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Index Adler, Mortimer, 1 anthologies: Bedford, 1; Columbia, 1, 94: Norton, 1; Prentice-Hall, 1 Arabian Nights, The, 190–91 Arnold, Bill T., and David B. Weisberg, 209n12 Arnold, Edwin, 22 Arthur, Elizabeth, Bring Deeps, 186–87 Athearn, Hope Glenn, “Gilgamesh: A Novel,” 81 Azrié, Abed, Épopée de Gilgamesh (cantata), 107; Épopée de Gilgamesh (narrative), 107–8 Babel/Bible controversy, 23–28, 198 Bachmann, Guido, 91; Gilgamesch, 91–94 Bachofen, Johann Jakob, 32, 60, 196 Bannister, Jo, 111 Bartel, Wolfhart, Gilgamesch macht Ärger, 154 Battiato, Franco, Gilgamesh, 145–46 Baumeister, Willi, 77, 186; Gilgamesh Series, 77 (Fig. 3) Beauvoir, Simone de, 196 Beckman, Gary, 155 Beeckman, Anne-Marie, Gilgameš, 165–67 Begrich, Gerhard, 176; Gilgamesch. König und Vagant, 176–78 Belden, George, Gilgamesh: An Aria, 107 Berezowsky, Nicolai, Gilgamesh, 74–75, 78 Biggs, Robert D., 152 Bjelke, Henrik, Saturn, 94–95 Blasting, Ralph, and Mahmood KarimiHabek , Gilgamesh Conquest, 150 Blessmann, Martin, 155 222 Index Bloch, Augustyn, Gilgamesz, 81 Bloch, Ernst, 123 Bobrowski, Johannes, Sarmatische Zeit, 82 Böhl, Franz, 46, 80 Boldereff, Frances, 55–56 Bottéro, Jean, 148 Boyajian, Zabelle C., 42; Gilgamesh: A Dream of the Eternal Quest, 42–44; Gilgamesh on the Waters of Death, 43 (Fig. 2) Braem, Harald, 129; Der Löwe von Uruk, 124–30 Brettschneider, G. D., Gilgamesch und sein Freund, 168 Bridson, Douglas Geoffrey, 50; The Quest of Gilgamesh, 50–53, 59 Brockhoff, Victoria, and Hermann Lauboeck, 81 Broicher, Ursula, 155 Brucci, Rudolf, Gilgamesh, 145 Bryson, Bernarda Gilgamesh: Man’s First Story, 81 Budge, Wallis, 42 Burckhardt, Georg, Gilgamesch, 31, 32; illustrated editions of, 40, 77, 78, 80, 192 Cambronne, Patrice, 170; Gilga.Mesh, ou la Gloire entre la Force et le Destin, 170–71 Campbell, Joseph, 113 Canetti, Elias, 38, 195 Capriola, Paola, Qualcosa nella notte, 181–83 Cassabois, Jacques, 147; Le Roman de Gilgamesh, 148–50; Le premier roi du monde, 154 Clay, Albert T., 209n18 Clough, Brenda W., How Like a God, 150–52 Coates, William, The Secret of Utnapishtim, 145 Colakis, Marianthe, 216n39 Cornuault, Joël, Éloge de Gilgamesh, 139, 198 Corso, Gregory, 58–59 Creuzer, Friedrich, 194 Dalley, Stephanie, 209n19 Damrosch, David, 208n14, 220n36 “Darmok,” 110 death, theme of, 32–33, 120–21, 145, 196 Delitzsch, Friedrich, 24, 194; Babel und Bibel, 24–25 Dhorme, Édouard, “Épopée de Gilgamès,” 19 Dieckmann, Chr., 25–26 Döblin, Alfred, Babylonische Wandrung, 39–40 Downes, Olin, 74–75 Durant, Will, 45 Dux, Günter, 117–18 Ebeling, Erich, Gilgamesch, 42 ecological theme, 110, 119, 129, 135, 144, 150, 173, 182, 197 Egyptomania, 190 Ehrenreich, Paul, 29 Eliot, T. S., 48 Esteerl, Arnica, and Marek Zawadzki, Gilgamesch von Uruk, 112 Evans, Sir Arthur, 190 Exhibitions of illustrations: Bonn, 155; Hamburg, 80; Kusterdingen, 155; Leipzig, 155; Mainz, 155; Stuttgart, 155 Feagles, Anita, He Who Saw Everything, 81 feminist theme, 81, 104, 116–17, 196, 215n15, 217n17, 217n23, 218n37 Fernström, John, 74 Ferry, David, Gilgamesh, 152 Finkel, Irving, The Hero King Gilgamesh, 111–12 FitzGerald, Edward, Rubáiyát of Omar Khayyám, 22, 191 Index 223 Foster, Benjamin, The Epic of Gilgamesh, 155 Frayne, Douglas, 155 Frazer, James, The Golden Bough, 29, 54 Freud, Sigmund, 29–30, 194 Freudian readings, 113–15 Friedan, Betty, The Feminine Mystique, 196 Gagnon, Alain, Gilgamesh, 139–40 Gardner, John, 112; The Sunlight Dialogues, 99–102 Gardner, John, and John Maier, Gilgamesh: From the Sîn-LequiUnninn î Version, 101, 112 Garneau, Michel, 83–84; Gilgamesh, 84–85 Garrigues, Eduardo, 135–36; Al oeste de Babilonia, 136–38 Gaster, Theodore H., 54, 169 George, Andrew, The Epic of Gilgamesh, 152–53, 157 George, Stefan, 35 Ghadaban, Anna, 155 Ghassemi, Parvin, 108 Gianfilippi, Gian Franco, Gilgamesh. Romanzo, 88–91, 196 Gide, André, 39 Gilgamesh (anime), 168 Gilgamesh: as cultural icon, 2; historical figure of, 6 Gilgamesh, epic of: development of, 6–8; discovery and decipherment of, 8–9; Freudian readings of, 113–15; as historical novel; (summarized), 192; influence in antiquity, 8; Jungian readings of, 60, 115–17, 197; modernizing modes of, 47–48; names in, xiii; performed, 80, 150, 154, 169–70, 193; poetic retellings of (summarized), 192; politicization of, 183–88; pop-cultural treatments of, 110; popularity of, 2; as prefiguration (summarized), 192; responses in Germany and Anglo-America, 78; as ritual drama, 169–76, 193, 198; as science fiction, 82, 147, 150–52; story of, 2–6; Sumerian versions of, 6–7; translations of, 1–2, 28, 45–46, 79, 107, 112, 150–52, 155–56; universal themes of, 5...

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