In this Book
- Anglo-Saxon Styles
- Book
- 2003
- Published by: State University of New York Press
- Series: SUNY series in Medieval Studies
summary
Art historian Meyer Schapiro defined style as “the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group.” Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a “constant form” has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
Table of Contents
Download Full Book
- Title Page, Copyright
- pp. iii-iv
- Abbreviations
- pp. vii-viii
- Introduction
- pp. 1-10
- Contributors
- pp. 307-309
- Index of Manuscripts Cited
- pp. 319-320
Additional Information
ISBN
9780791486146
DOI
MARC Record
OCLC
56418906
Pages
328
Launched on MUSE
2012-01-01
Language
English
Open Access
No