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Acknowledged as the “Artist of the Century,” Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of “ready-made” art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp’s art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp’s diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. ix-x
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  1. Illustrations
  2. pp. xi-xiii
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  1. Introduction: prosecuting the Duchamp case
  2. pp. 1-12
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  1. CHAPTER ONE an esoteric French adolescence for Duchamp: symbolist culture and occultism
  2. pp. 13-36
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  1. CHAPTER TWO the invention of the modern alchemist-artist
  2. pp. 37-64
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  1. CHAPTER THREE the cultural shaping of an artist-iconoclast: Duchamp in France, 1887–1915
  2. pp. 65-96
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  1. CHAPTER FOUR Duchamp’s first experiments in esoteric and alchemical art, 1910–1912
  2. pp. 97-168
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  1. Images follow page 168
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  1. CHAPTER FIVE Duchamp in New York with esoteric patrons and the Large Glass, 1915–1923
  2. pp. 169-224
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  1. CHAPTER SIX alchemical emblematics and the ready-mades, 1913–1923
  2. pp. 225-264
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  1. CHAPTER SEVEN the esoteric fourth dimension and laws of chance, 1895–1923
  2. pp. 265-312
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  1. CHAPTER EIGHT the circle closes, 1923–1968
  2. pp. 313-370
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  1. Epilogue: the prosecution rests
  2. pp. 371-376
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  1. Notes
  2. pp. 377-422
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  1. Bibliography
  2. pp. 423-458
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  1. Index
  2. pp. 459-468
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