Dangerous Masculinities: Conrad, Hemingway, and Lawrence

Index

A Homemade World (Kenner), 86 Achebe, Chinua, 11, 131, 132, 149, 150 Adams, James Eli, 76 After the Lost Generation (Aldridge), 96 Aldridge, John, 96 Anderson, Sherwood, 99 “Art(ifice) of Striptease, The” (Blessing), 217–20 Ash, Beth Sharon, 131, 133–34, 138, 216 Audience: constructive role of, 4–7, 10–11, 71, 108, 117, 119, 124, 125, 141–42, 149, 152, 154, 156–58, 166, 172, 178; evaluating role of, 3, 39, 64, 71, 115; participation of, 4, 5, 10, 105, 107–8, 118, 124–27, 129, 132, 135–39, 152, 172, 178, 179–80, 187; resistance of, 4, 127, 131–39, 142, 149, 166, 173, 175, 209. See also female readers; male readers; positionality; reading as process Babbitt, Irving, 80 Baker, Carlos, 62, 63, 64, 93 Bakhtin, Mikhail, 210, 211 Bakker, J., 98 Benstock, Shari, 6 Big Brierly (Lord Jim), 1, 2, 143 Big Chap (Lord Jim), 104–10 Birkin (Women in Love), 12, 177–207, 210, 216, 220, 221 Blessing, Jennifer, 216–20 Bly, Robert, 29, 163 Boone, Joseph A., 8, 28, 31–35, 40–41, 43, 44, 46, 209–10, 211–13, 214, 215, 216, 219 Booth, Wayne, 166 Brantlinger, Patrick, 131 Index Brecht, Bertolt, 3, 22–23, 24, 27, 46, 51, 55, 100, 132 Brod, Harry, 28, 43 Broer, Lawrence R., 49, 56, 57, 59, 101 Brooks, Van Wyck, 82–84, 85, 86, 88, 92 Brunner, Jane, 15, 16 “Bull in the Afternoon” (Eastwood), 95 Burden, Robert, 209–10, 211–15, 216, 219 Burlesque, 217–20 Burton, John, 16, 24 Bush, George Herbert Walker, 15 Bush, George W., 15 Butler, Judith, 3, 8, 9, 20, 21–22, 25, 26, 29, 38, 40, 51, 67–68, 100, 155, 162 Cadden, Michael, 28 Cantwell, Colonel, 92, 97, 101, 102 “Capital of the World, The” (Hemingway), 9, 10, 48–72, 73, 88, 100, 101 Carlyle, Thomas, 79–80 Carnivalism, 210, 214 Cheney, Dick, 15 Cixous, Hélène, 214–15 Clarke, Norma, 79–80 Class, 188–94, 198–203; theatrical aspects of, 188–95, 199–203 Clément, Catherine, 215 “Cocksure Women and Hen-sure Men” (Lawrence ), 12, 159, 163, 164, 166, 169–76, 177 Code Hero, 56, 89, 93–94 Codes of manhood, 58, 60, 72, 74, 89, 93–94, 104, 107–9, 120–23, 143–48. See also manhood ; masculinity Competitive display, 3, 4, 11, 64, 148  Index Compulsory heterosexuality, 29, 77 Confident Years, The (Brooks), 92 Conrad, Joseph, 1–4, 7, 8, 9, 11, 13, 47, 74, 104–58, 208, 216; authorial role of, 131–39; and failure of masculine style, 232n62; and imperialism, 1, 11, 127, 131–34, 142, 149–50, 153, 154, 233n1, 234n3, 234n5, 234n7, 235n13; and liberalism, 132, 142, 149; masculine style of, 230n42, 232n62; masculinism of, 1–2, 13; and performances of manhood, 2–3, 11–12, 104–35, 139–58; and racism, 11–12, 131–32, 142, 150, 153, 154; scholarly approaches to, 11, 74, 104, 109–10, 120, 121, 125, 131–39, 153, 232n62, 234n5. —Works: Heart of Darkness, 11, 131, 132, 135–38, 149; “Karain.” 135; Lord Jim 1–4, 11–12, 104–34, 139–58. Characters: See Big Brierly; Big Chap; Dain Waris; Doramin; French lieutenant; “Gentleman” Brown; Hero of the Lower Deck; Jim; Jones; Kurtz; Marlow; Privileged Man; Stein; Tamb’ Itam; Tunku Allang Constructing Masculinity (Berger), 29 Cooper, Stephen, 58, 59, 60, 61 Cowardly matador (“The Capital of the World”), 59–66 Cowley, Malcolm, 54 Critical charter, 34, 37, 39, 41, 43, 44, 45 Cultural authority, 5, 7, 10, 26, 27, 36, 75, 80 Cultural capital, 35, 44 Cultural Capital (Guillory), 42 Cultural studies, 38 Dain Waris (Lord Jim), 148, 155, 156 Dangerous masculinity, 6, 11, 30, 73, 85, 97–103 Davidson, Donald, 95 Davis, Gray, 14 DeFalco, Joseph, 60–64, 69, 70 Defamiliarizing strategies. See gest; Verfremdungseffekt DeKoven, Marianne, 104 Delayed decoding, 104, 233n3 Derrida, Jacques, 116 DeVoto, Bernard, 92 Dialogism, 108, 118, 121, 172, 180, 184, 193 DiBattista, Maria, 203 Dickie, Margaret, 9, 10, Dickinson, Lowes, 82 Doramin (Lord Jim), 155, 156, 157 Dubliners (Joyce), 54 Eagleton, Terry, 22, 23, 131 Eastman, Max, 95 Ecriture féminine, 214, 215, 216 Eliot, T. S., 166 Engendering Men (Boone), 28 Enrique (“The Capital of the World”), 48, 49, 51, 65, 66, 68, 71 Expertise, ethos of, 5, 26, 35, 36, 38–39, 91, 114 Fadiman, Clifton P., 88–91 Female masculinity, concept of, 20–21, 25 Female readers, 173–74 Feminism, 16, 20, 24, 25, 28, 29, 30, 32–34, 37, 43, 45, 135–39...