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225 Works Cited Adelman, Gary. 2001. Retelling Dostoyevsky: Literary Responses and Other Observations . Lewisburg, Pa.: Bucknell University Press. Agee, James. 1967. Agee on Film. New York: Grosset & Dunlap. Alexandrov, Vladimir E. 2004. Limits to Interpretation: The Meanings of “Anna Karenina.” Madison: University of Wisconsin Press. Apollonio, Carol. 2009. Dostoevsky’s Secrets: Reading Against the Grain. Evanston , Ill.: Northwestern University Press. Aronson, Ronald. 2004. Camus and Sartre: The Story of a Friendship and the Quarrel That Ended It. Chicago: University of Chicago Press. Bajer, Jiří. 1988. “A New Hypothesis on the Theme of Janáček’s ‘Russian’ Operas .” In Janáček and Czech Music, Proceedings of the Int’l Conference, ed. Michael Beckerman and Glen Bauer. New York: Pentagon. 21–31. Bakhtin, Mikhail. 1984. Problems of Dostoevsky’s Poetics. Ed. and trans. Caryl Emerson. Minneapolis: University of Minnesota Press. ———. 1986a. Literaturno-kriticheskie stat’i. Moscow: Khudozhestvennaya literatura . ———. 1986b. Speech Genres and Other Late Essays. Trans. Vern W. McGee, ed. Caryl Emerson and Michael Holquist. Austin: University of Texas Press. Bazin, André. 1967, 1971. What Is Cinema? 2 vols. Trans. Hugh Gray. Berkeley: University of California Press. Belchikov, N. F. 1971. Dostoevskii v protsesse Petrashevtsev. Moscow: Nauka. Benjamin, Walter. 1969. Illuminations. Trans. Harry Zohn. New York: Schocken. Berger, James. 1999. After the End: Representations of Post-Apocalypse. Minneapolis : University of Minnesota Press. Bethea, David. 1989. The Shape of the Apocalypse in Russian Fiction. Princeton, N.J.: Princeton University Press. Bettelheim, Bruno. 1979. Surviving, and Other Essays. New York: Knopf. Beumers, Birgit. 1997. Yury Lyubimov at the Taganka Theatre 1964–1994. Amsterdam : Harwood Academic. Bloom, Harold. 1973. The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press. Works Cited 226 Bluestone, George. 1957. Novels into Film. Berkeley: University of California Press. Boozer, Jack, ed. 2008. Authorship in Film Adaptation. Austin: University of Texas Press. Bristow, Eugene. 1973. “Expressionist Stage Techniques in the Russian Theatre .” In Expressionism as an International Literary Phenomenon: TwentyOne Essays and a Bibliography, ed. Ulrich Weisstein. Paris: Didier; Budapest : Akademiai Kindo. 205–19. The Brothers Karamazov. 1986. Dir. Richard Brooks. Metro-Goldwyn-Mayer. Burry, Alexander. 2010. “Execution, Trauma, and Recovery in Dostoevsky’s The Idiot.” Slavic and East European Journal 54, no. 2 (Summer): 255–71. Camus, Albert. 1955. The Myth of Sisyphus and Other Essays. Trans. Justin O’Brien. New York: Vintage. ———. 1965. The Possessed. Trans. Justin O’Brien. In The Collected Plays of Albert Camus. London: Hamish. ———. 1991. The Rebel: An Essay on Man in Revolt. Trans. Anthony Bower. New York: Vintage. Cardullo, Bert, ed. 2008. Akira Kurosawa: Interviews. Jackson: University of Mississippi Press. Carr, E. H. 1949. Dostoevsky (1821–1881): A New Biography. London: Allen & Unwin. Caruth, Cathy. 1996. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins University Press. Catteau, Jacques. 1989. Dostoyevsky and the Process of Literary Creation. Trans. Audrey Littlewood. Cambridge, Eng., and New York: Cambridge University Press. Chatman, Seymour. 1978. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, N.Y.: Cornell University Press. ———. 1992. “What Novels Can Do That Films Can’t (and Vice Versa).” In Film Theory and Criticism: Introductory Readings, ed. Gerald Mast, Marshall Cohen, and Leo Braudy. New York: Oxford University Press. Chisholm, Erik. 1971. The Operas of Leoš Janáček. Oxford: Pergamon. Clausen, Christoph. 2005. Macbeth Multiplied: Negotiating Historical and Medial Difference Between Shakespeare and Verdi. Amsterdam and New York: Rodopi. 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Ronald Hingley. Oxford: Oxford University Press. ———. 1968a. Great Short Works of Fyodor Dostoevsky. Ed. Ronald Hingley. New York: Harper. ———. 1968b. The Notebooks for The Possessed. Trans. Victor Terras, ed. Edward Wasiolek. Chicago: University of Chicago Press. ———. 1972. The Gambler, with Polina...

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