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231 B i b l i o g r a p h y Acuña, Rodolfo F. Anything but Mexican: Chicanos in Contemporary Los Angeles. New York: Verso, 1996. ———.OccupiedAmerica:AHistoryof Chicanos.NewYork:Harper,1988. Agamben, Giorgio. The Coming Community. Translated by Michael Hardt. Minneapolis: University of Minnesota Press, 1993. Algarín, Miguel, and Miguel Piñero, eds. Nuyorican Poetry: An Anthology of Words and Feelings. New York: Morrow, 1975. Ailey, Alvin. Revelations: The Autobiography of Alvin Ailey. With A. Peter Bailey. New York: Birch Lane Press, 1995. Alarcón McKesson, Norma. “An Interview with Miguel Piñero.” Revista Chicana-Riqueña, 2, no. 4 (1974): 55–57. Althusser, Louis. For Marx. Translated by Ben Brewster. New York: Vintage Books, 1970. Anaya, Rudolfo A., and Francisco Lomelí, eds. Aztlán: Essays on the Chicano Homeland. Albuquerque: Academia/El Norte Press, 1989. Angulo, María-Elena. Magic Realism: Social Context and Discourse. New York: Garland, 1995. Antush, John V., ed. Nuestro New York: An Anthology of Puerto Rican Plays. New York: Mentor, 1994. Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. 2nd ed. San Francisco: Aunt Lute Books, 1999. Arrizón, Alicia. Latina Performance: Traversing the Stage. Bloomington: Indiana University Press, 1999. ———. Queering Mestizaje: Transculturation and Performance. Ann Arbor: University of Michigan Press, 2006. ———. “Theatre Review: I Don’t Have to Show You No Stinkin’ Badges.” In Ambiente: Chicano/Latino Arts and Culture in San Francisco, 11–12. San Francisco: Galeria De La Raza/Studio 24, 1990. bibliography 232 Arrizón, Alicia, and Lillian Manzor, eds. Latinas on Stage. Berkeley: Third Woman Press, 2000. Babcock, Granger. “Looking for a Third Space: El Pachuco and Chicano Nationalism in Luis Valdez’s Zoot Suit.” In Staging Difference: Cultural Pluralism in American Theatre and Drama, edited by Mauc Maufort. New York: Peter Lang, 1995. Banks, Marcus. Ethnicity: Anthropological Constructions. New York: Routledge, 1996. Barker, George Carpenter. Pachuco: An American-Spanish Argot and Its Social Functions in Tucson, Arizona. 1950. Reprint, Tucson: University of Arizona Press, 1958. Baver, Sherrie. “Puerto Rican Politics in New York City: The Post–World War II Period.” In Puerto Rican Politics in Urban America, edited by James Jannings and Monte Rivera. Westport, CT: Greenwood Press, 1984. Benjamin, Walter. Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 1969. Bigsby, C. W. E. Modern American Drama, 1945–2000. Cambridge: Cambridge University Press, 2000. Booth, Willard C. “Dramatic Aspects of Aztec Rituals.” Educational Theatre Journal 18, no. 4 (Dec. 1966): 421–28. Brady, Mary Pat. Extinct Lands, Temporal Geographies: Chicana Literature and the Urgency of Space. Durham: Duke University Press, 2002. Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale University Press, 1976. Brown, Monica. gang nation: Delinquent Citizens in Puerto Rican, Chicano , and Chicana Narratives. Minneapolis: University of Minnesota Press, 2002. Brown, Wendy. Politics Out of History. Princeton: Princeton University Press, 2001. Broyles-González, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. Austin: University of Texas Press, 1994. Burciaga, José Antonio. Drink Cultura. Santa Barbara, CA: Joshua Odell Editions, 1993. Burns, Elizabeth. Theatricality: A Study of Convention in the Theatre and in Social Life. London: Longman, 1972. Burt, Martha R. Over the Edge: The Growth of Homelessness in the 1980’s. New York: Russell Sage Foundation, 1992. Butler, Judith. Bodies That Matter: On the Discursive Limits of “Sex.” New York: Routledge, 1993. [3.134.104.173] Project MUSE (2024-04-24 21:45 GMT) bibliography 233 Castillo, Ana. Massacre of the Dreamers: Essays on Xicanisma. Albuquerque : University of New Mexico Press, 1994. Center for Media and Public Affairs. Don’t Blink: Hispanics in Television Entertainment. Prepared by S. Robert Lichter and Daniel R. Amundson . Washington, DC: National Council of La Raza, 1996. Chirico, Miriam M. “Laughter and Ethnicity in John Leguizamo’s OneMan Worlds.” Latin American Theatre Review, Fall 2002, 29–50. Cortez, Beatriz. “Hybrid Identities and Dislocated Consciousness: Deporting the Divas by Guillermo Reyes.” In Chicano/Latino Homoerotic Identities, edited by David William Foster. New York: Garland, 1999. Culture Clash. Culture Clash in Americca: Four Plays. New York: Theatre Communications Group, 2003. Davis, Tracy C. “Theatricality and Civil Society.” In Theatricality, edited by Tracy C. Davis and Thomas Postlethwait. Cambridge: Cambridge University Press, 2003. de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984. Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning and the New International. Translated by Peggy Kamuf. New...

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