Alchemist of the Avant-Garde: The Case of Marcel Duchamp

Bibliography

BIBLIOGRAPHY 423 bibliography 1) Primary sources (historical documents) are preceded by an asterisk (*); 2) Duchamp’s own writings or interviews are preceded by two asterisks (**); 3) esoteric publications to be found in the Biblothèque Ste.-Genéviève in Paris before 1915, when Duchamp worked there (with their titles and dates—but not their publishers—verified by me between 1981 and 1995), are preceded by number sign in parenthesis (#). For a complete listing of Duchampiana published before October 1968, see C. Rameil, “Bibliography,” in Hultén (for a different kind of search engine, try the Bibliothèque Nationale web-page—www.bnf.fr/bnfgb.htlm—mounted around 1998 and promising access to every library in France, but which—hélas—famously still does not work). * Abbott, E. A. Flatland: A Romance of Many Dimensions by a Square. Boston, 1885; rpt. New York: Dover, 1952. Adcock, C. E. Marcel Duchamp’s Notes from the “Large Glass”: An N-Dimensional Analysis. Ann Arbor: UMI Research Press, 1983. Ades, D. “Duchamp, Dada y el Surrealismo.” Duchamp. Barcelona: Fundación Joan Miró, 1984: 38–51. ——— (with N. Cox. D. Hopkins). Marcel Duchamp. London: Thames and Hudson, 1999. Adler, M. Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today. Boston: Beacon, 1986. Adriani, M. Arti magiche nel Rinascimento a Firenze. Florence: Bonechi, 1980. (#) Agrippa von Nettescheim, Cornelius. La Philosophie Occulte. La Haye, 1727. [since gone “disparu” from Bibliothèque Ste. Geneviève.] (#) ———. La Philosophie Occulte. 2 vols. Paris: Chacornac, 1910. (#) ———. Opera. Cologne, 1553, 1605. (cf. fasc. ed. Graz: Akad. Druck- und Velagsanstalt, 1967). Ahern, G. Sun at Midnight: The Rudolf Steiner Movement and the Western Esoteric Tradition. Wellingborough: Aquarian, 1984. 423 424 ALCHEMIST OF THE AVANT-GARDE (#) Albert, Petit. Secrets Merveilleux de la Magie Naturelle et Cabalistique. Lyon, 1729; facs. rpt. Paris: Nouvel Office d’Éditions, 1965. * Alberti, L. B. On Painting. Ed. J. R. Spencer. New Haven: Yale Univ. Press, 1968. (#) Albertus Magnus. Libellus de mirabilius Naturae Arcanis. Strassbourg, 1541; trans. Les Admirables Secrets d’Albert le Grand. Lyon, 1775. (#) ———. Opera. (various editions are listed at the Bibliothèque Ste. Geneviève). Alexandrian, S. Marcel Duchamp. New York: Crown, 1977. Alleau, R. Aspects de l’alchimie traditionnelle. Paris: Minuit, 1953. Allen, F. The Big Change: America Transforms Itself. New York: Bantam, 1965. * Allen, P. M., ed. A Christian Rosenkreutz Anthology. Blauvelt, N.Y.: Steiner Books, 1981. Ambelain, R. L’Alchimie spirituelle. Paris: Diffusion Scientifique, 1953. Ammann, P. J. “The Musical Theory and Philosophy of Robert Fludd.” Journal of the Warburg and Courtauld Institutes 30 (1967): 198–227. Anderson, W. T. Reality Isn’t What It Used to Be: Theatrical Politics, Ready-to-Wear Religion, Primitive Chic, and Other Wonders of the Postmodern World. New York: HarperCollins, 1990. (#) Andreae, Johann-Valentine. Chymisches Hochzeit: Christianus Rosencreus, Anno 1459. Strassbourg, 1616. * ———. Die Chymischen Hochzeit des Christian Rosenkreutz. Ed. F. Maack. Berlin: Arkana, 1913. * ———. Les noces chymiques de Christian Rosencreutz. Ed. J. P. Auriger and P. Chacornac. Paris: Chacornac, 1928. * ———. The Chemical Wedding of Christian Rosenkreutz. Ed. J. Godwin. Grand Rapids: Phanes, 1991. Antliff, R. M. “Bergson and Cubism: A Reassessment.” Art Journal 47 (1988): 341–49. ———. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton Univ. Press, 1993. * Apollinaire, G. Les Peintres Cubistes: Méditations esthétiques. Paris: Figuière, 1913. * ———. Selected Writings of Guillaume Apollinaire. New York: New Directions, 1971. * Arensberg, W. The Baconian Keys. Pittsburgh (self-published), 1928. * ———. The Burial of Francis Bacon and His Mother in the Lichfield Chapter House: An Open Communication to the Dean and Chapter of Lichfield concerning the Rosicrucians. Pittsburgh (self-published), 1924. * ———.The Cryptography of Dante. New York (self-published), 1921. * ———. The Cryptography of Shakespeare. Los Angeles (self-published), 1922. BIBLIOGRAPHY 425 * ———. Francis Bacon, William Butts, and the Pagets of Beaudesert. Pittsburgh (selfpublished ), 1929. * ———. The Magic Ring of Francis Bacon. Pittsburgh (self-published), 1930. * ———. The Shakespearean Mystery. Pittsburgh (self-published), 1928. Arnheim, R. “Accident and the Necessity of Art.” Journal of Aesthetics and Art Criticism 16 (1957): 21–28. Arnold, P. Esotérisme de Baudelaire. Paris: J. Vrin, 1972. (#) Arnoldus da Villanova. Opera. Lyon, 1504, 1509; Basel, 1585; containing Commentaire sur Hortulaine; De Alchimia opuscula; Thesaurus thesaurorum, seu Rosarius philosophorum. * Arp, H. On My Way. New York: Wittenborn, Schultz, 1949; Unsern täglichen Traum. Zürich: Arche, 1955. (#) Artis Auriferae, quam chemicum vocant. Basel: Conradi Waldkirchii, 1593. Badash, L. “How the ‘Newer Alchemy’ Was Received...