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121 Bibliography Albee, Edward. The Goat or Who Is Sylvia? New York: Overlook, 2000. Aristotle. Poetics. Trans. Gerald F. Else. Ann Arbor: U of Michigan P, 1970. ———. Poetics. Trans. Richard Janko. Indianapolis: Hackett, 1987. Bergson, Henri. Laughter. In Comedy. Ed. Wylie Sypher. Baltimore: John’s Hopkins UP, 1956. 61–190. Blau, Herbert. The Audience. Baltimore: Johns Hopkins UP, 1990. ———. “Hysteria, Crabs, Gospel, and Random Access: Ring around the Audience.” Studies in the Literary Imagination 21 (Fall 1988): 7–22. Bold, Alan. Harold Pinter: You Never Heard Such Silence. Totowa, NJ: Barnes & Noble, 1984. Bullough, Edward. “‘Psychical Distance’ as a Factor in Art and as an Aesthetic Principle .” British Journal of Psychology 5 (1912): 87–117. Brecht, Bertolt. Bertolt Brecht Poems, 1913–1956. Ed. John Willett and Ralph Mann­ heim. New York: Routledge, 1979. ———. Brecht on Theatre. Trans. John Willett. New York: Hill and Wang, 1964. ———. Drums in the Night. 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Carroll, Lewis. Alice’s Adventures in Wonderland. New York: Random, 1965. Cartwright, Rosalind. Night Life: Explorations in Dreaming. Englewood Cliffs: Prentice -Hall, 1977. Castagno, Paul. New Playwriting Strategies: A Language Based Approach to Playwriting . New York: Routledge, 2001. Chekhov, Anton. Uncle Vanya. Trans. Anne Dunnigan. In Chekhov: The Major Plays. New York: New Amer. Lib., 1964. 171–231. Cixous, Hélène. Three Steps on the Ladder of Writing. Trans. Sarah Cornell and Susan Sellers. New York: Columbia UP, 1993. Diamond, Elin. Pinter’s Comic Play. Cranbury: Bucknell UP, 1985. [ 122 ] Bibliography Dukore, Bernard F. Harold Pinter. London: Macmillan, 1988. Egri, Lajos. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. New York: Simon, 1960. Else, Gerald. Aristotle: Poetics. Ann Arbor: U of Michigan P, 1970. ———. Aristotle’s Poetics: The Argument. Cambridge: Harvard UP, 1957. ———. The Origin and Early Form of Greek Tragedy. 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