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Offers personal recollections of and critical perspectives on this major American author. In the best literary tradition, Bernard Malamud uses the particular experiences of his subjects—Eastern European Jews, immigrant Americans, and urban African Americans—to express the universal. This book offers an exploration of this beloved American writer’s fiction, which has won two National Book Awards and a Pulitzer Prize. In addition to the literary studies, personal recollections by son Paul Malamud, memoirs and portraits by good friends, colleagues, and fellow writers such as Cynthia Ozick, Daniel Stern, and Nicolas Delbanco illuminate Malamud’s life and work. The contributors reveal that in an age that deconstructs, Malamud’s voice does not. Instead, it speaks clearly and imaginatively with the weight of ancient traditions and the understanding of modern conditions.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. CONTENTS
  2. pp. vii-viii
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  1. PREFACE
  2. p. ix
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  1. INTRODUCTION
  2. p. xi
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  1. I. THE AUTHOR
  2. p. 1
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  1. Chapter 1. Malamud in Corvallis: Memories of Dad
  2. pp. 3-11
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  1. Chapter 2. Recollecting Bernie Colleagues at Oregon State, Interviewed by Paul Malamud
  2. pp. 13-23
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  1. Chapter 3. Remembrances: Bernard Malamud
  2. pp. 25-27
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  1. Chapter 4. Malamud: Seen and Unseen
  2. pp. 29-33
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  1. Chapter 5. On The Magic Barrel
  2. pp. 35-42
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  1. Chapter 6. The Rhythms of Friendship in the Life of Art: The Correspondence of Bernard Malamud and Rosemarie Beck
  2. pp. 43-56
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  1. II. INDIVIDUAL WORKS
  2. p. 57
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  1. Chapter 7. America and the History of the Jews in Bernard Malamud's "The Last Mohican"
  2. pp. 59-68
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  1. Chapter 8. Zen Buddhism and The Assistant: A Grocery as a Training Monastery
  2. pp. 69-86
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  1. Chapter 9. Malamud's New [Academic] Life—and Ours
  2. pp. 87-100
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  1. Chapter 10. The Lives of Dubin
  2. pp. 101-110
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  1. Chapter 11. Gorilla in the Myth: Malamud's God's Grace
  2. pp. 111-119
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  1. III. THEMATIC THREADS: PATTERNS IN MALAMUD'S FICTION
  2. p. 121
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  1. Chapter 12. Reflections on Transmogrified Yiddish Archetypes in Fiction by Bernard Malamud
  2. pp. 123-138
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  1. Chapter 13. Not True Although Truth: The Holocaust's Legacy in Three Malamud Stories: "The German Refugee," "Man in the Drawer," and "The Lady of the Lake"
  2. pp. 139-152
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  1. Chapter 14. Bernard and Juliet: Romances and Desire in Malamud's High Art
  2. pp. 153-160
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  1. Chapter 15. Bernard Malamud and Cynthia Ozick: Kindred Neshamas
  2. pp. 161-166
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  1. Chapter 16. Bernard Malamud and His Universal Menschen
  2. pp. 167-173
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  1. Chapter 17. A Kind of Vigilance: Tropic Suspension in Bernard Malamud's Fiction
  2. pp. 175-186
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  1. IV. ANNOTATED SELECT BIBLIOGRAPHY
  2. p. 187
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  1. Eileen H. Watts
  2. pp. 189-208
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  1. Contributors List
  2. pp. 209-211
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  1. Index
  2. pp. 213-219
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