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summary
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. -
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  1. Acknowledgments
  2. pp. ix- x
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  1. A Key to Titles of Gogol's Works
  2. pp. xi-xiii
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  1. Introduction
  1. 1. The Face of Recent Gogol Scholarship
  2. pp. 1-4
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  1. 2. The Logos of Gogol
  2. pp. 5-7
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  1. Works Cited in Introduction
  2. pp. 8-13
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  1. Being Buried Alive; or, Gogol in 1973
  2. pp. 14-18
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  1. Around "The Nose"
  2. pp. 19-39
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  1. The "Thing-in-Itself' in Gogol's Aesthetics: A Reading of the Dikanka Stories
  2. pp. 40-62
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  1. False Pretenders and the Spiritual City: "A May Night" and "The Overcoat"
  2. pp. 63-74
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  1. Gogol's Poetics of Petrification
  2. pp. 75-88
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  1. Khlestakov as Representative of Petersburg in The Inspector General
  2. pp. 89-104
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  1. Gogol's "The Portrait": The Simultaneity of Madness, Naturalism, and the Supernatural
  2. pp. 105-111
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  1. The Landscape of Arabesques
  2. pp. 112-125
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  1. The Bird Troika and the Chariot of the Soul: Plato and Gogol
  2. pp. 126-142
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  1. Artificiality and Nature in Gogol'sDead Souls
  2. pp. 143-157
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  1. The Death of Gogolian Polyphony: Selected Comments on Selected Passages from Correspondence with Friends
  2. pp. 158-171
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  1. Rereading Gogol's Miswritten Book: Notes on Selected Passages from Correspondence with Friends
  2. pp. 172-184
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  1. Distended Discourse: Gogol, Jean Paul, and the Poetics of Elaboration
  2. pp. 185-199
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  1. Gogol's Parables of Explanation: Nonsense and Prosaics
  2. pp. 200-239
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  1. Notes on the Contributors
  2. pp. 240-242
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  1. Notes
  2. pp. 243-284
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  1. Index
  2. pp. 285-291
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