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Singing the Self Northwestern University Press Studies in Russian Literature and Theory Series Editors Robert Belknap Caryl Emerson Gary Saul Morson William Mills Todd III Andrew Wachtel [3.237.87.69] Project MUSE (2024-03-29 11:49 GMT) Singing the Self GUITAR POETRY, COMMUNITY, AND IDENTITY IN THE POST-STALIN PERIOD Rachel S. Platonov NORTHWESTERN UNIVERSITY PRESS / EVANSTON, ILLINOIS Northwestern University Press www.nupress.northwestern.edu This book has been published with the support ofthe Andrew W. Mellon Foundation. Copyright © 2012 by Northwestern University Press. Published 2012. All rights reserved. Arts & Humanities Research Council Each year the AHRC provides funding from the UK government to support research and postgraduate study in the arts and humanities. Only applications ofthe highest quality are funded and the range of research supported by this investment of public funds not only provides social and cultural benefits but also contributes to the economic success ofthe UK. For further information on the AHRC, please go to: www.ahrc.ac.uk Printed in the United States ofAmerica 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Platonov, Rachel S. Singing the self: guitar poetry, community, and identity in the post-Stalin period / Rachel S. Platonov. p. cm. - (Studies in Russian literature and theory) Includes bibliographical references and index. ISBN 978-0-8101-2833-0 (cloth: alk. paper) 1. Popular music-Social aspects-Soviet Union. 2. Marginality, SocialSoviet Union. 3. Songs, Russian-20th century-History and criticism. I. Title. II. Series: Studies in Russian literature and theory. ML3497.P53 2012 782.421640947-dc23 2011050539 @ The paper used in this publication meets the minimum requirements ofthe American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. [3.237.87.69] Project MUSE (2024-03-29 11:49 GMT) For M.S., who helped inspire me to start this project, and N. S., who helped inspire me tofinish it. ...