In this Book

summary
In Global Goes Local, international scholars from a variety of disciplinary perspectives examine different forms of popular culture in Asia. Covering topics from pop music in Korea to TV commercials in Malaysia, this collection shows how imported cultural forms can be invested with fresh meaning and transformed by local artists to result in new forms of assertion and resistance that also meet the needs of their particular audiences.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Figures
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Asia and Global Popular Culture: The View from He Yong’s Garbage Dump
  2. Richard King, Timothy J. Craig
  3. pp. 3-12
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  1. Part 1: Global versus Local – Hybridity and Appropriation in Asian Popular Culture
  1. 1. Hulk Hogan in the Rainforest
  2. Peter Metcalf
  3. pp. 15-24
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  1. 2. Hybridity and Disjuncture in Mainland Chinese Popular Music
  2. Mercedes M. Dujunco
  3. pp. 25-39
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  1. 3. Under Attack: Mass Media Technology and Indigenous Musical Practices in the Philippines
  2. Michiyo Yoneno Reyes
  3. pp. 40-57
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  1. 4. Rocking East and West: The USA in Malaysian Music (An American Remix)
  2. Eric C. Thompson
  3. pp. 58-79
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  1. 5. Exploding Ballads: The Transformation of Korean Pop Music
  2. Keith Howard
  3. pp. 80-96
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  1. Part 2: Political, Ideological, and Spiritual Tensions in Asian Popular Culture
  1. 6. The Politics and Poetics of Sister Drum: “Tibetan” Music in the Global Marketplace
  2. Janet L. Upton
  3. pp. 99-119
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  1. 7. Television Drama in China: Engineering Souls for the Market
  2. Michael Keane
  3. pp. 120-137
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  1. 8. Moral Advertising in Malaysian TV Commercials
  2. Todd Joseph Miles Holden, Azrina Husin
  3. pp. 138-159
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  1. 9. “You May Not Believe, But Never Offend the Spirits”: Spirit-Medium Cults and Popular Media in Modern Thailand
  2. Pattana Kitiarsa
  3. pp. 160-176
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  1. 10. Revisioning Japanese Religiosity: Osamu Tezuka’s Hi no tori (The Phoenix)
  2. Mark W. MacWilliams
  3. pp. 177-208
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  1. Part 3: The Creation, Assertion, and Representation of Identity in Asian Popular Culture
  1. 11. Images of Asians in the Art of the Great Pacific War, 1937-45
  2. Nancy Brcak, John Pavia
  3. pp. 211-224
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  1. 12. To Fight the Losing War, to Remember the Lost War: The Changing Role of Gunka, Japanese War Songs ...
  2. Junko Oba
  3. pp. 225-245
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  1. 13. The Incantation of Shanghai: Singing a City into Existence
  2. Isabel K.F. Wong
  3. pp. 246-264
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  1. 14. Cassettes, Bazaars, and Saving the Nation: The Uyghur Music Industry in Xinjiang, China
  2. Rachel Harris
  3. pp. 265-283
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  1. Bibliography
  2. pp. 284-295
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  1. Credits
  2. pp. 296-298
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  1. Contributors
  2. pp. 299-301
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  1. Index
  2. pp. 302-309
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