Index
— Index — Abraham, Julie, 39–40 Acheson, Susan, 83 Against Forgetting: Twentieth-Century Poetry of Witness (Forché), 90 Aldington, Richard, 60 “The Allies” (Lowell), 4 Anthologies of war writers, 17, 143n3 Barnes, Djuna: and Baroness Elsa von Freytag-Loringhoven, 50–54, 144n10; emotional breakdown suffered by, 7; on home front during World War II, 29–31; and lack of firsthand knowledge of war, 5, 25, 135, 139; as literary executor of Freytag-Loringhoven, 144n10; sexual orientation of, 16–17, 40–42, 144n8; on Stein’s Wars I Have Seen, 124, 126–28, 129; unfinished memoir by, 4, 29–31, 58; Thelma Wood’s affair with, 50, 144n10 —writing strategies and themes of: disruption of binary oppositions, 10–12, 29; female bodies, 4–6; phallogocentrism challenged, 15, 26, 31, 43, 57; protest against war, 4, 5, 12–13, 139; and sentimentalism , 17–18; surrealism, 6, 19–20, 31, 141; traditional feminine identity, 16; war writing strategies, 4, 13, 16–20, 25–26, 28–31, 50, 57–58, 134–35, 139–41. See also Nightwood (Barnes); and other works Barnstone, Aliki, 61, 73 Benstock, Shari, 56–57 Bernstein, Theresa, 54 Bid Me to Live (H.D.): avoidance of binary oppositions in, 65; compared with Mrs. Reynolds, 92; compared with Trilogy, 21, 60, 61–63, 65–66, 68; dangers of life on home front in, 68–69; female body in, 62–64; first-person literary witnessing in, 59, 64–65, 74; gender politics in, 62; and H.D.’s firsthand experience of war, 7, 20, 22, 58, 60–65, 92, 135; language as symbol of renewal in, 65; male soldiers compared with female civilians in, 64; as out of print, 138; as psychoanalytic response to World War I, 7, 20, 60–66; war trauma suffered by female civilians in, 62–64 Binary oppositions: Butler on, 10–12; and embodiment theory, 14–15; H.D.’s deconstruction of, 10–12, 65, 75, 78–80; and identity politics, 10–12; in Nightwood, 2, 29, 42, 144n3; Stein’s disruption of, 10–12, 23, 134, 147n5; and Trilogy, 65, 75, 78–80; of war, 42–43. See also Gender politics Bockting, Margaret, 31, 43, 144n3 Bodies: building as metaphor for, in Trilogy, 71; Butler on, 10–12, 137; and embodiment theory, 9, 14–15, 143n1; feminized male bodies in Nightwood, 26, 32–34, 36, 42–46; in horse stories in Nightwood, 47–50; injury and death of soldiers and civilians in war, 12–13, 117–18, 137; Scarry on consequences of war for human bodies, 12–13, 117–18, 137, 138. See also Embodiment theory; Female bodies Bodies That Matter (Butler), 10–12, 137 The Body in Pain (Scarry), 12–13, 117–18, 137 Boehnen, Scott, 90 162 index Boni and Liveright, 28 Bonney, Therese, 102 Brewsie and Willie (Stein), 22, 132–34 Bridgman, Richard, 98, 101, 107, 121, 146n4 Brown, Dennis, 89 Bryher, 61 Buck, Claire, 60, 80 Butler, Judith, 9, 10–12, 137, 138 Butts, Mary, 54 Carlston, Erin G., 28, 41, 144n3 Caruth, Cathy, 136, 137 Cerf, Bennett, 147n4 Cixous, Hélène, 75 Clark, Suzanne, 17–18 Cohn, Carol, 4 Coleman, Emily, 31, 50 Contemporary Jewish Record, 126–27 Copeland, Carolyn Faunce, 120 Corporeality. See Bodies; Embodiment theory; Female bodies Dadaism, 50–51, 54, 144n10, 145n13 Davis, Phoebe Stein, 105, 147n5, 147–48n8 Deconstruction, 9, 13, 15 DeKoven, Marianne, 121 Derrida, Jacques, 9, 15 Detloff, Madelyn, 72 DeVore, Lynn, 50–51, 145n11 Dickie, Margaret, 94, 95, 99, 120 Diedrich, Maria, 106, 147n5 Domestic economy: in Brewsie and Willie, 133–34; in Mrs. Reynolds (Stein), 108, 118–19, 124, 131–32, 135, 149n17; in Wars I Have Seen, 124, 125, 131–32. See also Mrs. Reynolds (Stein); Wars I Have Seen (Stein) Doolittle, Hilda. See H.D. [Hilda Doolittle] Duchamp, Marcel, 144n10 DuPlessis, Rachel Blau, 61, 62, 89, 145n3 Embodiment theory: Grosz on, 9, 14–15, 32, 137–38, 143n1; Merleau-Ponty on 14–15; and poststructuralism, 15, 137–38, 140. See also Bodies; Female bodies Emerson, Ralph Waldo, 80–81 Essentialism, 31–32, 99, 104. See also Gender politics Faÿ, Bernard, 104, 148n11 Felski, Rita, 17 Female bodies: of Baroness Elsa Von Freytag-Loringhoven, 53–54; in Bid Me to Live, 62–64; building as metaphor for, in Trilogy, 71; and cow story in Nightwood, 44–45, 49–50; and embodiment theory, 9, 14–15, 143n1; feminist view of, 12; in feminist war narratives generally, 4–6, 139; and horse story in Nightwood, 47–50; in Lifting Belly, 94–97; and modernism, 18...
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