to take latinidad (Latino-ness) for granted, Marta Caminero-Santangelo lays the groundwork for a sophisticated understanding of the various manifestations of "Latino" identity. She examines texts by prominent Chicano/a, Dominican American, Puerto Rican, and Cuban American writers--including Julia Alvarez, Cristina García, Achy Obejas, Piri Thomas, and Ana Castillo--and concludes that a pre-existing "group" does not exist. The author instead argues that much recent Latino/a literature presents a vision of tentative, forged solidarities in the service of particular and sometimes even local struggles. She shows that even magical realism can figure as a threat to collectivity, rather than as a signifier of it, because magical connections--to nature, between characters, and to Latin American origins--can undermine efforts at solidarity and empowerment.

In the author's close reading of both fictional and cultural narratives, she suggests the possibility that Latino identity may be even more elastic than the authors under question recognize.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction: Who Are We?
  2. pp. 1-35
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  1. Part 1. Race and Ethnicity
  2. p. 37
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  1. 1. ”Jasón’s Indian”: Mexican Americans and the Denial of Indigenous Ethnicity in Rudolfo Anaya’s Bless Me, Ultima
  2. pp. 39-50
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  1. 2. “Puerto Rican Negro”: Defining Race in Piri Thomas’s Down These Mean Streets
  2. pp. 51-69
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  1. Part 2. Complicating the Origins
  2. p. 71
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  1. 3. Speaking for Others: Problems of Representation in the Writing of Julia Alvarez
  2. pp. 73-92
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  1. 4. Complicating Cubanidad Novels of Achy Obejas and Cristina García
  2. pp. 93-135
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  1. Part 3. Difference and the Possibilities of Panethnicity
  2. p. 137
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  1. 5. ”The Pleas of the Desperate”: Magical Realism, Latinidad, and (or) Collective Agency in Ana Castillo’s So Far from God
  2. pp. 139-160
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  1. 6. Dirty Girls, German Shepherds, and Puerto Rican Independentistas: “The Latino Imaginary” and the Case of Cuba
  2. pp. 161-195
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  1. 7. Imagining Identity/Seeing Difference: Demetria Martínez’s Mother Tongue
  2. pp. 196-212
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  1. Conclusion: The Shifting Nature of Latinidad
  2. pp. 213-219
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  1. Notes
  2. pp. 221-264
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  1. Works Cited
  2. pp. 265-284
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  1. Index
  2. pp. 285-296
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  1. About the Author
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