The Censorship Files: Latin American Writers and Franco's Spain

Index

Abella Martín, Francisco, 2–3; and freedom of expression laws, 2 Abellán, Manuel, 2–3, 10, 32, 185 (n.2) Alcoriza, Luis, 111, 116–117 Allende, Isabel, 31, 32, 200 (n.1); La casa de los espíritus, 174 Allende, Salvador, 24 Alzamiento Nacional, 136, 146 Amícola, José, 156–158, 160–161, 171, 198 (n.9), 199 (n.3), 200 (n.17) Anderson, Danny, 14–15, 17 apertura, xiii, xv, xxiii, 1, 5, 9, 16, 31, 39, 44, 189 (n.5); and Barcelona, xxiii; and book circulation , 137; and censorship practices, 135, 178, 197–198 (n.3); culture of, xvii, xxiii, 37, 39, 44, 137; and economic development and expansion (desarrollismo), 2–3, 8, 16, 146; and economic prosperity, 37; market policies of, 16, 182; and relationship to Latin American literature , xvii; and Spanish-language book industry, 4, 11, 137. See also Franco regime, Spain Archivo General de la Administraci ón, xiv, xvii–xxii, 9, 31, 78, 129, 131, 178, 180, 185 (n.2), 197–198 (n.3); and Asuntos Exteriores, xxi; and Cultura, xxi; and Comercio, xxi; and decoding, xix–xxi; Educación, xxi; and National Book Institute reports, xxi, 6; and personal experience at, xvii–xix; and relaxation of regulations, xxiii, xxiv; and research, xvii–xix, xxi, 2, 31 Arenas, Reinaldo, xiv; El mundo alucinante , xv Argentina, 4, 6, 7, 19, 22, 34, 40, 83, 121, 122, 124, 134, 147, 148, 149, 153, 156, 159, 165, 168, 172, 180, 185 (n.3), 200 (n.1) Arrabal, Fernando, 137 Asturias, Miguel Ángel, 12, 165–66 authoritarian regimes, 71, 72, 73, 79; critique of, 101. See also Franco, Castro Balcells, Carmen, 22, 27, 30–31, 109, 119, 120, 122–123, 130, 183, 184, 188 (n.15), 200 (n.1); and Donoso, 174–175, 188 (n.15), 200 (n.1); fictionalized (as Núria Monclús), 24–29, 31; and García Márquez, 119–122, 175–177, 200 (n.1); as legendary figure (leyenda Balcells), 173, 173–177, 180 (n.15), 200 (n.1); and Vargas Llosa, 173, 174, 200 (n.1) 201 (n.4). See also Donoso, El jardín de al lado, Historia personal Barcelona, 22, 24, 119, 134, 159, 190 (n.1); and apertura, xxiii; and Index 221 architecture, 109; as auction site (for Subastas Velázquez), 109–110, 114, 115, 117; Big Mama of (Balcells), 173–174; and Catalan modernisme, 109; colony of writers in, 109, 125, 189 (n.5), 196 (n.9); intelligentsia of, 18, 20, 22, 109; as publishing site, xxiii–xxiv, 15, 17, 24–28, 31, 37–8, 79, 109–110, 118, 122, 124–5, 132, 137–138, 150, 153–154, 159, 167, 170–71, 174; and writers (see individual authors) Barral, Carlos, xxiv, 2, 9, 10, 11, 13–22, 33, 34, 38, 39, 40, 44, 76, 78, 86, 88, 132, 176, 177, 180, 183, 189 (n.2), 192 (n.13), 201 (n.8); Almanaque, 73, 120; Los años sin excusa, 13–14, 49–51; Años de penitencia, 21; and appeals process, 90–92; and behind-the-scenes negotiations, 48, 58, 162; and Cabrera Infante, 73, 76, 78 , 79, 86, 88, 89, 91–94, 104; and Catalan nationalism, 160; and censorship (rejection of), 40; and cooperation with censors, 38–70; correspondence with Cabrera Infante, 78; and correspondence with Cabrera Infante and Robles Piquer, 94–96, 98; and correspondence with Donoso, 30; correspondence with Robles Piquer and Vargas Llosa, 47–49, 50, 51; Cuando las horas veloces, 177, 187 (n.10), 201 (n.8); as “evil woman” (feminized), 165; as father figure (of the Boom), 176, 180–181; and García Márquez, 109, 119, 121–22, 124, 128, 131, 135, 175, 196 (n.9); and literary awards, 23–24, 38; Memorias, 18, 119–120, 124; and negotiations with censors, 91–92, 146, 162; and negotiations with Robles Piquer, 47, 48, 52–53, 96, 98; and oppositionality , 45; Penúltimos castigos, 29–31, 201 (n.8); and Puig, 142–143, 146, 148, 150, 153, 154, 160, 162, 170–72; and support of Cuban Revolution, 73, 89–90; and symbolic investment, 187 (n.10); and Vargas Llosa, 38–41, 43, 45, 46, 48, 49, 51 59, 60. See also Barral Editores, Seix Barral Barral Editores, 14, 22, 30, 33, 123, 125, 187 (n.1), 188 (n.18), 189 (n.1), 200 (n.2) Batista regime (Batistato), 71–72, 74–75, 77, 87, 91, 98, 101–103. See also Cabrera Infante, Guillermo Baudelaire, Charles; “Au Lecteur,” 191 (n.7). See also...