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An astonishingly modern novel, George Sand’s Valvèdre questions traditional Romantic representations of women and exposes the disastrous consequences such notions of femininity have for both male and female characters at a time when divorce was illegal. This first English translation by Françoise Massardier-Kenney shows Sand’s control of style and her understanding of the major tensions of early modern France: the role of women in society, the nature of motherhood, the relations between science and art, and the nature of prejudice.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Valv
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. xi-xvii
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  1. I
  2. pp. 1-28
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  1. II
  2. pp. 29-46
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  1. III
  2. pp. 47-66
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  1. IV
  2. pp. 67-90
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  1. V
  2. pp. 91-106
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  1. VI
  2. pp. 107-128
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  1. VII
  2. pp. 148-169
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  1. VIII
  2. pp. 151-170
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  1. Last Part
  2. pp. 171-203
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