Beyond a Common Joy: An Introduction to Shakespearean Comedy

Resources for Placing the Comedies in an Early Modern Frame

 q Resources for Placing the Comedies in an Early Modern Frame Aristotle. On the Art of Poetry [Aristotle’s Poetics]. Translated by S. H. Butcher and Milton Nahm. New York: Liberal Arts Press, . Bacon, Sir Francis. De Sapientia Veterum,  and the Wisdom of the Ancients.Translated by Arthur Gorges. London: ; facsimile, New York: Garland, . Berchorius, Petrus [Pierre Bersuire]. De Formis Figurisque Deorum: Ovidius Moralizatus . Lyon: n.p., . [Bersuire’s commentary on Ovid has been republished in a facsimile edition by Garland.] Black, J. B. The Reign of Elizabeth: –. Oxford: Clarendon Press, . Boccaccio, Giovanni. Boccaccio on Poetry: Being the Preface and Fourteenth and Fifteenth Books of Boccaccio’s Genealogia deorum gentilium libri. Edited by Charles G. Osgood. Princeton nj: Princeton University Press, ; rpt. New York: Liberal Arts Press, . Braudel, Fernand. The Mediterranean and the Mediterranean World in the Age of Philip II.Translated by Sian Reynolds.  vols. London: Harper Collins, . Brumble, H. David. Classical Myths and Legends in the Middle Ages and Renaissance : A Dictionary of Allegorical Meanings. Westport ct: Greenwood, . Cartari, Vincenzo. Le imagini degli Dei degli antichi. New York: Garland, . Clubb, Louise George. Italian Drama in Shakespeare’s Time. New Haven: Yale University Press, . Colet, John. Two Treatises On The Hierarchies Of Dionysus, in A Treatise on the Sacraments of the Church, with an introduction by J. H. Lupton. Farnborough, UK: Gregg Press, . Conti, Natalis. Mythologiae: Sive explicationis fabularum libri decem. Geneva: Gabriel Carteri, printer, . Daley, Peter M., ed. The English Emblem and the Continental Tradition. New York: ams, . Resources  Davies, Godfrey. The Early Stuarts: –. Oxford: Clarendon Press, . de Montenay, Georgette. Emblemes, ou, Deuises chrestiennes. Lyon: Jean Marcorelle, . Duchartre, Pierre Louis. The Italian Comedy.Translated by Randolph T. Weaver. New York: Dover, . Durandus, William. Rationale Divinorum Officiorum. Lyons: Sacon, ; Antwerp: Belleri, . Erasmus. Enchiridion Militis Christiani. Edited by Anne M. O’Donnell. Oxford: Oxford University Press, . Fehl, Philipp. Decorum and Wit: The Poetry of Venetian Painting. Vienna: irsa, . ———. “The Rocks in the Parthenon Frieze.” Journal of the Warburg and Courtauld Institutes  (): –. Fraunce, Abraham. The Countesse of Pembrokes Yvychurch. London: Thomas Orwyn, printer, . Giraldi, Lilio Gregorio. De deis gentilium libri: Sive syntagmata XVII. Lyon: Jacobi Junctae, printer okpao, . Golding, Arthur. Shakespeare’s Ovid: Being Arthur Golding’s Translation of the Metamorphoses, edited by W. H. D. Rouse. London: Centaur Press, . Harington, Sir John, trans. Orlando Furioso in English Heroical Verse. London: Richard Field, . Herford, C. H., Percy Simpson, and E. M. Simpson, eds. Ben Jonson.  vols. Oxford: Clarendon Press, –. Herrick, Marvin T., ed. Comic Theory in the Sixteenth Century. Urbana: University of Illinois Press, . Heywood,Thomas. An Apology for Actors []. Introduction and annotation by Richard Perkinson. New York: Scholars’ Facsimiles, . Hilger, Michael J. “The Rhetoric of Comedy: Comic Theory in the Terential Commentary of Aelius Donatus.” PhD diss., University of Nebraska, . Holland, Abraham. Naumachia, or Hollands Sea-Fight. London: T[homas] P[urfoot], printer, . James I of England, His Maiesties Lepanto or Heroicall Song. London: Stafford and Hooke, printers, . ———. The King’s Maiesties Declaration to His Subjects, Concerning Lawful Sports to Be Used. London: Robert Barker, printer, . Knolles, Richard. The Generall Historie of the Turkes: From the First Beginning. London: Adam Islip, printer, . Lamberton, Robert. Homer as Theologian: Neoplatonist Allegorical Reading and the Growth of Epic Tradition. Berkeley: University of California Press, . Lea, K. M. Italian Popular Comedy.  vols. Oxford: Clarendon Press, . Levy, F. J. Tudor Historical Thought. San Marino ca: Huntington Library, . Resources  Lodge, Thomas. A Reply to Stephen Gosson’s Schoole of Abuse in Defence of Poetry Musick and Stage Plays in The Complete Works of Thomas Lodge. Edited by Edmund Gosse. New York: Russell and Russell, . Mâle, Emile. The Gothic Image: Religious Art in France of the Thirteenth Century. Translated by Dora Nussey. New York: Harper, . Marshall, Tristan. Theatre and Empire: Great Britain on the London Stages under James VI and I. Manchester: Manchester University Press, . Moryson, Fynes. An Itinerary.  vols. Glasgow: James Maclehose, . Nichols, John. The Progresses and Public Processions of Queen Elizabeth. Among which are Interspersed Other Solemnities, Public Expenditures, and Remarkable Events.  vols. London: J. Nichols, . ———. The Progresses, Processions, and Magnificent Festivities, of King James the First, His Royal Consort, Family, and Court.  vols. London: J. Nichols, . Olson, Paul A. The Journey to Wisdom: Self-Education in Patristic and Medieval Literature. Lincoln: University of Nebraska Press, . Oreglia, Giacomo. The Commedia dell’Arte. New York: Hill and Wang, . Panofsky, Erwin. Meaning in the Visual Arts. Chicago: University of Chicago Press...