Screening Integration: Recasting Maghrebi Immigration in Contemporary France

Index

Abderrezak, Hakim, 15 actors, Maghrebi-French, 17, 33, 37, 146, 152–54, 157n19, 194–95, 203–6 Adieu, 59 Adieu Philippine, 94 Adjani, Isabelle, 17, 144–54 Agoumi, Sid Ahmed, 78 Ahmed, Sara, 182 Aït-Abbas, Jamila, 86 Algerian War of Independence, 6; Algerian diaspora during, 95–96; and colonial nostalgia, 105–6; in historical dramas, 100–103; and Malik Chibane, 98–99; in national genealogies, 94–97; and national narratives, 107; portrayal of, in films, 93–94, 96–97, 140n4; and World War II, 103–5 Ali Cherif, Mohamed Faouzi, 105 Allouache, Merzak, 26, 42, 43, 50, 164–65, 178 Ameur-Zaimèche, Rabah, 11, 26, 43, 44, 50–51, 53, 64–68 Annabi, Amina, 78 Arcady, Alexandre, 43 Arte, 144, 145–47, 155, 212–13 assimilation, 20n11, 32–33, 171–72, 223–24 Astérix et Obélix, 37 Atika, Aure, 61 Augé, Marc, 162 L’autre monde, 59 Bakri, Mohammed, 101 Balibar, Étienne, 95, 106, 107n3, 123, 125n8 Baratier, Jean, 141n7 Baton Rouge, 31, 34, 35 Béart, Emanuelle, 201 Bedjaoui, Amal, 17, 178, 185–91 Begag, Azouz, 141n9 Bégéja, Liria, 17, 178, 179–85 Belghoul, Farida, 1, 141n9 Belkebla, Fadila, 101, 169, 217 Benaïssa, Aïcha, 86 Benguigui, Yamina, 1, 4, 19n2, 29, 44, 100, 162, 167–68, 176n5 Bensalah, Djamel, 2, 15, 44, 77, 225. See also Il était une fois dans l’oued Beur, blanc, rouge, 43, 44, 47 Beur and banlieue cinema, 3, 4–5, 7–9; characterization and themes in, 161–63, 211–15; first films in, 31; global vision in, 34–37; identity in, 79–80, 81–82; and Islam, 42, 47–50, 52–53; and labeling, 12–14, 25–26, 38n4; music in, 35; re-visioning of, 30–34; stereotypes in, 78, 79 Bhan, Rajkumar, 221 Big City, 81 Birth of a Nation, 150 INDEX 244 INDEX Black mic-mac, 49 Blanc, Michel, 203 Blancan, Bernard, 37, 104, 206 Blanc-Chaléard, Marie-Claude, 6–7 Blanchard, Pascal, 223 Blatt, Ari J., 173 Bled number one, 15, 26, 69, 70; as journey film, 59, 60, 64–68, 72–73; portrayal of Islam in, 44, 45, 48, 50–51 Bluher, Dominique, 165–66 Bosséno, Christian, 3 Bouajila, Sami, 8, 17, 104, 179; as “everyman ,” 203–6; historical memory and, 206–7; integration and brother characters of, 197–99; portrayal of sexual difference by, 200–203; success of, 194–95; and variety of characters, 195–96, 208 Bouchaala, Ahmed, 178 Bouchareb, Rachid, 2, 8, 16, 26, 31, 109n15, 112, 144; and Algerian War of Independence, 103–5, 140n4; global vision of, 34–37; on historical films, 114; journey films by, 60; portrayal of Islam by, 44. See also Indigènes Bourdieu, Pierre, 128, 150, 195 Brighelli, Jean-Paul, 147 Burger, Rodolphe, 67, 68 burka(s), 144–45, 156n1 Butler, Judith, 184 Bye-Bye, 59, 60–61, 194, 197–99, 201 Ça commence aujourd’hui, 141n7 Cadé, Michel, 4, 11, 12, 14, 107n2 Le Camp de Thiaroye, 121 Cantet, Laurent, 16, 127, 129, 137, 146, 151, 191n5, 192n6 Cardinale, Claudia, 101 Cartouches gauloises, 93, 105–6, 108n8 Cavalier, Alain, 49 C’est Madame la France que tu préf- ères?, 1 Chabat, Alain, 37 Chakir, Karim, 98 Chala, Samia, 141n9 Change-moi ma vie, 17, 178–85, 187, 190, 195 Chaos, 44, 132 Charef, Mehdi, 29, 31, 33–34, 42, 93, 105–6, 130, 176n5 Chartreux, Christophe, 148 Cheb, 26, 35, 36, 44, 59, 60–61 Chebel, Malek, 184 Les chemins de l’oued, 44 Chéreau, Patrice, 150 Chibane, Malik, 2–3, 11, 18, 29, 37, 107, 162; and Algerian War of Independence , 98–99; and assimilation, 32–33; characterizations and themes used by, 211–12, 214–15; involvement of, in social issues, 213–14; labeling of work by, 32; portrayal of Islam by, 42, 43, 47; portrayal of women by, 169–72; television and radio career of, 212–13 Chirac, Jacques, 31, 115–16 Le choix de Myriam, 213 Chollet, Mona, 148 Les choristes, 141n7 Chouchou, 26, 178 Le ciel, les oiseaux et . . . ta mère!, 2, 77, 225 Cléo de 5 à 7, 94 clothing, 144–45, 164, 170–71, 172, 217–18, 226n10 Colette, Yan, 152 Collectif Mohammed, 1 colonial nostalgia, 105–6 Coluche, l’histoire d’un mec, 153 Le combat dans l’île, 94 Costa-Gavras, Constantin, 31 Courau, Clotilde, 204 Courbey, Julien, 77 cross-dressing, 178–91 INDEX 245...