Fernando Alonso: The Father of Cuban Ballet

Notes

227 Notes Chapter 2. Pro-Arte Musical, Yavorsky, and New York 1. Ruíz, Fernando Alonso, 37. Chapter 3. Alicia, Fernando, and Laura 1. Siegel, Alicia Alonso, 37. Chapter 6. Challenges and Pilgrimages 1. Ruíz, Fernando Alonso, 57. 2. Ibid., 59. 3. Ibid., 61. 4. Ibid. 5. Ibid., 62. Chapter 7. Autumn in New York, and a Dawning in Havana 1. Ruíz, Fernando Alonso, 63. 2. Ibid., 85. 3. Ibid., 67. 4. Ibid., 70. 5. Ibid., 71. Chapter 9. Ballet Alicia Alonso 1. Ruíz, Fernando Alonso, 80. Chapter 10. El Maestro de Maestros, the Father of Cuban Ballet 1. Ruíz, Fernando Alonso, 82. 2. Ibid., 83. 3. Ibid., 86. Chapter 11. Crafting a Curriculum, Sculpting a Style 1. Ruíz, Fernando Alonso, 89. Chapter 12. Legends and Lessons 1. Terry, Alicia and Her Ballet, 39. 228 Chapter 13. A Revolutionary Proposal 1. Ruíz, Fernando Alonso, 95. 2. Ibid., 96. Chapter 14. Batista’s Blackmail Bid 1. Ruiz, Fernando Alonso, 104. Chapter 16. Cuban Revolution Triumphs—and Invests in Ballet! 1. Terry, Alicia and Her Ballet, 53. 2. Ruíz, Fernando Alonso, 114. 3. Bosch, “Desarollo de la danza en Cuba,” 90. 4. Ibid., 91. 5. Ruíz, Fernando Alonso, 115. Chapter 17. Constructing Ballet Schools, Extending the Revolution 1. De Gámez, Alicia Alonso at Home and Abroad, 184. Chapter 18. International Recognition Abroad, at Home, on Film, and in Print 1. Ruíz, Fernando Alonso, 121. 2. Ibid., 122. 3. Ibid., 123. 4. Ibid. 5. Ibid. Chapter 19. Camagüey 1. Ruíz, Fernando Alonso, 122. 2. Ibid., 123. 3. Mesa, Camagüey, 385. 4. Hernández, “Memorables willis del Ballet de Camagüey.” 5. Mesa, Camagüey, 386. Chapter 20. Révérence 1. Ruíz, Fernando Alonso, 131. 2. “Fernando Alonso 90 años de un príncipe.” Notes to Pages 69–118 ...