In lieu of an abstract, here is a brief excerpt of the content:

167 Index Abbas, Ackbar, 5, 24, 55 accents and accentuation, 51–53, 69, 156n2 Accidental Spy, 10, 132, 137 agency, 8, 11, 17, 31, 36, 46–47, 63, 65–66, 68, 90, 114, 123–24, 134, 137, 142–43, 149 amnesia, 104, 135–36 Anderson, Aaron, 122 Archibugi, Daniele, 4–6 Art of War, The, 109 Ashes of Time, 22, 55 Asianness, 4, 9, 16, 36, 53, 113, 122, 126, 138, 147 Assassin, The, 23, 75 assimilation, 3, 11, 63, 103 authenticity, 15, 36, 56, 59–60 Bazin, Andre, 58, 155n6 Beijing opera, 23, 29, 40, 46 Better Tomorrow, A, 24, 72, 74, 75, 77–78, 85–87, 90, 108 Better Tomorrow II, A, 79, 86 Bhabha, Homi, 54, 132, 153n2 Big Brawl, The, 10, 114, 125, 140 Bond, James, 43, 132–39, 143, 148 Bordwell, David, 17, 24, 41, 75, 80, 87, 89, 110, 123 Boxer from Shantung, The, 23, 75 Bride with White Hair, The, 44, 58 Broken Arrow, 77, 89, 91 Bruce Lee, the Legend, 27 buddy films, 89, 103, 130 Bullet in the Head, 83–85, 87–88, 97, 102 Burning of the Red Lotus Monastery, 13, 20 Butch Cassidy and the Sundance Kid, 77, 139 Butler, Judith, 104, 138 Cage, Nicholas, 91, 100 Cannonball Run series, 10, 114, 125, 130, 140 Cantonese, 1, 14, 20, 22, 26, 29, 34, 46, 51–52, 154–55n3 capitalism, 8, 10, 56, 62, 77, 79, 114, 143, 146 CGI (computer-generated imagery), 25, 62 Chan, Jackie, 1–3, 7, 9–10, 12, 16–17, 26, 28– 32, 43, 113–43, 145–46, 148, 150, 156nn1–2 Charlie’s Angels, 49, 154n3 Cheah, Pheng, 4–5 Cheng Pei-pei, 33, 37, 40, 42, 55 China, 2, 10, 13, 14, 18–20, 22, 26–27, 33–34, 37, 40, 45–46, 50–54, 58, 60, 64, 68–72, 77–79, 80, 82, 84–85, 105, 114, 118–22, 124, 126, 136, 139–40, 142, 149–50, 153n3, 154n4, 155n3; Cultural Revolution, 83– 84, 155; Tiananmen incident, 84, 88 Chinese-language film, 3, 9, 15, 33–35, 144– 46, 149–50 Chineseness, 9, 15–16, 19, 30–31, 36, 43, 50, 52–54, 59–60, 70, 86, 88, 117–18, 120–22, 138, 145, 147, 155n5 choreography, 1–3, 9–11, 15, 23–25, 29, 30, 35, 45, 53, 55–60, 62–63,77, 81, 87, 90,92– 93,95,100, 102, 108,111, 116, 119, 127, 138– 39, 141, 144–45, 147 Chow, Rey, 79, 136 Chow Yun-Fat, 1, 3, 19, 24, 33, 37, 43, 51, 77–79, 85, 87, 92, 113 168 Index Chuang Tzu (Zhuangzi), 67 Clifford, James, 6–7 colonialism, 2–3, 6–8, 20, 27, 56, 79, 82,113– 14, 136, 142–43, 146, 148 Come Drink with Me, 22–23, 40, 42–43, 55 comedy, 19, 28–29,74, 114–17,134, 137–41,143 Confucianism, 42, 47–48, 64, 66, 75 cosmopolitanism, 4–6, 68, 73 cosmopolitical consciousness, 1, 3, 6–8, 31–32, 34, 36, 60, 61, 66, 69, 71, 73, 77, 88, 105, 111–12, 114, 131, 142, 145, 148, 149 Crouching Tiger, Hidden Dragon (film), 1, 7, 9, 11–12, 18–19, 25, 33–70, 74, 145, 147 Crouching Tiger, Hidden Dragon (novel),22 Cruise, Tom, 91, 97 da, 29, 153n5 Dao De Jing, 64, 67 Dark Angel, 49 deep focus, 58 Derrida, Jacques, 142 Desser, David, 25–26 diaspora, 2–3, 6, 11–12, 16–17, 20, 45–48, 69, 84, 94 111, 114, 131, 134, 136, 144, 146, 150 double consciousness, 8, 60–61 Dragon: The Bruce Lee Story, 126 Dragon Inn, 23, 55 dragon lady, 43, 48, 64, 68, 153–54 Drunken Master, 116–19, 125, 127, 141 Drunken Master II, 118–20, 156n1 Du Bois, W. E. B., 8 Enter the Dragon, 27, 125 ethnocentrism, 127, 130 Face/Off, 1, 9, 72, 77, 89, 91–94, 96, 108, 110 faciality, 95–97 Fa Mu Lan, 46, 49, 69 femininity, 3–4, 8–9, 36, 38, 41,46–48, 64, 68–69, 105, 108, 145, 147, 149 feminism, 33–34, 63,147 Feng, Peter X., 11, 61–62 Feng Wen. See Storm Riders, The First Strike, 124, 132–34, 136 Forbidden Kingdom, The, 140–41 Fore, Steve, 73, 120 Fu, Poshek, 13, 153n1 Gallagher, Mark, 116 gangster films, 24, 73, 75–79, 86, 92, 96, 107, 155n1 gaze, 34, 56, 60, 132 gender, 3, 8–9, 11–12, 32, 34, 36, 38–39, 42, 44–48, 50–51...

Share