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1 Bibliography Archer, William. The Old Drama and the New: An Essay in Re-Valuation. London: William Heinemann, 1923. Bailbé, Joseph-Marc. “Le Théâtre et la vie dans Le Château des désertes.” Revue d’histoire littéraire de la France 79 (1979): 600–12. Benoist, Antoine. Essais de critique dramatique. Paris: Hachette, 1898. Cooper, Martin. Gluck. London: Chatto and Windus, 1935. Didier, Béatrice. George Sand écrivain. Paris: Presses Universitaires de France, 1998. Dimoff, Paul. La Génèse de Lorenzaccio. Paris: Droz, 1936. Eliot, T. S. The Family Reunion. Directed by Howard Sackler. New York: Caedmon Records, 1965. ———. The Family Reunion. Ed. Nevill Coghill. London: Faber and Faber, 1969. Faguet, Émile. Propos de théâtre. 5 vols. Paris: Société française d’imprimerie et de librairie, 1903–10. Fahmy, Dorrya. George Sand: Auteur dramatique. Paris: Droz, 1935. Gautier, Théophile. Histoire de l’art dramatique en France depuis vingt-cinq ans. 6 vols. Paris: Hetzel, 1858–9. Gilbert, W. S. The Savoy Operas. London: Macmillan, 1926. Hammond, William T. “Analysis of the Plot and Character Drawing in the Theatre of George Sand.” Birmingham-Southern College Bulletin 22 (1929): 45–54. John, S. B. “The Drama of Money and Class.” In French Literature and Its Background, ed. John Cruickshank, 6 vols. Oxford: Oxford University Press, 1969. 5: 67–83. Karénine, Wladimir. George Sand: Sa vie et ses œuvres. 4 vols. Paris: Plon, 1899–1926. Lemaître, Jules. Impressions de théâtre. 11 vols. Paris: Société française d’imprimerie et de librairie, 1889–1920. Manifold, Gay. George Sand’s Theatre Career. Ann Arbor, Mich.: UMI Research Press, 1985. Pope, Alexander. Selected Prose. Ed. Paul Hammond. Cambridge: Cambridge University Press, 1987. 271 272 Five Comedies Powell, David A. George Sand. Boston: G. K. Hall, 1990. Razgonnikoff-Gerardy, Jacqueline. “George Sand et le théâtre romantique.” Les Amis de George Sand 20 (1998): 51–5. Robertson, T. W. The Principal Dramatic Works of Thomas William Robertson. 2 vols. London: Sampson Low, Marston, & Co., 1889. Sand, George. Antonia. Paris: Michel Lévy, 1861. ———. Correspondance. Ed. Georges Lubin. 25 vols. Paris: Garnier, 1964– 91. ———. Francia, Un Bienfait n’est jamais perdu. Paris: Michel Lévy, 1872. ———. Le Lis du Japon. Paris: Michel Lévy, 1866. ———. La Mare au diable. Paris: Calmann Lévy, 1865. ———. Le Marquis de Villemer. Paris: Michel Lévy, 1861. ———. Œuvres autobiographiques. Ed. Georges Lubin. 2 vols. Paris: Gallimard, 1970–71. ———. Théâtre complet. 4 vols. Paris: Michel Lévy, 1866. ———. Théâtre de Nohant. Paris: Michel Lévy, 1865. ———. A Woman’s Version of the Faust Legend: The Seven Strings of the Lyre. Trans. George A. Kennedy. Chapel Hill, N.C.: University of North Carolina Press, 1989. Sarcey, Francisque. Quarante ans de théâtre. 7 vols. Paris: Bibliothèque des Annales, 1901. Smith, Albert. “Fantasy in the Plays of George Sand.” In George Sand: Collected Essays, ed. Janis Glasgow. Troy, N.Y.: Whitston Publishing Company, 1988. 160–71. Szogyi, Alex. “George Sand’s Theatre: Her Personal Mythology.” In George Sand: Collected Essays, ed. Janis Glasgow. Troy, N.Y.: Whitston Publishing Company, 1988. 194–202. Wentz, Debra Linowitz. Les Profils du théâtre de Nohant de George Sand. Paris: Nizet, 1978. Zola, Émile. Œuvres complètes. Ed. Henri Mitterand. 12 vols. Paris: Cercle du livre précieuse, 1966–70. ...

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