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Contributors Matthew Campbell is professor of Literature at the University of York. He is the author of Rhythm and Will in Victorian Poetry (Cambridge 1999) and editor of The Cambridge Companion to Contemporary Irish Poetry (2003), as well as many articles on Irish and Victorian poetry. He is completing a monograph titled Irish Poetry in the Union, 1801–1899 for Cambridge University Press. Marc C. Conner is professor of English and director of the Program in African -American StudiesatWashingtonandLeeUniversity.Hehaseditedtwo collections, The Aesthetic Dimensions of Toni Morrison (Mississippi, 2000) and Charles Johnson: The Novelist as Philosopher (Mississippi 2007) and is currently completing the Cambridge Companion to Irish Drama and Fiction on Screen and The Selected Letters of Ralph Ellison. He has published dozens of essays, reviews, and interviews on American and Irish modernism. A. Nicholas Fargnoli is dean of Humanities and professor of Theology and English Literature at Molloy College in Rockville Centre, N.Y. He has authored , co-authored, and edited works on ethics, William Faulkner, and James Joyce including Critical Companion to James Joyce and James Joyce: A Literary Reference. He is also the president of the James Joyce Society. Marie-Dominique Garnier is professor of English Literature and Gender Studies at the University of Paris 8-Vincennes. Her recent publications includeaco -editedvolume, CixoussousX(Paris,PressesdeVincennes,2010), “Hamlet: Selected Letters between Derrida and Deleuze” (OLR, vol. 25, 2003), and “Lapsing into Lapping: Joyce with Deleuze,” in Joyce and the Difference of Language,(dir.LaurentMilesi,CambridgeUniversityPress,2003) 224 · Contributors as well as a number of articles and book chapters on English literature and philosophy. She organized the “JoyCixous” panel at the JJ Symposium in Tours, France, 2008. She also works in the field of Arakawa and Gins (poetry and architecture). Her translation of Madeline Gins’s Helen Keller or Arakawa (Burning Books, 1994) has been accepted for publication by Editions Hermann, Paris. Michael Patrick Gillespie is professor of English at Florida International University. He has published books on Joyce, Wilde, William Kennedy, chaos theory, and Irish film. He is currently working on a book on Joyce and the problem of exile. Jefferson Holdridge is the director at Wake Forest University Press and professor of English at WFU. He has written two critical books entitled Those Mingled Seas: The Poetry of W. B. Yeats, the Beautiful and the Sublime (2000) and The Poetry of Paul Muldoon (2008). He has had numerous reviews and essays published in scholarly journals, the most recent of which are “Landscape and Family in the Eighteenth Century” in Yeats in Context, ed. David Holdeman and Ben Levitas (Cambridge University Press, 2010) and “The Wolf Tree: Culture and Nature in Paula Meehan’s Dharmakaya and Panting Rain” in An Sionnach: Special Issue on Paula Meehan, ed. Jody Allen-Randolph (Volume 5: Spring/Fall 2010). Cóilín Owens is emeritus professor of English at George Mason University. He is the author of James Joyce’s Painful Case, Irish Drama: 1900–1980, and Family Chronicles: Maria Edgeworth’s Castle Rackrent, as well as dozens of essays and reviews on modern Irish literature. He is currently completing a book-length study of Joyce’s “After the Race.” Adrian Paterson is IRCHSS Research Fellow at the National University of Ireland, Galway. A graduate of Worcester College, Oxford, and Trinity College, Dublin, he has published widely on modernism and nineteenthand twentieth-century literature. He is working on a history of poetry and music in Ireland funded by the Irish Research Council for the Humanities and Social Sciences entitled Perfect Pitch: Music in Irish Poetry from Moore to Muldoon; his monograph Words for Music Perhaps: Yeats and Musical Sense is forthcoming from Oxford University Press. ...

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