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Contents
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Contents Preface vii Introduction 1 Part I. Ancient Technology 15 The four causes as obligations, as making ready the ground 15 The so-called efficient cause in Aristotle 19 Abetting causality as a reading of Heidegger 29 Letting, active letting, letting all the way to the end 32 Producing, bringing-forth, nature 35 Manufacture and contemplation 40 Bringing-forth as disconcealment 47 Disclosive looking 54 Technology and truth 55 The Greek concept of techne 57 Ancient technological practice as poiesis 65 Part II. Modern Technology 67 Ancient versus modern technology 67 Modern technology as a challenging: the gear and the capacitor 71 Modern technology as an imposition 75 Modern technology as a ravishment 78 Modern technology as a disposing 80 “Disposables” 83 Ge-stell, the “allencompassing imposition” 90 The essence of modern technology as nothing technological 107 Science as harbinger 111 Science as mediator 118 Causality; modern physics 119 The novelty of modern technology 124 v Part III. The Danger in Modern Technology 127 Asking about and asking for 127 Sent destiny, history, chronology 129 Freedom 131 Hastening 139 Doom 140 The danger 141 The highest danger 142 The occultation of poiesis 152 That which might save 153 The sense of essence 156 Enduring 160 Bestowal 164 The essence as something bestowed 166 Bestowal as what might save 168 The mystery 174 The constellation 178 Transition to the question of art 182 Part IV. Art 185 (Metaphysical) aesthetics versus (ontological) philosophy of art 186 Art as most properly poetry 191 Art and the history of Being 201 Art and technology 202 Questioning 207 Part V. Detachment 213 Contemplation; Detachment (Gelassenheit) 214 Openness to the mystery, autochthony, lasting human works 218 Conclusion: phenomenology, improvisation on the piety in art 226 Notes 233 Cited Works of Heidegger 237 Bibliography of Major Secondary Studies 239 Index 241 vi Contents ...