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appendix 7 John G. Neihardt beyond Black Elk Alexis N. Petri Readers of John G. Neihardt may know this story. Certainly it is recorded in numerous places but it seems fitting to begin here, in the summer of 1930, with a long, dusty trip in a 1920s-model automobile from Branson, Missouri, to Pine Ridge, South Dakota. Neihardt—poet, writer, and literary critic—and his son Sigurd were speaking and performing on a lecture circuit and decided to make a detour to do some research. For the past eighteen years, Neihardt had been working on an epic poem called A Cycle of the West (1949), of which Song of the Messiah (1935) would become its fifth and final song. He wanted to meet and become acquainted with a Sioux holy man who was reputed to have participated in or had firsthand knowledge of the Ghost Dance, a Messianic movement at the end of the nineteenth century that expressed the longing of Native Americans to return to a life free from the hunger, epidemic disease, and divisiveness experienced under their subjugation by the U.S. government. He hoped to collect material for Messiah, but what he most desired to learn was holy. As a white man, becoming privileged to this knowledge was unlikely. From previous research, Neihardt was acquainted with W. B. Courtright, a field agent at the Pine Ridge Agency, and so he began his inquiries there. Courtright told him about an old Sioux holy man named Black Elk, who might have participated in the Ghost Dance movement and who lived close by in Manderson. Because Black Elk did not speak English, Neihardt made arrangements for Flying Hawk, an interpreter, to join them. This was not Flying Hawk’s first trip to take a writer to interview Black Elk, and on the road to Manderson, Neihardt listened to Flying Hawk’s caution that Black Elk might not talk to them. In addition to being a holy man, Black Elk was also second cousin to Crazy Horse and had known the great warrior well. Despite Flying Hawk’s counsel Neihardt pressed on in hopes of having the opportunity to talk to someone who would be able to discuss the deeper spiritual significance of the Messianic movement. As soon as the 268 Appendix 7 small party approached, they spotted Black Elk, who stood in the shade beneath some pine boughs and appeared to be expecting Neihardt. At that moment Black Elk and John Neihardt began their friendship.¹ Black Elk, Neihardt, and a few other Sioux Indians talked all afternoon, and after their initial visit, Black Elk and Neihardt began making arrangements for a longer conversation. That afternoon Black Elk gave Neihardt a star-shaped sacred ornament that held great value for him; both Black Elk and his father had used it in ceremonies. Black Elk told Neihardt that he wanted to give him an even greater gift: he wanted to teach Neihardt about a special spiritual vision given to him when he was a boy. While they got to know each other during the first day of their friendship, Black Elk asked Neihardt to record his spiritual vision for future generations. Several accounts of this most famous moment in Neihardt’s life exist— some deriving from Neihardt and others from Black Elk’s descendants.² Each account is clear about one thing—Black Elk wanted to teach Neihardt about his beliefs, experiences, and knowledge so that he might be able to keep his vision alive by sharing it with others. In a letter to Julius T. House, Neihardt’s friend and first biographer, Neihardt wrote: He told me . . . that, as he sat there, he felt in my heart a very strong will to know the things of the other world and that a spirit, which stood behind me, had forced me to come to him that I might learn a little from him. . . . I have a feeling that I ought to go up there and live six months with Black Elk and his wise old friends. I ought to write the complete life of Black Elk, for it would be a revelation of the Indian consciousness from the depths. (258–59) Clearly, Neihardt felt a powerful connection with Black Elk and began planning how he could arrange to travel again to South Dakota to become Black Elk’s student. He also began talking to his publisher regarding a book about Black Elk’s life. The following spring he returned with two of...

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