Index
index About, Edmond, Salon de , 208 Académie des Beaux-Arts, 16–17 Académie des inscriptions et belles-lettres, 30, 33, 34 n.27; satire of, 32 Académie des sciences, 51 Académie française, 30–31 Accademia Ercolanese, Le Antichità di Ercolano , 10 n.2, 12, 17 Alcubierre, 14 Amnesia, 3, 6, 139, 180, 182–83, 185, 229 Ancien Régime, 1, 4, 19–20, 34, 63, 165, 170, 176, 201, 229, 232–33 Animation: of artifacts, 68; desire and, 82, 141, 144, 194; of fossils, 126–27; at museum, 130; of paintings, 67, 106, 142 n.88; of the past, 43, 49, 77, 124, 144; and petrification, 101–2; of Pompeii, 78, 88 Anomie, 162 Anquetil-Duperron, 53 Antiquarian, 7, 21–23, 28–47, 54, 80, 118, 176, 215; figures of ridicule, 29–30, 185 n.98; scientist as, 58, 165; and verbal bias, 49 Antiquarianism, 5, 22, 28–47, 135; as subculture , 15 Antiquity, 5, 9, 15, 17, 21–22, 123, 133, 145–46, 171, 179, 187, 191, 197, 199, 215; demystification of, 16; as literary and artistic ideal, 18, 48, 52, 66, 159, 205–6, 214; preservation of, 170, 184, 219 Archaeological sites: Alésia, 6, 57; Ancyra, 57; Asia Minor, 52, 57; Bibracte, 57; Cnidus, 124; Galatia, 57; Greece, 52; Knossos, 157, 158 n.6; Macedonia, 57; Persia, 52; Petra, 157, 157 n.5; Pharsalus, 57; Phoenicia, 69, Serapeum, 69; Troy, 157–58. See also Assyria ; Egypt; Excavation; Pompeii Archaeology: amateur vs. professional, 4, 51, 158; barbarian, 220–23, 234; birth of, 9; definition of, 22–24; distinct from art history , 23; and eroticism, 81–82, 98, 206–8; of future, 1–2, 81, 184, 198–99, 229, 233, 235–36; of garbage, 39, 182–83, 182 n.92; heroic , 7, 34, 36, 158; imperial, 38; linguistic, 4; of memory, 196, 231; national, 4; and other sciences, 5–6, 50, 58, 226; utility of, 37. See also Myth Archive, 40, 47, 144, 173–83; allegory of, 189; the book as, 175, 178–81; indestructible, 8, 55, 113, 115, 184, 188, 196; and journalism, 81, 180; monuments as, 58; natural, 165; perishable, 56, 134, 175–76, 184–85; and preservation, 170, 179–80, 184; and preservation by destruction, 184, 187–91, 235–36; and recording, 1–2, 144, 159, 178, 181–82, 189, 235–36; the ruin as, 175, 177–78; and state, 174–75, 179–80; total, 95, 175–76, 181, 183–86, 191–99. See also Hugo, Victor, and sewer; Visual rhetoric Aristotle, 32, 117 Assmann, Jan, 181 n.89 Assyria, 6–7, 38–39, 52, 69, 157, 182 Atlantis, 155, 168–70, 180 Auber, Portici de, La Muette, 230 Augier, Emile, Le Joueur de flûte, 213 Baecque, Antoine de, 148 Balzac, Honoré de, 63, 97, 107, 111, 124–25, 142, 205, 220; and antique store (La Peau de chagrin), 40, 67–68, 130, 137, 176, 176 n.76; Le Chef-d’oeuvre inconnu, 142 n.88; Les Chouans, 228 n.74; La Comédie humaine , 2, 198–99; Contes drolatiques, 205; Le Cousin Pons, 5; as ethnographer, 79, 81, 179, 198; Louis Lambert, 112 n.56, 139–40; 300 index Balzac, Honoré de (continued) La Maison du Chat-qui-pelote, 5 n.10; Le Père Goriot, 175; Scènes de la vie privée, 81; Splendeur et misères, 89–90; Ursule Mirouët, 112–13 Bande noire, la, 63, 63 n.56, 131, 201–2 Bann, Stephen, 7, 85 n.133, 111 n.50; on Walter Scott, 34 Barante, Prosper de, 7, 93–94, 141; History of the Dukes of Burgundy, 44, 85–86, 188 n. 110; and picturesque, 44 n.67, 105 Barbarian: Franks as, 46–47; invasions, 226, 230; the people as, 218; renewal, 201, 216–26; vandalism, 181, 219–20, 230 Barbey d’Aurevilly, Jules, 111 Barkan, Leonard, 65 Barrès, Maurice, 217 Barthélemy, l’abbé de, 16; Voyage of the Young Anacharsis in Greece, 16, 36, 54 Barthes, Roland: La Chambre claire, 108, 111 n.49; on history, 115 n.61; on Michelet, 104, 104 n.30, 144, 144 n.96; on photography, 90, 108–11 Baudelaire, Charles, 43, 68, 83, 162, 169; ‘‘Le jeune enchanteur,’’ 36, 90–91; and memory , 94, 198; Le Peintre de la vie moderne, 198, 199 n.136; on photography, 108; ‘‘La Vie antérieure,’’ 161 Bayle, Pierre, Dictionnaire critique et historique , 31 Beche, Henry de la, Duria antiquor, 159 Bellay, Joachim du, 160 Benjamin...
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