Index
191 Index Abbate, Carolyn, 111 Adami, Giuseppe, 109 Adler, Guido, 18, 96 Adorno, Theodor, 2, 4, 12, 16, 19, 20, 24, 28, 29, 34, 36, 43, 60–61, 66, 68–70, 78–79, 84, 87, 89, 95, 127, 132, 144–46, 166; Composing for the Films (with Hanns Eisler), 127, 132; “Durchbruch” [breakthrough], 28, 166; Quasi una Fantasia, 144–46 Adventures of Robin Hood, The, 120, 135 Alfano, Franco, 108 Amsterdam, 55 analysis (musical), xiii, 28, 29, 37, 60, 73, 77, 78, 102, 112, 132, 134 Anthony Adverse, 123, 124, 126 anti-Semitism, 83, 89, 152–53, 161 Aristotle, 120, 133–34 Bach, J.S., 49, 97, 104, 136 Badiou, Alain, 90–91 Bartók, Béla, 93 Bassinger, Jeanine, 134 Baudelaire, Charles, 68 Bauer-Lechner, Natalie, 21 Bayreuth, 11, 67, 83, 85–88, 89, 97, 131; Festspielhaus, 67, 83, 85–88, 89, 97, 131; Wahnfried, 86–88, 91 Beatles, The, 61 Beecham, Sir Thomas, 46, 48 Beethoven, Ludwig van, 9, 17, 18, 24, 25, 27, 29, 33, 37, 58, 59–60, 61, 67, 74, 75, 83, 92, 126, 136–37; “Pathétique” Sonata, 136–7; The Ruins of Athens, 59–60; Symphony no. 3, 37, 126; Symphony no. 6, 67; Symphony no. 7, 75; Symphony no. 9, 23, 25, 29, 60, 83 Bekker, Paul, 27, 59–60, 77, 145, 160, 161–62, 169 Belasco, David, 90 Bellamann, Henry, Kings Row, 130, 136 Bennett, Arnold, 8–9 Berg, Alban, 26, 28, 93–95, 101, 102, 103, 112, 120, 144, 174n10; Lulu, 94; Wozzeck, 93–95, 101, 103, 112, 117, 144 Berglinger, Joseph (character in Wackenroder ), 11–13, 15, 20, 24, 28, 36, 44, 62, 63, 75, 83, 85, 109, 112–13, 147 Berio, Luciano, 108 Berkeley, xvi-xvii, 4 Berlin, 93, 100, 142, 144, 151, 152, 160, 162, 168; Musik-Hochschule, 151, 152, 169; Städtische Oper, 152, 160 Berlioz, Hector, 57–8; Symphonie fantastique , 57 Bernstein, Leonard, 50 Blacking, John, 29 Bloomsbury (literary group), 8 Blue Angel, The [Der blaue Engel], 142 Böcklin, Arnold, 35 192 | Index bodily experience of music, 29, 36–37, 54, 63, 71–72, 98–100, 144–45, 165–67 Boethius, 6 Böhm, Carl, 94 Bolshevism, 168, 169 Bonn, 86 Bordwell, David, 131–32, 133–34; Narration in the Fiction Film, 131, 133 Boulez, Pierre, 16 Bradford, 47 Brahms, Johannes, 54 Brecher, Gustav, 32 Brecht, Bertolt, 97, 100, 111, 131, 135, 141, 157; Lehrstücke, 141 Breisach, Paul, 153 Brief Encounter, 35 Brooks, Peter, 101, 106, 114; The Melodramatic Imagination, 101 Bruckner, Anton, 116, 123 Büchner, Georg, 94 Budapest, 55, 57 Busoni, Ferruccio, 27, 151, 162 cabaret, 141–42 Cable, George, 47; The Grandissimes, 47 Calvocoressi, M.D., 71 Cambridge University Press, 10–11 Cannes, 117 Captain Blood, 123, 124, 125 Carey, John, 7–9, 10, 15, 84, 95; The Intellectuals and the Masses, 7–9 Carner, Mosco, 96, 104, 106, 107 Casablanca, 135 Cavell, Stanley, 114–15, 118–19, 131, 134–35; Contesting Tears, 114 Chaliapin, Fyodor, 33 Chemnitz (formerly Karl Marx Stadt), 154–55, 161 Chéreau, Patrice, 90 Chopin, Fryderyk, 66, 97, 99fig., 115, 136; Revolutionary Étude, 115 Chowrimootoo, Christopher, 74 cinema, “the cinematic” (as critical/ technical category), 36, 37, 63, 75, 78, 89, 93, 103–4, 109, 116–19, 122, 123–24, 127–27, 128–29, 130–32, 135, 164, 169–70 Citizen Kane, 135 class, social (and taste), 6–9, 11–13, 15–16, 20, 24–25, 30, 32–33, 56–57, 62, 66, 70–71, 83–84, 103–4, 108–9, 114, 144 classical music, 4, 16, 29, 54–59, 63, 65, 133, 136, 137, 145–46, 162 Clément, Catherine, 111, 133, 150 Cohan, George M., 127; “Over There,” 127 Common, Thomas, 45 Conan Doyle, Sir Arthur, 9, 96; “Sherlock Holmes” stories, 9 concert hall, its culture and the symphony concert, xi, xvi, 2–4, 7, 9, 19–20, 23, 24–25, 28, 29, 31, 34, 35–36, 37–44, 53, 55, 61–63, 69, 135, 137–39, 141 conductor, role of, xi, 12, 15, 89, 100, 183n48 Copland, Aaron, 50, 144; The New Music, 1900–1960, 144 Craig, Douglas, 46, 47 Creighton, Basil, 14, Cumming, Robert, 130 Dahl, Dr. Nicolai, 34 Dahlhaus, Carl, xii, xiii, 4–5, 9, 10, 56–57, 60; Esthetics of Music, 56–57 D’Albert, Eugen, 92; Tiefland, 92 Darwin, Charles, 35 Davidsbund (Band of David), 25, 30, 62 Davies, James Q., 174n2, 183n48 Davis, Andrew, 102, 116 Davis, Bette, 114–15, 116fig., 124–26, 125fig. Debussy, Claude Achille, 13...
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