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It has long been accepted that film helped shape the modernist novel and that modernist poetry would be inconceivable without the typewriter. Yet radio, a key influence on modernist literature, remains the invisible medium.

The contributors to Broadcasting Modernism argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicize their work. They saw in radio the same spirit of experimentation that animated modernism itself.

Because early broadcasts were rarely recorded, radio's influence on literary modernism often seems equally ephemeral in the historical record. Broadcasting Modernism helps fill this void, providing a new perspective for modernist studies even as it reconfigures the landscape of the era itself.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Introduction: Signing On
  2. pp. 1-7
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  1. Part I: Medium & Metaphor
  1. 1. Inventing the Radio Cosmopolitan: Vernacular Modernism at a Standstill
  2. pp. 11-30
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  1. 2. Wireless Ego: The Pulp Physics of Psychoanalysis
  2. pp. 31-50
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  1. 3. Marinetti, Marconista: The Futurist Manifestos and the Emergence of Wireless Writing
  2. pp. 51-67
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  1. 4. “Masters of Sacred Ceremonies”: Welles, Corwin, and a Radiogenic Modernist Literature
  2. pp. 68-88
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  1. 5. Flying Solo: The Charms of the Radio Body
  2. pp. 89-103
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  1. Part II: Pressures & Intrusions
  1. 6. Gertrude Stein and the Radio
  2. pp. 107-123
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  1. 7. The Voice of America in Richard Wright’s Lawd Today!
  2. pp. 124-141
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  1. 8. Annexing the Oracular Voice: Form, Ideology and the BBC
  2. pp. 142-157
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  1. 9. Desmond MacCarthy, Bloomsbury, and the Aestheticist Ethics of Broadcasting
  2. pp. 158-175
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  1. 10. “We Speak to India”: T. S. Eliot’s Wartime Broadcasts and the Frontiers of Culture
  2. pp. 176-195
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  1. Part III: Negotiations, Transactions, Translations
  1. 11. “What They Had Heard Said Written”: Joyce, Pound and the Cross-Correspondence of Radio
  2. pp. 199-220
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  1. 12. “Speech Without Practical Locale”: Radio and Lorine Niedecker’s Aurality
  2. pp. 221-237
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  1. 13. Materializing Millay: The 1930s Radio Broadcasts
  2. pp. 238-256
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  1. 14. Updating Baudelaire for the Radio Age: The Refractive Poetics of “The Pleasures of Merely Circulating”
  2. pp. 257-273
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  1. 15. I Switch Off: Beckett and the Ordeals of Radio
  2. pp. 274-293
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  1. Bibliography
  2. pp. 295-316
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  1. Contributors
  2. pp. 317-318
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  1. Index
  2. pp. 319-330
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