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In her provocative book, Brooke Kroeger argues for a reconsideration of the place of oft-maligned journalistic practices. While it may seem paradoxical, much of the valuable journalism in the past century and a half has emerged from undercover investigations that employed subterfuge or deception to expose wrong. Kroeger asserts that undercover work is not a separate world, but rather it embodies a central discipline of good reporting—the ability to extract significant information or to create indelible, real-time descriptions of hard-to-penetrate institutions or social situations that deserve the public’s attention. Together with a companion website that gathers some of the best investigative work of the past century, Undercover Reporting serves as a rallying call for an endangered aspect of the journalistic endeavor.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. vii-x
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  1. Foreword
  2. pp. xi-xiv
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  1. Preface
  2. pp. xv-xx
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  1. One: Introduction
  2. pp. 3-14
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  1. Two: Reporting Slavery
  2. pp. 15-30
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  1. Three: Virtual Enslavement
  2. pp. 31-44
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  1. Four: Predators
  2. pp. 45-56
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  1. Five: Hard Labor, Hard Luck, Part One
  2. pp. 57-76
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  1. Six: Of Jack London and Upton Sinclair
  2. pp. 77-92
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  1. Seven: Hard Labor, Hard Luck, Part Two
  2. pp. 93-102
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  1. Eight: The Color Factor
  2. pp. 103-134
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  1. Nine: Undercover Under Fire
  2. pp. 135-146
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  1. Ten: Sinclair’s Legatees
  2. pp. 147-170
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  1. Eleven: Hard Time
  2. pp. 171-208
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  1. Twelve: Crusaders and Zealots
  2. pp. 209-232
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  1. Thirteen: Watchdog
  2. pp. 233-256
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  1. Fourteen: Mirage
  2. pp. 257-280
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  1. Fifteen: Turkmenistan and Beyond
  2. pp. 281-296
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  1. Notes
  2. pp. 297-408
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  1. Bibliography
  2. pp. 409-470
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  1. Index
  2. pp. 471-496
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