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* 46 ʯʷˌʸʹʸʲʣ ʪʩʦ ʯʥʠ ʨʩʸʨ ʲʰ‫ٷ‬ʣ ʨʸʲʤʸʲʣ — ʨʰʲʷʸʲʣ ʨʩʰ ʬʥʷ ʯʩʩʮ ʡˌʤ ʪʩʠ . ˌ , ʸʲʨʸʲʢˋʡ ʯʥʠ ʸʲʸʲ‫ٷ‬ʨ , ʸʲʶ ʯʸʲʩʥʤʲʢʮʥʠ ʯʩʠ ʯʢʩʥʠ ʪʩʦ ʯʡˌʤ ʱˌʥʥ ʸˋ˦ ʭʩʠʰʥˈ ʩʥʥ ʨʰʢʲʢˋʡ , ʸʲʨʸʲʥʥ ʩʣ ʯʣʸʲʥʥʹ ʩʥʥ ? ʨʫʲʰ ʲʨʱʩʥʥ ʩʣ ʯʩʠ , ʨʣʮʲʸ˦ʸˋ˦ ʸʩʣ ʯʥ˦ , ʸʩʣ ʪˌʰ ʵʸˋʤ ʯ‫ٷ‬ʮ ʨ‫ٷ‬ʸʹ , ʨˌʨʹ ˋ ʯʩʠ ʩʥʥ , ʨʰʲʸʡ ʱˌʥʥ , ʯʥ˦ ʳʥʸ ʸʲʣ ʲʨʸʲʣ‫ٷ‬ʬʹʲʢ ʯʷˌʬʢ , ʷʩʣʰʢˌʩ ʪʩʦ ʣʬʩʥʥ . ʯʷˌʸʹʸʲʣ ʨʩʥʨ ʳʩʥʠ . 47 “HEARING YOUR STEP AND ALARMED” Hearing your step and alarmed— I did not recognize my own voice. Oh my beloved, my longed-for one, in monstrous sorrow why have eyes met like enemies, words like swords? In the gloomy nights, estranged from you, my heart cries out for you, as in a burning city the call of tolling bells rush wildly, afraid of death. ...

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