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Absolute, the, and Beauty, 209ff. Abstract Expressionism, 8 Adorno, Theodor, 3, 26–27, 177, 214 Aeschylus, 136–38, 141, 212 Aesthetic materiality, 23–26 Aesthetic value, 19–21 Alberti, Leon Battista, 93, 94, 95, 96, 150, 152, 154–56, 158, 159, 219 Alienation, 26–30 Antigone, 137–41, 212 Aquinas, St. Thomas, 5, 213, 218 Architecture, chapter 7, passim; 25, 34, 38, 83–84, 180, 188–89, 194, 201, 204 Aristotle, 49, 114, 127–28, 135ff, 174–76, 186–87, 190, 211 Arnold, Matthew, 133 Art, 16–17, 18–20, 24ff., 27, 31 and the ethical, Part II, passim; 6–7, 10, 34–35, 40ff., 73, 83, 126, 134 and the Ideal, 6, 10, 39, 43–48, 57, 60ff., 76–78, 84, 86–90, 92–93, 94, 98, 99, 100, 101–3, 105, 107, 108, 117, 120, 141, 147, 161ff., 179, 181, 189, 190, 206, 209, 212, 214, 219, 221 and the Ethical Order, chapter 8, passim Augustine, St., 4 and doctrine of two wills, 42 Austen, Jane, 145 Bach, J. S., 107 Balzac, Honoré de, 145 Barzun, Jacques, 29, 30, 195 Beardsley, Monroe, 19–20 Beauty, chapter 2, passim; chapter 4, passim; 9, 13, 14, 15, 24, 27, 34, 97, 120, 153, 154ff., 168, 180, 204 Becoming, 4 Beethoven, 105, 108, 120, 201 Bell, Clive, 23 Berlioz, Hector, 118 Blavatsky, Madame, 217 Breton, André, 39 Brunelleschi, Filippo, 95 Budd, Malcolm, 20, 85, 123 Burke, Edmund, 58 Byron, Lord George, 205 Catharsis, 136ff Christ, Jesus, 46, 64, 65, 88–89, 91, 99, 214 Cicero, 186–87 Cid, El,126, 128 Coleridge, S. T., 133 Corelli, Arcangelo, 107 Cousin, Victor, 93 Cubism, 8 Dada, 39 Dante, 72, 128 Danto, Arthur, 30 Index  257 [18.118.9.146] Project MUSE (2024-04-19 21:03 GMT) Derrida, Jacques, 28 Desmond, William, 5, 53, 224n13, 228n7, 241n14 Dewey, John, 22–23, 194 Dickens, Charles, 129, 145 Downing, Andrew Jackson, 203–4 Duchamp, Marcel, 39 Durante, Francesco, 107 Dürer, Albrecht, 101 Dutch art, 99–101 Eliot, T. S., 38 Else, Gerald, 136 End of Art, chapter 3, passim Eumenides, 137–38 Expression as a value of art, 21–23 and music, 109–15 Expressionism, 8 Fackenheim, Emil, 5 Faust, 142, 143 Fétis, François-Joseph, 203 Ficino, Marsilio, 96 Formalism, 23 French Revolution, 8 Fry, Roger, 23 Gardner, John, 123 Gluck, Christoph Willibald von, 106, 107, 109, 117 Goethe, Johann Wolfgang von, 32, 76, 131, 142–43, 144 Goldman, Alan, 20 Hamartia, 137 Hamlet, 142–43, 144 Handel, Georg Friedrich, 107 Hanslick, Eduard, 107, 112 Haydn, Franz Joseph, 105, 106, 107, 117 Heidegger, Martin, 4, 7, 14, 17, 24–26, 174, 176–78 Hirt, Ludwig, 152 Historicism and historicist critique, 2–4, 6–8, 15, 57, 68, 78, 98, 101, 103, and passim Homer, 31, 32, 33, 34, 72, 125–28, 131, 216 Hotho, H. G., 15 Houlgate, Stephen, 5 Ideal, the, 6, 10, 39, 43–48, 57, 60ff., 76–78, 84, 86–90, 92–93, 94, 98, 99, 100, 101–3, 105, 107, 108, 117, 120, 141, 147, 161ff., 179, 181, 189, 190, 206, 209, 212, 214, 219, 221 Imitation, 40, 70 Kandinsky, Wassily, 37, 38, 217 Kant, Immanuel, 20–21, 29, 42, 47, 220 Keats, John, 133, 205 Klopstock, Friedrich Gottlieb, 128, 131 Kristeller, Paul Oskar, 195 Lauer, Quentin, 5 Le Corbusier, 38 Liszt, Franz, 118 Lomazzo, Giovanni Paolo, 96, 97 Lotti, Antonio, 107 MacIntyre, Alasdair, 22, 195–96 Mahler, Gustav, 201 Marxism, 14, 26–27 Metaxological, 49, 53, 76–79, 205 Michelangelo, 87, 88 Milton, John, 125, 128, 205 Mimetic art, 21, 85 Modernism, 1, 3, 7 , 8–9, 10, 13, 17ff., 23, 26, 39, 84, 193, 195, 197, 214 Modernity, 7–8, 17–18, 30, 42 Monteverdi, Claudio, 203 Mozart, Wolfgang Amadeus, 105, 106, 107, 109, 117, 203 Music, chapter 5, passim Neorealism, 13–14 New Criticism, 123 Nibelungenlied, 128 Nietzsche, Friedrich, 7, 14, 214–17, 220 258 Index Oedipus, 137–41 O’Regan, Cyril, 5 Originality, 18 Painting, 90–103 Palestrina, Giovanni Pierluigi da, 107, 108, 117 Palladio, Andrea, 150, 152, 156–59, 165 Pantheism, 5, 75 Pascal, Blaise, 53 Pergolesi, Giovanni Battista, 107, 117 Plato, 4, 15, 49–53, 54, 63, 70, 114, 158, 163, 211–12 Poetry and the epic, 125–30 ethical function of, chapter 6, passim and the lyric, 130–34, 200 Postmodernism, 2, 3, 7, 8–9, 13–15, 27, 32–33, 193 Pound, Ezra, 38, 39 Poussin, Nicholas, 97 Presentism, 2–3, 6, 7, 57 Pushkin, Aleksandr, 74 Quarrel in arts...

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